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See detailTrifles for 'Unflemings'. Teaching Dutch Literary History in Nineteenth-Century Wallonia
Steyaert, Kris ULg

in Van Kalmthout, T.; Zuidervaart, H. (Eds.) The Practice of Philology in the Nineteenth-Century Netherlands (in press)

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See detailSymboles et abréviation chrétiens dans les papyrus littéraires grecs à contenu profane (IVe-VIIe siècles)
Carlig, Nathan ULg

in Derda, Tomasz; Urbanik, Jakub (Eds.) Acts of the 27th International Congress of Papyrology (Warsaw, 29th July - 3rd August 2013) (in press)

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See detailIntroduction
Dumont, Jonathan ULg; Masson, Christophe ULg

in Moyen Age (Le) (in press), 120(3-4),

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See detailLe pouvoir par les armes, le pouvoir par les idées
Dumont, Jonathan ULg; Masson, Christophe ULg

in Moyen Age (Le) (in press), 120(3-4),

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See detailEL TLC UE – Colombia – Perú y la integración regional latinoamericana. ¿Hacia una norteamericanización de la estrategia interregional europea?
Parra Santamaria, Lusmiriam Andrea ULg

in Comentario Internacional (in press)

This document compares the contents of the Free Trade Agreements (FTA) that have been signed by the European Union and by the United States with Colombia. It analyses them from a perspective that ... [more ▼]

This document compares the contents of the Free Trade Agreements (FTA) that have been signed by the European Union and by the United States with Colombia. It analyses them from a perspective that characterizes FTAs into “WTO-extra” and “WTO-plus” agreements. By this analysis, an “Americanization” of the European interregional strategy is partially verified. Nevertheless, this “Americanization” appears to be partial, due to the inclusion of “regional integration” as a transversal theme in European FTA. [less ▲]

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See detailUse of camera traps for wildlife studies: a review
Trolliet, Franck ULg; Vermeulen, Cédric ULg; Huynen, Marie-Claude ULg et al

in Biotechnologie, Agronomie, Société et Environnement = Biotechnology, Agronomy, Society and Environment [=BASE] (in press)

As human threats continue to impact natural habitats, there is an increasing need to regularly monitor the trends in large vertebrate populations. Conservation efforts must be directed appropriately, but ... [more ▼]

As human threats continue to impact natural habitats, there is an increasing need to regularly monitor the trends in large vertebrate populations. Conservation efforts must be directed appropriately, but field work necessary for data collection is often limited by time and availability of people. Camera traps are used as an efficient method to insure permanent sampling and to work in difficult to access areas. In the present study, we illustrate the way the use of camera traps developed: firstly with the need to monitor tiger (Panthera tigris (Linnaeus 1758)) populations and later as an instrument serving a diverse field of studies, such as animal behaviour and fauna-flora interaction. By looking at the material and technical aspects of various models of camera trap for implementation in different field studies in animal ecology, we highlight the need to choose appropriate camera trap models for the target species and to set up solid sampling protocols in order to successfully achieve study objectives. [less ▲]

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See detailLa UE: un actor de la integración regional de América latina
Parra Santamaria, Lusmiriam Andrea ULg

in LEVI CORRAL, Michel (Ed.) La Unión Europea y la integración en América del Sur, una visión en contexto de la asociación entre bloques regionales (in press)

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See detailHileôs tôi phorounti. Sérapis sur les gemmes et les bijoux antiques. Supplément II
Veymiers, Richard ULg

in Bricault, Laurent; Veymiers, Richard (Eds.) Bibliotheca Isiaca III (in press)

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See detailRôle et langue de Tchantchès dans les représentations en castelets des romans de chevalerie : le cas des Quatre fils Aymon
Baiwir, Esther ULg; Impe, Anaëlle

in Enquêtes du Musée de la Vie Wallonne (in press)

Pourquoi et dans quelle mesure les montreurs de marionnettes liégeoises font-ils intervenir Tchantchès aux côtés des grands chevaliers médiévaux, dont les aventures constituent une part importante du ... [more ▼]

Pourquoi et dans quelle mesure les montreurs de marionnettes liégeoises font-ils intervenir Tchantchès aux côtés des grands chevaliers médiévaux, dont les aventures constituent une part importante du répertoire liégeois ? Quels sont ses moyens d'action, mais également ses modes d'expression ? Divers registres de langue apparaissent au fil des spectacles ; quels sont ceux prêtés à notre héros ? Et surtout, ce rôle et cette langue ont-ils évolué au fil du temps ? C’est à ces quelques questions que nous tentons de répondre, en observant les différentes interventions de Tchantchès dans les réécritures des aventures des quatre fils Aymon, l’une des œuvres les plus anciennes et les plus fréquemment jouées dans les théâtres liégeois dévolus aux comédiens de bois. [less ▲]

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See detailNormalisation linguistique d’un texte latin à la Renaissance : l’exemple de l’édition par F. Risner de la traduction latine du De aspectibus d’Alhazen
Pietquin, Paul ULg

in Longrée, Dominique (Ed.) Actes du 13e Colloque international de Linguistique latine (Facultés universitaires Saint-Louis, Bruxelles, Belgique, 4-9 avril 2005) (in press)

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See detailLes acteurs des cultes isiaques et leurs images
Veymiers, Richard ULg

in Gasparini, Valentino; Veymiers, Richard (Eds.) The Agents of Isiac Cults. Proceedings of the VIth International Conference of Isis Studies, Erfurt, May 6-8 2013 – Liège, September 23-24 2013 (in press)

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See detailAn insight into Ms Cambridge University Library Qq. 106-109 (Alf Layla wa-Layla - The Arabian Nights)
Franssen, Elise ULg

in Faghihi, Yasmin (Ed.) Cambridge University Library Manuscripts in Arabic Script: a New Catalogue (in press)

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See detailAberrations chromatiques : de l’émulsion au pixel
Thonon, Jonathan ULg

in Cahiers Louis Lumière (in press)

Dans l’une de ses conversations avec Joachim Gasquet sur le sens de sa peinture (et de la peinture en général), Cézanne aborde de front la conception qu’il se fait de la couleur, dans son rapport à la ... [more ▼]

Dans l’une de ses conversations avec Joachim Gasquet sur le sens de sa peinture (et de la peinture en général), Cézanne aborde de front la conception qu’il se fait de la couleur, dans son rapport à la profondeur picturale et de son articulation à la surface : « La nature n'est pas en surface ; elle est en profondeur. Les couleurs sont l'expression, à cette surface, de cette profondeur. Elles montent des racines du monde ». Cet « organisme de couleurs » que constitue le monde est transcrit dans la peinture de Cézanne par une dynamique symbiotique de la couleur et du dessin, de la ligne et du pan. La couleur restitue, par sa masse, son surgissement, son homogénéité, presque sa viscosité, la véritable chaire perceptive du monde ; une vision qui tient à distance la perspective géométrique, photographique, cinématographique fondée sur la transparence et qui repose, comme le signale Merleau-Ponty, sur la « réversibilité des dimensions » (surface-profondeur) et l’entrelacement des choses. C’est cette épaisseur du visible rendu par la couleur que l’économie de l’image numérique nous permet de redécouvrir, moins dans le registre de la « tactilité » de l’image et la picturalité du pixel, que par l’intégration, entre le support et l’image (parfois indiscernables dans le régime optique), d’un « corps » algorithmique qui règle l’actualisation du visible. Certains défauts techniques du dispositif numérique, aujourd’hui élevés au rang de pratique artistique, permettent de révéler cette matrice qui utilise alors la couleur et la coulure comme mode de visibilité. C’est le cas du Datamoshing, technique de composition numérique qui revisite tout en la radicalisant la pratique de l’incrustation vidéo. Basée sur la perturbation volontaire d’éléments de la matrice, cette technique transforme les couleurs en une forme malléable et fluide révélant ainsi leur double nature spatiale : elles sont à la fois dans l’espace de l’image et l’espace de l’image lui-même. Ces expériences de défigurations d’images s’inscrivent dans le registre des « aberrations chromatiques » dont nous proposons ici une rapide généalogie avant d’interroger la couleur digitale dans ses spécificités. [less ▲]

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See detailA study of one-dimensional transport of Bose-Einstein condensates using exterior complex scaling
Dujardin, Julien ULg; Saenz, Alejandro; Schlagheck, Peter ULg

in Applied Physics B : Lasers & Optics (in press)

We numerically investigate the one-dimensional transport of Bose-Einstein condensates in the context of guided atom lasers using a mean-field description of the condensate in terms of a spatially ... [more ▼]

We numerically investigate the one-dimensional transport of Bose-Einstein condensates in the context of guided atom lasers using a mean-field description of the condensate in terms of a spatially discretized Gross-Pitaevskii equation. We specifically consider a waveguide configuration in which spatial inhomogeneities and nonvanishing atom-atom interactions are restricted to a spatially localized scattering region of finite extent. We show how the method of smooth exterior complex scaling can be implemented for this particular onfiguration in order to efficiently absorb the outgoing flux within the waveguide. A numerical comparison with the introduction of a complex absorbing potential as well as with the analytically exact elimination of the dynamics of the free non-interacting motion outside the scattering region, giving rise to transparent boundary conditions, clearly confirms the accuracy and efficiency of the smooth exterior complex scaling method. [less ▲]

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See detailEnzymatic characterization of recombinant alpha-amylase in the Drosophila melanogaster species subgroup: is there an effect of specialization on digestive enzyme?
Commin, Céline; Aumont-Nicaise, Magali; Claisse, Gaëlle et al

in Genes & Genetic Systems (in press)

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See detailOceanic forcing of Antarctic climate change: A study using a stretched-grid atmospheric general circulation model
Krinner, Gerhard; Largeron, Chloé; Ménégoz, Martin et al

in Journal of Climate (in press)

A variable-resolution atmospheric general circulation model (AGCM) is used for climate change projections over the Antarctic. The present-day simulation uses prescribed observed sea-surface conditions ... [more ▼]

A variable-resolution atmospheric general circulation model (AGCM) is used for climate change projections over the Antarctic. The present-day simulation uses prescribed observed sea-surface conditions, while a set of five simulations for the end of the 21st century (2070-2099) under the SRES-A1B scenario uses sea- surface condition anomalies from selected CMIP3 coupled ocean-atmosphere climate models. Analysis of the results shows that the prescribed sea-surface condition anomalies have a very strong influence on the simulated climate change on the Antarctic continent, largely dominating the direct effect of the prescribed greenhouse gas concentration changes in the AGCM simulations. Complementary simulations with idealized forcings confirm these results. An analysis of circulation changes using self-organizing maps shows that the simulated climate change on regional scales is not principally caused by shifts of the frequencies of the dominant circulation patterns, except for precipitation changes in some coastal regions. The study illustrates that in some respects the use of bias-corrected sea- surface boundary conditions in climate projections with a variable-resolution atmospheric general circulation model has some distinct advantages over the use of limited-area atmospheric circulation models directly forced by generally biased coupled climate model output. [less ▲]

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See detailLa traducción en el Borges de Bioy: una mirada lateral sobre la institución literaria
Willson, Patricia ULg

in Olea Franco, Rafael (Ed.) El legado de Borges (in press)

As with other writer’s journals, many entries of Borges by Adolfo Bioy Casares are related to spaces in dispute within the literary institution. One of these spaces is the literary import of texts from ... [more ▼]

As with other writer’s journals, many entries of Borges by Adolfo Bioy Casares are related to spaces in dispute within the literary institution. One of these spaces is the literary import of texts from foreign traditions. This article examines a selection of the journal entries about translation, not only from an aesthetical or theoretical standpoint, but also in connection to its concrete practice. [less ▲]

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