Article (Scientific journals)
Le portrait dévotionnel dans la peinture des anciens Pays-Bas entre 1400 et 1550 : approche méthodologique pour une analyse du langage de l'image
Falque, Ingrid
2011In Revue Belge d'Archéologie et d'Histoire de l'Art, LXXX, p. 77-97
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Keywords :
portrait dévotionnel; peinture flamande; primitifs flamands; iconographie; langage de l'image
Abstract :
[en] From the early Middle Ages onwards devotional portraits are well attested but during the 15th century they occupy a prominent place in the pictorial production of the ancient Low Countries. If at first these portraits were largely reserved to princes and kings, they now spread into broader social circles. Bourgeois, nobles, ducal officials and clergy wanted to leave traces of their piety and their presence on earth. This resulted in an amplification and diversification without precedent of religious works including one or more portraits. In the course of the 16th century however this trend slackened.During the 15th and 16th centuries, the integration of a portrait into a religious composition can take many forms. The sponsor is often portrayed on his knees, hands clasped, but he can also act as privileged follower situated among the saints, or even take part in the scene itself, through the features of one of the protagonists. The corpus, comprising over 750 works for the 15th and 16th centuries, shows many variations of these basic formulas, suggesting a multiplicity of meanings and functions of these works. The specific nature of this pictorial production, mixing sacred and profane elements, asks for a study that does justice to this dual nature. The analysis establishes a classification based on a typology combining the physical structure of works (front / rear, central part / wings) and the symbolic structuring of the fictional space they show (how the sacred and the profane area are differentiated, the gradation or the fusion between both areas). It also takes into account the presence of figures of mediation, in particular the patron saints. The stylistic approach focuses initially on the iconographic language that is used and aims to identify the semantic units before referring to external textual sources (archives, literature of devotion etc.). These in turn play a vital role in better understanding the often complex motivations of the devotees who are portrayed. By their presence in the image they wish to express a prayer, a vow, and especially to ensure their salvation in the hereafter. But their portraits also reflect a concern for self-representation, as evidenced by sumptuous clothing, jewelry, emblems which indicate the social rank and the position they occupy in society. The article demonstrates the importance of a rigorous cluster analysis, which outlines the issues as they appear after the confrontation with all known iconographic parallels.
Disciplines :
Art & art history
Author, co-author :
Falque, Ingrid ;  Université de Liège - ULiège > Département des sciences historiques > Histoire de l'art et archéologie du moyen-âge
Language :
French
Title :
Le portrait dévotionnel dans la peinture des anciens Pays-Bas entre 1400 et 1550 : approche méthodologique pour une analyse du langage de l'image
Publication date :
2011
Journal title :
Revue Belge d'Archéologie et d'Histoire de l'Art
ISSN :
0035-077X
Publisher :
Académie Royale d'Archéologie de Belgique, Bruxelles, Belgium
Volume :
LXXX
Pages :
77-97
Peer reviewed :
Peer Reviewed verified by ORBi
Available on ORBi :
since 01 June 2011

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