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See detailLe corps partagé
Gauthier, Jean-Marie ULg; Weber, Yves; Vermeylen, Françoise et al

Book published by Editions EDK (in press)

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See detailParis et la guérilla urbaine de la RAF. Notes pour un montage entre cinéma, photographie et architecture.
Hamers, Jérémy ULg

in Popovic, Pierre; Hamel, Yan (Eds.) La ville dans les arts et la littérature en France de 1958 à 1981. (in press)

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See detailTien Shan Geohazards Database: Landslide susceptibility analysis
Havenith, Hans-Balder ULg; Torgoev, Almazbek ULg; Schlögel, Romy et al

in Geomorphology (in press)

This paper is the second part of a new geohazards analysis applied to a large part of the Tien Shan, Central Asia, focused on landslide susceptibility computations that are based on recently compiled ... [more ▼]

This paper is the second part of a new geohazards analysis applied to a large part of the Tien Shan, Central Asia, focused on landslide susceptibility computations that are based on recently compiled geographic, geological and geomorphological data. The core data are a digital elevation model, an updated earthquake catalogue, an active fault map as well as a new landslide inventory. The most recently added digital data are a new simplified geological map, an annual precipitation map, as well as river and road network maps that were produced for the Kyrgyz and Tajik parts of the Tien Shan. On the basis of these records we determine landslide densities with respect to morphological (M), geological (G), river distance (R), precipitation (P), earthquake (E) and fault (F) distance factors. Correlations were also established between scarp locations and the slope angle, distance to rivers, curvature. These correlations show that scarps tend to be located on steeper slopes, farther from rivers and on more convex terrain than the entire landslides. On the basis of the landslide density values computed for each class of the aforementioned factors, two landslide susceptibility maps are created according to the Landslide Factor analysis: ... [less ▲]

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See detailLes mentions d'auteurs antiques dans les chansons de geste françaises
Henrard, Nadine ULg

in Haugeard, Philippe; Ribémont, Bernard (Eds.) Chanson de geste et savoirs savants (in press)

Les origines savantes ou populaires des épopées françaises médiévales ont longtemps fait débat. Il s'avère que ces textes contiennent un très grand nombre de références à des personnages issus de ... [more ▼]

Les origines savantes ou populaires des épopées françaises médiévales ont longtemps fait débat. Il s'avère que ces textes contiennent un très grand nombre de références à des personnages issus de l’Antiquité qui témoignent d’une formation scolaire chez les auteurs des chansons. Sur la base d'un examen de l'ensemble du corpus, cette étude s'intéresse plus particulièrement aux mentions explicites faites à des auteurs antiques, qu'ils soient grecs (Homère, Aristote, Platon) ou latins (Virgile, Ovide, César, Caton, Sénèque). En tenant de déterminer les traditions qui ont pu nourrir l'inspiration des auteurs des chansons de geste, elle s'emploie à définir les situations dans lesquelles les références en question apparaissent, et s’interroge sur les finalités que poursuivent les poètes à travers l’évocation des auteurs antiques, dont certains, comme César ou Virgile, sont davantage restés dans les mémoires pour des éléments réels ou imaginaires de leur vie plutôt que pour leur œuvre. [less ▲]

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See detailConfesseur du Prince : un profil singulier ? L’exemple de la cour espagnole de Bruxelles au XVIIe siècle.
Pirlet, Pierre-François ULg

in Les clergés de cour en Europe (fin XVe siècle - XVIIIe siècle). Service religieux et service politique dans les systèmes curiaux - Actes du colloque[Titre à préciser] (in press)

Au cœur de l'espace de la cour, le confesseur du Prince présente un profil singulier. La relation qu'il entretient avec son pénitent est unique : tenu à l'obéissance envers le souverain ou son ... [more ▼]

Au cœur de l'espace de la cour, le confesseur du Prince présente un profil singulier. La relation qu'il entretient avec son pénitent est unique : tenu à l'obéissance envers le souverain ou son représentant pour les aspects temporels, ce religieux a la faculté unique d'examiner, de conseiller et de juger la spiritualité du premier personnage de l'État. Attaché à la personne du Prince, les relations de cet ecclésiastique avec les autres courtisans ne peuvent être appréhendées au moyen d'une grille de lecture hiérarchisant les rapports sociaux : échappant à l'organisation laïque – mais pas protocolaire – de la cour et ne dépendant pas directement de la Chapelle royale, le confesseur bénéficie d'une autonomie relative. En outre, son pouvoir politique, en partie officiel grâce aux dignités et charges dont ce religieux est pourvu, est avant tout perçu comme une magistrature d'influence à la portée difficilement mesurable. Enfin, les obligations matérielles liées à l'appartenance de ce prélat à un ordre religieux achèvent de distinguer cet ecclésiastique des autres serviteurs princiers. Cette communication visera à distinguer les particularités de la charge de confesseur princier au sein de la société de cour. L'étude portera particulièrement sur la cour de Bruxelles durant la première moitié du xviie siècle. [less ▲]

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See detailIñigo de Brizuela et Andrés de Soto, deux regards sur la politique
Pirlet, Pierre-François ULg

in II ENCUENTRO DE JÓVENES INVESTIGADORES EN HISTORIA MODERNA - Actos [à préciser] (in press)

Iñigo de Brizuela and Andrés de Soto, both confessors of the Archdukes were key figures at Brussels' court. Each of them used to influence the policy, using different bias. But they weren't trying to ... [more ▼]

Iñigo de Brizuela and Andrés de Soto, both confessors of the Archdukes were key figures at Brussels' court. Each of them used to influence the policy, using different bias. But they weren't trying to reach similar goals: Brizuela carefully acted to preserve Spanish interests in the Catholic Netherlands, while de Soto struggled for a Catholic victory. Their political actions and its reasons will be covered by this paper. [less ▲]

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See detailLes figures maternelles dans le Roman en prose de Guillaume d'Orange
Henrard, Nadine ULg

in Laurent, Françoise (Ed.) Le monde entour et environ. La geste, la route et le livre (in press)

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See detailAmour tordu de la patrie. Érotique et politique dans Pompes funèbres de Jean Genet
Denis, Benoît ULg

in Dubois, Jacques (Ed.) Érotique et politique dans la prose française du XXe-XXIe siècle (in press)

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See detailIl modello musicale delle chieze nazionali a Roma in epoca barocca: panoramica e nuove prospettive di ricerca
Corswarem, Emilie ULg

in Kubersky-Pirreda, Susanne (Ed.) - (in press)

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See detailLes enjeux financiers et budgétaires
Husson, Jean-François ULg

in Christians, Louis-Léon; Déom, Liliane (Eds.) Le régime des cultes en Région de Bruxelles-Capitale. Approches interdisciplinaires (in press)

This chapter deals with the public financing or religious and philosophical communities in Brussels-Capital Region. It treats methodological problems, financing issues for the stakeholders and details the ... [more ▼]

This chapter deals with the public financing or religious and philosophical communities in Brussels-Capital Region. It treats methodological problems, financing issues for the stakeholders and details the financing (legal base, amounts, beneficiaries). The analysis discusses financing and practice, financing and territorial limits, efficiency, effectiveness and legitimacy. [less ▲]

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See detailL'antipsychologisme de Brentano
Boccaccini, Federico ULg

in Gyemant, Maria (Ed.) Psychologie et psychologisme (in press)

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See detailBrain metabolic dysfunction in Capgras delusion during Alzheimer’s disease: a positron emission tomography study
Jedidi, Haroun ULg; Daury, Noémy; Rémi, Capa et al

in American Journal of Alzheimer's Disease & Other Dementias (in press)

Capgras delusion is characterized by the misidentification of people and by the delusional belief that the misidentified persons have been replaced by impostors, generally perceived as persecutors. Since ... [more ▼]

Capgras delusion is characterized by the misidentification of people and by the delusional belief that the misidentified persons have been replaced by impostors, generally perceived as persecutors. Since little is known regarding the neural correlates of Capgras syndrome, the cerebral metabolic pattern of a patient with probable Alzheimer’s disease (AD) and Capgras syndrome was compared with those of 24 healthy elderly subjects and 26 AD patients without delusional syndrome. Compared to the healthy and AD groups, the patient had significant hypometabolism in frontal and posterior midline structures. In light of current neural models of face perception, our patient’s Capgras syndrome may be related to impaired recognition of a familiar face, subserved by the posterior cingulate/precuneus cortex, and impaired reflection about personally relevant knowledge related to a face, subserved by the dorsomedial prefrontal cortex. [less ▲]

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See detailFranz Brentano. Vol. 2. Intentionality and Philosophy of Mind
Boccaccini, Federico ULg; Antonelli, Mauro

Book published by Routledge (in press)

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See detailFranz Brentano vol 1. Sources and Legacy
Boccaccini, Federico ULg; Antonelli, Mauro

Book published by Routledge (in press)

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See detailFranz Brentano. Vol. 3. Metaphysics, Logic, Epistemology
Boccaccini, Federico ULg; Antonelli, Mauro

Book published by Routledge (in press)

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See detailFranz Brentano vol 4. Ethics, Aesthetics, Religion
Boccaccini, Federico ULg; Antonelli, Mauro

Book published by Routledge (in press)

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See detailSinging ability is rooted in vocal-motor control of pitch
Hutchins, Sean; Larrouy, Pauline ULg; Peretz, Isabelle

in Attention, Perception & Psychophysics (in press)

The inability to vocally match a pitch can be caused by poor pitch perception or by poor vocal-motor control. Although previous studies have tried to examine the relationship between pitch perception and ... [more ▼]

The inability to vocally match a pitch can be caused by poor pitch perception or by poor vocal-motor control. Although previous studies have tried to examine the relationship between pitch perception and vocal production, they have failed to control for the timbre of the target to be matched. In the present study, we compare pitch matching accuracy with an unfamiliar instrument (the slider) and with the voice, designed such that the slider plays back recordings of the participant’s own voice. We also measured pitch accuracy in singing a familiar melody (“Happy Birthday”) to assess the relationship between single pitch matching tasks and melodic singing. Our results showed that participants (all nonmusicians) were significantly better at matching recordings of their own voices with the slider than with their voice, indicating that vocal-motor control is an important limiting factor on singing ability. We also found significant correlations between the ability to sing a melody in tune and vocal pitch matching, but not instrumental pitch matching. Better melodic singers also tended to have higher quality voices (as measured by acoustic variables). These results provide important evidence about the ultimate causes of poor singing ability, and demonstrate that single pitch matching tasks can be useful in measuring general singing abilities. [less ▲]

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See detailDesign, art et recherche conceptuelle: le rôle et l’influence du mouvement Radical Italien
Prina, Daniela ULg

in Bardin, Christophe (Ed.) L’objet entre art et design (in press)

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See detailIn search of the painters of the Theban necropolis in the 18th dynasty. Prolegomena to an analysis of painterly practices in the tomb of Amenemope (TT29)
Laboury, Dimitri ULg; Tavier, Hugues

in Angenot, Valérie; Tiradritti, Francesco (Eds.) Artists and Painting in Ancient Egypt (in press)

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See detailLe scribe et le peintre. À propos d’un scribe qui ne voulait pas être pris pour un peintre
Laboury, Dimitri ULg

in Collombert, Philippe; Lefèvre, Dominique; Polis, Stéphane (Eds.) et al Volume d'hommage dédiée à un distingué collègue (in press)

Detailed reference viewed: 13 (0 ULg)