Reference : Le Massacre des Innocents de Pierre Brueghel le Jeune de la collection Brukenthal (Bu...
Scientific journals : Article
Physical, chemical, mathematical & earth Sciences : Multidisciplinary, general & others
Arts & humanities : Art & art history
Arts & humanities : Multidisciplinary, general & others
http://hdl.handle.net/2268/134828
Le Massacre des Innocents de Pierre Brueghel le Jeune de la collection Brukenthal (Bucarest) : Une copie qui fait honneur à son modèle
French
Allart, Dominique mailto [Université de Liège - ULg > Transitions Département de recherches sur le Moyen Âge et la première Modernité > Histoire de l'art et archéologie des temps modernes > > >]
Currie, Christina mailto [KIK-IRPA Brussels > > > >]
Saverwyns, Steven mailto [KIK-IRPA Brussels > > > >]
2013
Bulletin de l'Institut Royal du Patrimoine Artistique = Bulletijn van het Koninklijk Instituut voor het Kunstpatrimonium
KIK-IRPA
133-151
Yes
International
0085-1892
Brussels
Belgium
[fr] Pierre Bruegel l'Ancien ; Pierre Brueghel le Jeune ; Massacre des innocents ; Analyse scientifique de la peinture ; Procédures de copie
[en] Pieter Bruegel the Elder ; Pieter Brueghel the Younger ; Massacre of the Innocents ; copy’s techniques and materials
[en] The relationship between Pieter Brueghel the Younger’s Massacre of the Innocents in Sibiu and Pieter Bruegel the Elder’s original version in Hampton Court is examined as part of a technical study of the copy’s techniques and materials. The authenticity of its atypical signature is affirmed. The oak panel with its maker’s mark, black chalk underdrawing, preparatory layers, use of the blue pigment smalt and aspects of painterly handling are discussed in relation to other works examined by the same artist. The likely copying process is also considered.
KIK-IRPA Brussels ; Transitions (Département de recherches sur le Moyen Âge tardif & la première Modernité) - Transitions
Researchers ; Professionals ; Students
http://hdl.handle.net/2268/134828

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