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See detailLecture de la finitude
Pieron, Julien ULg

in Cormann, Grégory; Feron, Olivier (Eds.) Question anthropologique et phénoménologie : Autour du travail de Daniel Giovannangeli (2014)

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See detailQuality of life benefits of knee arthroplasty for osteoarthritis
NEUPREZ, Audrey ULg; François, Garance ULg; KURTH, William ULg et al

in Osteoporosis International (2014), 25(2), 40

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See detailImpact of bone marrow lesion on the progression of knee osteoarthritis in the Sekoia study
Parsons, C; Edwards, MH; Bruyère, Olivier ULg et al

in Osteoporosis International (2014), 25(2), 142

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See detailPreferences of patients for osteoporosis drug treatment: a cross-european discrete choice experiment
Hiligsmann, Mickaël ULg; Dellaert, BG; Dirksen, CD et al

in Osteoporosis International (2014), 25(2), 227-228

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See detailRediscovery of the forgotten de Ryckholt Collection (gastropods, bivalves, worms; Late Cretaceous, Belgium)
Denayer, Julien ULg; Fischer, Valentin ULg; Mottequin, Bernard ULg

in Cretaceous Research (2014), 47

A significant part of the collection of mid- and Late Cretaceous (Cenomanian, Campanian and Maastrichtian) gastropods, bivalves and worms described and/or illustrated by de Ryckholt in his seminal work ... [more ▼]

A significant part of the collection of mid- and Late Cretaceous (Cenomanian, Campanian and Maastrichtian) gastropods, bivalves and worms described and/or illustrated by de Ryckholt in his seminal work Mélanges paléontologiques between 1854 and 1862, has recently been retraced in the historical collections at Liège University. Of the original collection, more than 206 specimens, including 196 nominal types (lectotypes and genotypes), all considered lost, are now available. The genotypes of the gastropod genera Tudicula de Ryckholt, 1862a and Prosopostoma de Ryckholt, 1862a are photographically illustrated for the first time. Prosopostoma bucculans, from the Cenomanian Bernissart Formation (formerly ‘Tourtia de Tournai’), is here chosen as the type species of the genus Prosopostoma, a possible stromboid. We also reassess the stratigraphic age of the type localities under the revised stratigraphic framework of Belgium and a detailed account on the research history of this material, in order to provide a thorough scientific background for future study of this formidable collection. [less ▲]

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See detailSkin Cancer
Lian, C.G.; Mihm, M.C.; PIERARD, Gérald ULg et al

in Stewart, B.W.; Wild, C.P. (Eds.) World Cancer Report 2014. (2014)

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See detailCyanoacrylate skin surface / follicular stripping.
PIERARD, Gérald ULg; Franchimont, Claudine ULg; Delvenne, Philippe ULg et al

in Berardesca, Enzo; Wilhelm, KP; Maibach, H.I. (Eds.) Non invasive diagnostic techniques in clinical dermatology. (2014)

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See detailVisioscan-driven ULEV method.
PIERARD, Gérald ULg; Franchimont, Claudine ULg; Pierard, Sébastien ULg

in Berardesca, Enzo (Ed.) Non invasive diagnostic techniques in clinical dermatology. (2014)

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See detailCorneosurfametry and corneoxenometry.
PIERARD, Gérald ULg; Franchimont, Claudine ULg; REGINSTER, Marie-Annick ULg

in Berardesca, Enzo; Wilhelm, K.P.; Maibach, H.I. (Eds.) Non invasive diagnostic techniques in clinical dermatology. (2014)

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See detailTranscranial magnetic stimulation combined with high density EEG in alered state of consciousness
Napolitani, M.; Bodart, Olivier ULg; Canali, P. et al

in Brain injury : [BI] (2014), xx(x), -

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See detailLa description des zones climatiques terrestres. À propos d’Ératosthène, Hermès, 16, 3-16 POWELL et Cicéron, Songe de Scipion, 21
Rochette, Bruno ULg

in Antiquité Classique : Revue Interuniversitaire d'Etudes Classiques (2014)

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See detailLes multiplexes en allergie
GADISSEUR, Romy ULg

Conference (2014)

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See detailRisk factors for falls among elderly nursing home residents: a 2-year prospective study
Buckinx, Fanny ULg; Beaudart, Charlotte ULg; Slomian, Justine ULg et al

in Osteoporosis International (2014), 25(2), 36-37

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See detailPrevalence of sarcopenia according to different diagnostic tools
Beaudart, Charlotte ULg; Buckinx, Fanny ULg; Slomian, Justine ULg et al

in Osteoporosis International (2014), 25(2), 115

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See detailHair Mercury and urinary cadmium levels in Belgian children and their mothers within the framework of the COPHES/DEMOCOPHES projects
PIRARD, Catherine ULg; Koppen, Gudrun; De Cremer, Koen et al

in Science of the Total Environment (2014), 472

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See detailColour ConText
Neven, Sylvie ULg

Textual, factual or bibliographical database (2014)

For several centuries, the literature of artists’ recipe books has been considered one of the most original and comprehensive primary sources for the historical study of artistic practices and materials ... [more ▼]

For several centuries, the literature of artists’ recipe books has been considered one of the most original and comprehensive primary sources for the historical study of artistic practices and materials. In addition to the famous Libro dell’arte of Cennino Cennini, nearly five hundred European manuscripts containing artistic recipes survive from before circa 1550. A great number of these are still unpublished and virtually unknown. Our work on a large corpus of recipe collections has generated the material for a database that facilitates consultation and exploitation of the source material.Current structure of the database The core data consists of mediaeval and pre-modern manuscripts and printed books from Northern and Southern Europe. The various layouts of the ‘Colour ConText’ database allow access to the metadata of the sources with details such as title, current location, place and date of origin, scribes or authors, previous owners, and description of any other (non-recipe) content. The database also allows access to digital images of these sources via European Cultural Heritage Online (ECHO) or via digital collections made available by external institutes, and to the transcription and translation of the recipe texts. Reference to primary and secondary sources, together with the related bibliographical data, is integrated throughout the database. To date, over 400 manuscripts have been considered and 4,500 recipes - some constituting only a few lines, others covering several folios - have been transcribed and recorded within the database. The database also includes a complete index of the ‘simples’ (substances mentioned as ingredients). Thus materials are indexed both by their current scientific name and by the terms exactly as they appear in the source texts. Each ingredient’s appellation is linked by relational tables to its contemporary and modern synonyms. This allows the retrieval of all the different appellations used for one ingredient – detailing the historical written context – but also the various ingredients that may be related to one ‘appellation’. A survey of artistic materials and techniques The database helps not only to observe the global frequency and recurrence of each ingredient and technical instruction, but also to deduce the availability of artistic material within a chronologically and geographically defined area. Many of these recipes can be used to identify specific, datable practices and materials, as compilers often specify the name and/or place of origin of the artists from whom they obtained their information. Information related to the historical provenance of the source material (obtained through codicological or philological analysis) has also been recorded within the database and may be used for that purpose. Moreover, it is possible to observe, through factors such as frequency within the corpus, basic structure, and evolution, how recipes were modified over time or by other external phenomena. It is also possible to link the development of specific artistic procedures and technical traditions, and to correlate these with more widely diffused techniques. Thus, recipe books allow us to study the geography, chronology, circulation and dissemination of artists’ knowledge. Colour material and terminology This project notably aims at considering and evaluating the importance and interest accorded to knowledge of the materials and substances used by artists and shared with other professionals (such as apothecaries), focusing on pigments and colouring material. For that purpose, other written sources related to colour will be included (notably texts on colour theory, on colour symbolism, on colour systems, on the pharmaceutical qualities of colours, etc.). In parallel to the physical descriptions of pigments and colourants, these written sources deliver information concerning their optical characteristics, conservation, (in)compatibility with other sorts of materials and their ageing properties. The diversity of colour denominations and the complexity of the varied technical terminology will be made transparent through a glossary of all the substances, ingredients, and their synonyms mentioned in the recipe books. Transmission of artists’ knowledge Such collections of recipes were often gathered in the same book with other subjects (such as theology, alchemy, botany or medicine) and these are also described within the database. The database also includes information concerning the provenance and circulation of these books outside the workshop. This allows other questions to be addressed - notably those related to the ownership and readership of collections of recipes. [less ▲]

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See detailResponse to Dr Bolland's eLetter: Strontium and cardiovascular events.
REGINSTER, Jean-Yves ULg

in Annals of the rheumatic diseases (2014), 73(2), 9

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