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See detailMetals as chemical tracers to discriminate ecological populations of threatened Franciscana dolphins (Pontoporia blainvillei) from Argentina
Romero, M.B.; Polizzi, P.; Chiodi, L. et al

in Environmental Science and Pollution Research (in press)

Franciscana dolphins are the most impacted small cetacean in the Southwestern Atlantic Ocean, classified as Vulnerable A3d by IUCN. Essential (Fe, Mo, Mn, Cr, Ni, Co) and non-essential (Ag, Pb, Sn) trace ... [more ▼]

Franciscana dolphins are the most impacted small cetacean in the Southwestern Atlantic Ocean, classified as Vulnerable A3d by IUCN. Essential (Fe, Mo, Mn, Cr, Ni, Co) and non-essential (Ag, Pb, Sn) trace elements (TEs) were measured in liver, kidney, and brain samples of by-catch Franciscana dolphins that were living in estuarine (n = 21) and marine (n = 21) habitats (1) to assess whether TEs posed a threat and (2) to evaluate the suitability of TEs for discriminating ecological populations of this species in Argentinean waters. Essential TEs showed little variation in tissues from both groups in agreement with levels reported for other cetaceans and suggesting that these concentrations correspond to normal physiological levels. Non-essential TEs were higher in estuarine juveniles and adults dolphins than in marine specimens. These results suggest anthropogenic sources associated with estuarine area and that Franciscana dolphins are good sentinels of the impact of the environment. The difference in the concentrations of TEs beetwen ecological populations appeared to be related to distinct exposures in both geographical areas, and it is suggested that Ag and Sn concentrations in adults are good chemical tracers of anthropogenic input of TEs. These results provide additional information for improved management and regulatory policy. [less ▲]

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See detailLa chapelle Sainte-Pétronille (Bargème, France), témoin d’une apparition moustérienne dans les préalpes nord-varoises
Marzin, Sébastien; Purdue, Louise; Tomasso, Antonin ULg et al

in Bulletin du Musée d'Anthropologie Préhistorique de Monaco (in press)

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See detailCan electoral inequalities be legally justified?
Bouhon, Frédéric ULg

in European Review of Public Law (in press), 2016(Automn),

In light of the principle of equality, German, Belgian and British election law contain some legal rules that tend to distribute the faculty to influence the composition of the elected assemblies equally ... [more ▼]

In light of the principle of equality, German, Belgian and British election law contain some legal rules that tend to distribute the faculty to influence the composition of the elected assemblies equally among the governed people, and others that tend to distribute it unequally. The inequality caused by the latter group may be to some extent legally justified by concerns for the general interest, but also provides rulers with means that help them to remain in power, which is hardly justifiable from a legal perspective. In these legal systems, parties are expected to gain a significant portion of the people’s support: not only should the parliament (as a whole) and its members (as individuals) represent the governed people, but the parties themselves are expected to be sufficiently representative of the people in order to access the legislative assemblies. Notably, this thesis draws examples from the case law of the European Court of Human Rights, from which relevant decisions are mentioned here. [less ▲]

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See detailLe projet EpistolART à la lumière de lettres évoquant Léonard de Vinci
Fagnart, Laure ULg

in Girotto, Carlo Alberto; Lucas-Fiorato, Corinne (Eds.) L'écriture épistolaire entre Renaissance et Âge baroque. Pratiques, enjeux, pistes de recherche (in press)

Le projet EpistolART explore le matériau épistolaire dans le but de mieux préciser le statut socio-professionnel des artistes de la Renaissance italienne. Dans ce cadre, le "Carteggio inedito d’artisti ... [more ▼]

Le projet EpistolART explore le matériau épistolaire dans le but de mieux préciser le statut socio-professionnel des artistes de la Renaissance italienne. Dans ce cadre, le "Carteggio inedito d’artisti dei secoli XIV, XV, XVI" de Johann Wilhelm Gaye (1839-1840) constitue l’un de nos corpus privilégiés. Méritoire le travail de Gaye n’en demeure pas moins dépassé : les transcriptions, souvent partielles et contestables, requièrent une actualisation, suivant les critères de la philologie, de la codicologie et de la paléographie moderne. Cette contribution s'organise autour de trois lettres évoquant Léonard de Vinci, lettres publiées dans les volumes de Gaye et dont les membres du projet EpistolART proposent une nouvelle édition. Elles constituent des documents extrêmement précieux pour écrire l’histoire des relations entre le maître florentin et la France. Si les historiens qui se sont penchés sur la vie et l’œuvre de Léonard de Vinci connaissent ces correspondances, rares sont ceux qui ont recouru aux documents épistolaires originaux. Or, ce n’est qu’au départ d’un texte sûr, appréhendé tant dans sa matérialité que dans ses contenus, que peuvent se déployer des analyses scientifiquement fondées. [less ▲]

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See detailIn search of the painters of the Theban necropolis in the 18th dynasty. Prolegomena to an analysis of painterly practices in the tomb of Amenemope (TT29)
Laboury, Dimitri ULg; Tavier, Hugues

in Angenot, Valérie; Tiradritti, Francesco (Eds.) Artists and Painting in Ancient Egypt (in press)

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See detailGeorges Ier d'Amboise et l'aménagement intérieur du château de Gaillon
Fagnart, Laure ULg

in Provini, Sandra (Ed.) La Renaissance à Rouen. L'essor artistique et culturel des décennies 1480-1530 (in press)

Figure emblématique de la Renaissance rouennaise et normande, Georges Ier d’Amboise rassemble une bibliothèque exceptionnelle, notamment constituée de manuscrits ayant appartenu aux rois aragonais de ... [more ▼]

Figure emblématique de la Renaissance rouennaise et normande, Georges Ier d’Amboise rassemble une bibliothèque exceptionnelle, notamment constituée de manuscrits ayant appartenu aux rois aragonais de Naples. Le cardinal s’intéresse également à l’architecture, comme peu de ses contemporains, privilégiant les formes et les fonctions nouvelles, spécialement celles en vigueur en Italie. Il participe aussi à la fortune française d’artistes italiens de renom, comme Andrea Mantegna, Léonard de Vinci, Pérugin ou Andrea Solario, dont il commande ou acquiert des œuvres afin de décorer ses demeures, le château de Gaillon en tête. Mais, alors que son rôle dans la diffusion, au nord des Alpes, des idées et des motifs venus d’Italie est indéniable, le portrait de Georges Ier d’Amboise amateur d’art comprend bien d’autres facettes. Prolongeant une recherche entamée à l’occasion de la parution de l’ouvrage Georges Ier d’Amboise 1460-1510. Une figure plurielle de la Renaissance (2013), cette contribution entend s'arrêter sur les objets et les œuvres d’art que l’on peut associer au mécénat et/ou aux possessions de l’archevêque de Rouen. Nous nous pencherons sur les productions italiennes qui sont liées à Georges Ier d’Amboise mais aussi sur les étoffes, les pièces d’orfèvrerie et les tableaux de chevalet, qui sont mentionnés en nombre dans les comptes de dépenses de la construction du château de Gaillon et dans les inventaires qui décrivent les biens meubles conservés dans les demeures du cardinal. L’analyse de ces sources – que jusqu’ici les historiens ont surtout utilisées pour restituer la chronologie du château de Gaillon, rétablir la distribution intérieure de la demeure ou décrire la célèbre bibliothèque du légat alors qu’elles se révèlent extrêmement précieuses pour présenter les collections du conseiller de Louis XII – montre que le goût de Georges Ier d’Amboise, bien que novateur, s’inscrit aussi dans la continuité de celui des amateurs français de la fin du Moyen Âge. [less ▲]

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See detailLéonard de Vinci et d'autres. Artistes italiens au service de François d'Angoulême (et de Louise de Savoie)
Fagnart, Laure ULg

in Lastroiali, Chiara (Ed.) L'Italia e Francesco I. Scambi, influenze, diffidenze fra Medioevo e Rinascimento (in press)

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See detailBiolaw and dual use dilemma: the freedom of scientific research in relationship with traditional and emerging sciences and technologies
Colussi, Ilaria Anna ULg

in International Journal of Biolaw (in press)

Science and technology require an intervention by the law, and law is called upon to intervene in front of their evolution, and to look for proper solutions of governance and rational responses to their ... [more ▼]

Science and technology require an intervention by the law, and law is called upon to intervene in front of their evolution, and to look for proper solutions of governance and rational responses to their risks. One of the main issues to be investigated from the legal viewpoint is represented by the ‘dual-use dilemma’ that arises both in ‘traditional’ and new areas of techno-sciences. Indeed, any kind of research has the potential to be used both for bad as well as for good purposes. Therefore, it is important to reflect upon the ways to control possibly dangerous research without preventing the progress from going further. Such ‘dual-use dilemma’, then, entails the study of one of the fundamental freedoms in the biolaw area: the freedom of scientific research, its limits, and relationship with other rights/needs/freedoms (such the need of security). This work focuses on two areas of the techno-scientific world. One is more ‘traditional’, i.e. nuclear science, in whose context the reflections on ‘dual-use’ were born and developed, and the other one is a new emerging technology, which is synthetic biology. The aim is to understand how the freedom of scientific research could be shaped in relationship with other rights/needs/interests for dealing with ‘dual-use’ issues in the aforementioned areas of science and technology. [less ▲]

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See detailA Quantitative Doignon-Bell-Scarf theorem
Aliev, Iskander; Bassett, Robert; De Loera, Jesus et al

in Combinatorica (in press)

The famous Doignon-Bell-Scarf theorem is a Helly-type result about the existence of integer solutions to systems of linear inequalities. The purpose of this paper is to present the following quantitative ... [more ▼]

The famous Doignon-Bell-Scarf theorem is a Helly-type result about the existence of integer solutions to systems of linear inequalities. The purpose of this paper is to present the following quantitative generalization: Given an integer k, we prove that there exists a constant c(n,k), depending only on the dimension n and on the number k, such that if a bounded polyhedron {x in R^n : Ax <= b} contains exactly k integer points, then there exists a subset of the rows, of cardinality no more than c(n,k), defining a polyhedron that contains exactly the same k integer points. In this case c(n,0)=2^n as in the original case of Doignon-Bell-Scarf for infeasible systems of inequalities. We work on both upper and lower bounds for the constant c(n,k) and discuss some consequences, including a Clarkson-style algorithm to find the l-th best solution of an integer program with respect to the ordering induced by the objective function. [less ▲]

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See detailOpen Implementation of DICOM for Whole-Slide Microscopic Imaging
JODOGNE, Sébastien ULg; LENAERTS, Eric ULg; MARQUET, Lara ULg et al

in Proceedings, 12th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications (VISAPP 2017) (in press)

This paper introduces an open implementation of DICOM for whole-slide microscopic imaging, following Supplement 145 of the DICOM standard. The software is divided into two parts: (a) a command-line tool ... [more ▼]

This paper introduces an open implementation of DICOM for whole-slide microscopic imaging, following Supplement 145 of the DICOM standard. The software is divided into two parts: (a) a command-line tool to convert an whole-slide image to the DICOM format, and (b) a zero-footprint Web interface to display such DICOM images. The software architecture leverages the DICOM server Orthanc. The entire framework is available as free and open-source software. The existence of this software supports the development of digital pathology and telepathology in clinical environments, featuring a smooth integration with existing EHR and PACS solutions. [less ▲]

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See detailArt. Liège et la Guerre de Cent Ans
Marchandisse, Alain ULg

in Moeglin, Jean-Marie (Ed.) Dictionnaire Guerre de Cent Ans (in press)

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See detailEarliest Mississippian rugose corals of eastern Australia: post-disaster fauna across the Devonian-Carboniferous Boundary?
Denayer, Julien ULg; Webb, Gregory

in Palaeodiversity & Palaeoenvironments (in press)

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See detailOn some symmetric multidimensional continued fraction algorithms
Labbé, Sébastien ULg; Arnoux, Pierre

in Ergodic Theory and Dynamical Systems (in press)

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See detailEntre mutation et métissage Co-construction d’une ethnographie émancipatrice et féministe
Vivas Romero, Maria ULg

in Émulation Revue des Jeunes Chercheuses et chercheurs en sciences sociales (in press)

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See detailL’apport de la papyrologie à la connaissance des pratiques et stratégies alimentaires dans l’Antiquité tardive 3. Papyrus documentaires grecs relatifs à l’alimentation et à la cuisine (IIIe/Ve siècles)
Ricciardetto, Antonio ULg

in Pratiques et stratégies alimentaires dans l'Antiquité tardive. Actes des journées d'études, 28-29 novembre 2016, Nancy (in press)

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See detailOn the Zero Defect Conjecture
Labbé, Sébastien ULg; Starosta, Stepan; Pelantova, Edita

in European Journal of Combinatorics (in press)

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See detail"'Les orphelins sur la tombe de leur mère' at the Crossing with Flemish Tradition"
Peere, Isabelle ULg

in B.A.S.I.S - International Ballad Studies (in press)

The study proposes a comparative analysis of the French-language and Flemish/Dutch versions of the international ballad deriving from the Danish 'Moderen under Mulde' (Dgf 89), and on this basis ... [more ▼]

The study proposes a comparative analysis of the French-language and Flemish/Dutch versions of the international ballad deriving from the Danish 'Moderen under Mulde' (Dgf 89), and on this basis identifies three French-language texts recorded in North-east France and Wallonia yet showing closer affinities to the neighbouring Flemish tradition. In the light of both textual traditions, their unilateral adoption of Flemish motifs and their enhancing effect suggests deliberate selection rather than mere geographical proximity or bilingualism as explanation for their hybridization. [less ▲]

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See detailChronique du colloque international "Médecine et christianisme : sources et pratiques" (Paris, 15-16 septembre 2016)
Carlig, Nathan ULg

in Lettre d'informations du Centre Jean Palerne (in press)

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See detailDemeter's Arrival at Eleusis on an Apulian Oinochoe kept in Foggia
Cuvelier, Graham ULg

in Babesch : Bulletin Antieke Beschaving (in press)

This article offers an interpretation of the scene depicted on the body of an Apulian red-figured oinochoe, assigned to the Darius Painter, now kept in the storage of the Museo Civico of Foggia. This ... [more ▼]

This article offers an interpretation of the scene depicted on the body of an Apulian red-figured oinochoe, assigned to the Darius Painter, now kept in the storage of the Museo Civico of Foggia. This interpretation is based on the analysis of the iconographic language of the Apulian imagery as well as on the connexion in series of this scene with those appearing on contemporary vases produced in the same cultural community. This article is also accompanied by a set of previously unpublished colour pictures (of the entire vase and of several details) taken on site by the author. [less ▲]

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See detailL'enquête sur le fragment apulien Kiev 147 a
Cuvelier, Graham ULg

in Mètis : Revue d'Anthropologie du Monde Grec Ancien : Philologie, Histoire, Archéologie (in press)

Starting with a drawing of the late 19th century, completed by a recent and unpublished picture, this article presents the journey of an Apulian fragment attributed to the circle of the Darius Painter ... [more ▼]

Starting with a drawing of the late 19th century, completed by a recent and unpublished picture, this article presents the journey of an Apulian fragment attributed to the circle of the Darius Painter. This journey is associated with the history of the research related to this fragment, from its discovery in Ruvo in 1869 until its rediscovery in 2000 in Kiev. Then come a description and an iconographic analysis of the scene depicted on it, followed by the interpretations which have been given to it. [less ▲]

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