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Herbert Emilie

Main Referenced Co-authors
Main Referenced Keywords
Black British Cinema (2); Cinéma Black-British (2); féminisme noir (2); Black British women filmmakers (1); Black women filmmakers (1);
Main Referenced Unit & Research Centers
CEREP - Centre d'Enseignement et de Recherche en Études Postcoloniales - ULiège [BE] (10)
Main Referenced Disciplines
Performing arts (6)
Art & art history (2)
Languages & linguistics (1)
Arts & humanities: Multidisciplinary, general & others (1)
Communication & mass media (1)

Publications (total 11)

The most downloaded
100 downloads
Herbert, E. (September 2018). Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-presentations of Black Womanhood. Open Cultural Studies, 2, 191-202. doi:10.1515/culture-2018-0018 https://hdl.handle.net/2268/228063

The most cited

4 citations (Scopus®)

Herbert, E. (September 2018). Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-presentations of Black Womanhood. Open Cultural Studies, 2, 191-202. doi:10.1515/culture-2018-0018 https://hdl.handle.net/2268/228063

Herbert, E. (2019). Le Cinéma des Réalisatrices Black-British  : Entre Invisibilité et Stratégies de Résistance [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/240353

Herbert, E. (December 2018). Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994). CINEJ Cinema Journal, 7, 189-204.
Peer Reviewed verified by ORBi

Herbert, E. (December 2018). Les Héroïnes Noires du Cinéma Black-British : Regards Masculins sur des Destins de Femmes (Burning an Illusion, 1981; Elphida, 1987; Babymother, 1998). Genre en Séries: Cinéma, Télévision, Médias, 8, 29-54.
Peer Reviewed verified by ORBi

Herbert, E. (2018). La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion. Miranda.
Peer reviewed

Herbert, E. (September 2018). Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-presentations of Black Womanhood. Open Cultural Studies, 2, 191-202. doi:10.1515/culture-2018-0018
Peer Reviewed verified by ORBi

Herbert, E. (October 2016). The African Femme Fatale: Re-appropriation of a mythical figure in Ngozi Onwurah's White men are cracking up [Paper presentation]. Journées d'études Women Who Kill in English-speaking Cinema and TV Series of the Postfeminist Era, Toulouse, France.

Herbert, E. (09 April 2016). The body beautiful : Feminist bodies as territories of resistance [Paper presentation]. ‘Feminist Bodies Now ! an intersectional corpus’, Londres, United Kingdom.

Herbert, E. (19 February 2016). Black British women filmmakers: towards a genderracial Cinema ? [Paper presentation]. New Perspectives on Gender in Postcolonial Studies, Liège, Belgium.

Herbert, E. (30 October 2015). The Body Beautiful: Le corps en résistance dans le cinéma de Ngozi Onwurah [Paper presentation]. Unruly Bodies. Genre \ Normes \ Résistances: colloque de Sophia, Bruxelles, Belgium.

Herbert, E. (03 September 2015). Une féminité en métamorphose: Représentation de la féminité noire dans le cinéma black-British [Paper presentation]. 21ème Congrès de la SERCIA (Société d'Etudes et de Recherche sur le Cinéma Anglophone), Arras, France.

Herbert, E. (April 2015). Combattre l’invisibilité: Apport des réalisatrices black-British aux théories féministes [Paper presentation]. Subjectivités Féministes, Queer et Postcoloniales en Art Contemporain : une Histoire en Mouvements, Rennes, France.

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