ORBi: Hamers Jérémy - Un réseau de représentations : Les années de plomb allemandes à l’épreuve d’une lecture non polarisée de l’histoire

Reference : Un réseau de représentations : Les années de plomb allemandes à l’épreuve d’une lecture ...


	Document type :	Scientific congresses and symposiums : Paper published in a book
	Discipline(s) :	Arts & humanities : History Arts & humanities : Performing arts
	To cite this reference:	http://hdl.handle.net/2268/56512

Title :	Un réseau de représentations : Les années de plomb allemandes à l’épreuve d’une lecture non polarisée de l’histoire
Language :	French
Alternative title :	[en] A network of representations: Examining the German years of lead through a non-polarized reading of history
Author, co-author :	Hamers, Jérémy [Université de Liège - ULg > Département des Arts et Sciences de la communication > Cinéma et vidéo documentaires >]
Publication date :	Jun-2011
Main document title :	Actes du colloque international "Lorsque Clio s'empare du documentaire"
Editor :	Bertin-Maghit, Jean-Pierre
Publisher :	INA / L'Harmattan
Collection and collection volume :	Médias en acte
On invitation :	No
Audience :	International
City :	Paris
Country :	France
Event name :	Lorsque Clio s'empare du documentaire
Event date :	du 13 au 15 novembre 2009
Event organizer :	Jean-Pierre Bertin-Maghit
Event place (city) :	Bordeaux (Pessac), Angoulême
Event country :	France
Keywords :	[fr] Années de plomb allemandes ; Fraction Armée Rouge ; hybridation des représentations
	[en] German years of lead ; Red Army Fraction ; hybridization of representations
Abstract :	[en] The history of the representations of RAF terrorism is marked by uncountable instances of recycling, quotation and loan, all of which are corollaries of the « ageing » of images and sounds, as well as of the political and aesthetic distancing that this « ageing » implies. This history nevertheless questions the studies which usually define any hybridization of the representations of a historically charged period in terms of temporal evolution. Indeed, the constant use of images and sounds which have come to embody the German years of lead (e.g. the hostage Schleyer posing in front of the RAF logo) in fact appear prematurely, sometimes even simultaneously with the first broadcasting of the non-recycled, quoted or misused audiovisual material. By resolutely rejecting a linear model dependent on temporal evolution, this article aims to trace back the media exposure that favours these multiple uses, in order to demonstrate to what extent the actions of the RAF already partook of a complex network of quotations, reuses and borrowings.
Target :	Researchers ; Professionals ; Students
Permalink :	http://hdl.handle.net/2268/56512

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