Neven, S. (In press). Le savoir (art-)technologique dans la littérature des recettes en Europe du Nord (1400-1600): élaboration – utilisation – transmission. In Savoir et transmission :
La littérature de la technologie de l’art dans l’Europe moderne (1400-1700). Publications de la Sorbonne-INHA. |
  | Neven, S. (2016). Recording and Reading Alchemy and Art-Technology in Medieval and Premodern German Recipe Collections. Nuncius: Journal of the Material and Visual History of Science. doi:10.1163/18253911-03101001  Peer Reviewed verified by ORBi |
 | Neven, S. (2016). Back to the Text: Artists’ Recipe Books as Source for Historical Research in Art Technology. In Sources on Art Technology : Back to Basics (pp. 15-21). Peer reviewed |
Neven, S. (2016). The Strasbourg Manuscript : A Mediaeval Tradition of Artists’ Recipe Collections (1400-1570). Londres, United Kingdom: Archetype Publication. |
Neven, S. (2014). Alchemy and Art Technology in German Medieval and Early Modern Recipe Books. In S. Dupré (Ed.), Laboratory of Art. Springer Science+Business Media. Peer reviewed |
 | Neven, S., Dubois, H., Eyb-Green, S., Kroustallis, S., & Nadolni, J. (Eds.). (2014). Making and transforming art : changes in artists’ materials and practice. London, United Kingdom: Archetype Publications. |
 | Neven, S., Leonhard, K., & Dupré, S. (2014). "Colour ConText". A Database on Colour Practice and Colour Knowledge in Pre-Modern Europe. In H. Dubois, S. Eyb-Green, S. Kroustallis, J. Nadolni, ... S. Neven (Eds.), Making and transforming art : changes in artists’ materials and practice (pp. 125-126). Londres, United Kingdom: Archetype Publications. Peer reviewed |
Neven, S. (2014). Colour ConText. |
 | Neven, S., & Sanyova, J. (2014). Describing the ‘elusive’ : Availability, Preparation and Use of Anthocyanin Colourants in Mediaeval European Illuminators’ Workshops. In H. Dubois, S. Eyb-Green, S. Kroustallis, J. Nadolni, ... S. Neven (Eds.), Making and transforming art : changes in artists’ materials and practice (pp. 16-22). Londres, United Kingdom: Archetype Publications. Peer reviewed |
Neven, S. (2013). Colour conText’ : a New Database of Artists’ Recipes [Paper presentation]. Colour Terminology. An International Workshop on the Historical Use and Semantics of Colour Terms. |
Neven, S. (2013). Color terms in medieval artists’ recipe books : diversity and variability. The puzzling case of ‘Paris Red’ [Paper presentation]. Color, 10th Annual Symposium of the International Medieval Society. |
Neven, S. (2013). Transmission of Alchemical and Artistic Practices and Materials in Mediaeval and Premodern Recipe Books [Paper presentation]. Between Art and Alchemy. |
Neven, S. (2013). Through Artists’ Recipe Books : Knowledge in and Transmission of Late Medieval Illuminators’ Materials and Practices [Paper presentation]. 48th International Congress on Medieval Studies, Western Michigan University. |
 | Neven, S. (2013). Genèse et pérégrinations des réceptaires artistiques au Moyen Âge: la tradition de Strasbourg. Scriptorium, 67, 219-222. Peer reviewed |
Neven, S. (2013). Describing the “elusive”: a new perception of the practices and the resources of illuminators in the North of Europe from the fourteenth to the sixteenth century. In D. Saunders, M. Spring, ... A. Meek (Eds.), Renaissance Workshop. Londres, United Kingdom: Archetype Publications. Peer reviewed |
Neven, S. (2013). Illuminating the ‘Elusive’: Organic Colorants in Northern European Illuminations [Paper presentation]. Early Modern Colour Practices, 1450-1650. |
Neven, S. (2013). Uses and misuses of alum in medieval and pre-modern artists’ recipe books [Paper presentation]. Alum – A Material at the Crossroads of the Arts, Crafts, and Learned Inquiry. |
Neven, S. (21 May 2012). The Strasbourg Tradition : Genesis and Peregrinations of Artists’ Recipe Books in Pre- Modern Europe [Paper presentation]. Max Planck Research Group Colloquium Series: Art and Knowledge in Pre- Modern Europe. |
Neven, S. (2012). Through artist’s recipe books : interest in and transmission of artists’ knowledge : Observations and reflections within the Strasbourg tradition. In M. Clarke, S. Dupre, ... B. De Munck (Eds.), Transmission of artists’ knowledge (pp. 97-100). Bruxelles, Belgium: KVAB Press. Peer reviewed |
 | Neven, S. (2012). Millet, Hélène & Claudia Rabel, La Vierge au Manteau du Puy-en-Velay, un chef-d’œuvre du gothique international (vers 1400-1410), préface de Michel Pastoureau, avec une contribution de Bruno Mottin, Fage éditions, Lyon 2011. Scriptorium. Peer reviewed |
 | Neven, S. (2012). Understanding Monastic Practices of Oral Communication (Western Europe, Tenth-thirteenth Centuries), edited by Steven Vanderputten, Brepols, Turnhout 2011 (Utrecht Studies in Medieval Literacy, 21). Scriptorium. Peer reviewed |
Neven, S. (2012). Décrire l’insaisissable. Nouvelle perception des pratiques et des ressources des enlumineurs de l’Europe du Nord aux XIVe et XVe siècles [Paper presentation]. 9e Congres de l'Association des Cercles francophones d’Histoire et d’Archéologie de Belgique. |
Neven, S. (14 December 2011). Genèse et pérégrinations des livres de recettes artistiques au Moyen Âge : la tradition de Strasbourg [Paper presentation]. Conférence sur invitation. |
Neven, S. (2011). Les recettes artistiques du Manuscrit de Strasbourg et leur tradition dans les réceptaires allemands des XVe et XVIe siècles (Etude historique, édition, traduction et commentaires technologiques) [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/84925 |
Neven, S. (2011). Les manuscrits de la Famille de Strasbourg : contribution à l'étude des livres de recettes artistiques au Moyen Âge. In 8e congrès de l'association des cercles francophones d'histoire et d'archéologie de Belgique. Actes (pp. 441-453). Presses universitaires de Namur. |
Neven, S. (2011). Describing the « elusive » : Availability, Preparation and Use of Anthocyanin Colorants in the North of Europe from the 14th to the 16th century [Paper presentation]. 30th meeting Dyes in History and Archaeology. |
Neven, S. (2011). Genèse et pérégrinations des réceptaires artistiques au Moyen Âge : entre tradition et variation. L’intérêt d’une analyse comparative [Paper presentation]. Journée d'étude du Réseau des médiévistes, intitulée 'Editer, publier…trahir? Problèmes et enjeux de la publication des sources médiévales. |
Neven, S., & Möller, R. (2011). The Terms of Colours and their Changes in the Strasbourg Family Texts. In I. Bennewitz & A. Schindler (Eds.), Farbe im Mittelalter. Materialität-Medialität-Semantik (pp. 377-394). Berlin, Germany: Akademie Verlag. Peer reviewed |
 | Neven, S. (2011). The Strasbourg Family Texts: Originality and Survival. A Survey of Illuminating techniques in Medieval South Germany. Revista de Historia da Arte, n° spécial, 65-77. Peer reviewed |
 | Neven, S. (2011). Clarke, Mark, Mediaeval Painters’Materials and Techniques. The Montpellier “Liber diversarum arcium” , Archetype Publications, London 2011. Scriptorium. Peer reviewed |
 | Neven, S. (2009). Comparative analysis of painting recipes: a new contribution to the study of the texts of the Strasbourg family. In E. HERMENS & J. TOWNSEND (Eds.), Sources and Serendipity. Testimonies of Artists’ Practice (pp. 65-71). Londres, United Kingdom: Archetype publications. Peer reviewed |
  | Neven, S. (2009). La littérature des recettes artistiques au Moyen Âge : une source pour l’histoire des techniques ? Perspectives et approche méthodologique. Art & Fact, 28, 38-43. |
Neven, S. (15 May 2008). Le Manuscrit de Strasbourg et sa diffusion dans la littérature des recettes artistiques à la fin du Moyen Âge [Paper presentation]. Conférence sur invitation, Bruxelles, Belgium. |
Neven, S. (2008). The Strasbourg Family Text: Mediaeval Artists’ Recipe Books as Sources for Historical Study of Art Technology. In E. Weber (Ed.), Logic, Philosophy and History of Science in Belgium (pp. 98-104). Bruxelles, Belgium: KVAB Press. |
Neven, S. (2008). The “Tuchlein” Colours in the Strasbourg Family Text: Recipes for Anthocyanin Pigments [Poster presentation]. 27th meeting Dyes in History and Archaeology. |
Neven, S. (2001). L’atelier du peintre et ses représentations dans les écoles septentrionales aux XVe et XVIe siècles [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/161756 |