Herbillon, M. (October 2018). Absent Others: Asian-Australian Discontinuities in Michelle de Kretser's The Lost Dog. Commonwealth Essays and Studies, 41 (1), 43-52. |
Herbillon, M. (April 2018). Remapping Australia: Murray Bail's New Topographies of the Self in the Notebooks. Commonwealth Essays and Studies, 40 (2), 9-22. |
Herbillon, M. (December 2017). A Piano Made in Australia: Reinventing an Emblem of Cultural Wealth in Murray Bail's The Voyage. Antipodes: A Global Journal of Australian/New Zealand Literature, 31 (2), 361-373. |
Herbillon, M. (2016). Writing Space in the Plural: New Australian Geographies in Murray Bail's Fiction. JEASA: Journal of the European Association for Studies of Australia, 7 (2), 41-57. |
Herbillon, M. (2008). La linéarité comme métadiscours dans l’oeuvre de Murray Bail. MethIS: Méthodes et Interdisciplinarité en Sciences Humaines, 1, 141-158. |
Herbillon, M. (2009). Spatial Linearity and Post-Colonial Parody in Murray Bail’s Holden’s Performance. In S. Borg-Barthet (Ed.), A Sea for Encounters. Essays Towards a Postcolonial Commonwealth (pp. 149-164). Amsterdam, Netherlands: Rodopi. |
Herbillon, M. (October 2019). Review of The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates, edited by Jenni Ramone. Recherche Littéraire, 35, 257-62. |
Herbillon, M. (July 2018). Review of Postcolonial Justice, edited by Anke Bartels, Lars Eckstein, Nicole Waller, and Dirk Wiemann. Recherche Littéraire, 34, 153-158. |
Herbillon, M. (2019). Chronique littéraire : Bertrand Belin, Grands carnivores. Culture, le Magazine Culturel de l'Université de Liège. |
Herbillon, M. (2018). Chronique littéraire : Didier Blonde, Le Figurant. Culture, le Magazine Culturel de l'Université de Liège. |
Herbillon, M. (2010). Voyage en terre méconnue : l’Au(s)tralie de Murray Bail. Culture, le Magazine Culturel de l'Université de Liège. |
Herbillon, M., & Heyden, B. (2002). Traduction d'un extrait de Finnegans Wake, James Joyce. Journal de BabeLg, 14. |