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See detailLe musée, une institution dépassée ?
Gob, André ULg

Book published by Armand Colin (2010)

Through classical topics such as financial means, visitors, collections, identity, the autor analyse the recent evolution of museum and question its hability to survive in a world dominated by economic ... [more ▼]

Through classical topics such as financial means, visitors, collections, identity, the autor analyse the recent evolution of museum and question its hability to survive in a world dominated by economic and mediatic power. [less ▲]

Detailed reference viewed: 91 (20 ULg)
Full Text
See detailLes musées à forme d’établissement public administratif peuvent-ils recourir à l’arbitrage ?
Desseilles, François ULg

in Revue de la Faculté de Droit de l'Université de Liège (2015), (3), 497-520

This article aims to study the possibility of using alternative dispute resolution (ADR), specifically arbitration, in the museum sphere. If the answer given will naturally vary according to the nature of ... [more ▼]

This article aims to study the possibility of using alternative dispute resolution (ADR), specifically arbitration, in the museum sphere. If the answer given will naturally vary according to the nature of institutions, the study focused on public administrative institutions in French law. We focus first on the place of ADR in the museum context and the expansion of market logic faced by public museums. The role of arbitration in these is discussed and some definitions and concepts are correlatively recalled. Next, the article examines the arbitrability of disputes concerning contracts of a public administrative establishment. It is first of all a matter of the analysis of the principle of prohibition to public entities to resort to arbitration. Second, the article examines the principles and conditions of the validity of the arbitration clause in international contracts, considering mainly the French jurisprudence, which decides that arbitrability of disputes in international trade is feasible in principle. Finally a description of various mechanisms and several stakeholders in the arbitration is made. [less ▲]

Detailed reference viewed: 19 (1 ULg)
Peer Reviewed
See detailLes musées liégeois et leur public
Duchesne, Jean-Patrick ULg

in Actes du colloque Musées à vendre ? La politique des musées à Liège : bilan et perspectives (1989)

Detailed reference viewed: 11 (2 ULg)
See detailMusei della città di Crotone: storia, riflessioni e proposte
Geremicca, Antonio ULg

Textual, factual or bibliographical database (2009)

Detailed reference viewed: 9 (0 ULg)
See detailLa muséologie : Histoire, développements, enjeux actuels
Gob, André ULg; Drouguet, Noémie ULg

Book published by Armand Colin - 4ème édition revue et corrigée (2014)

This handbook of museum studies covers the different topics of the museums and their management : definition, functionality, visitors, exhibition, conservation, research, architecture, management.

Detailed reference viewed: 4 (0 ULg)
See detailLa muséologie : Histoire, développements, enjeux actuels
Gob, André ULg; Drouguet, Noémie ULg

Book published by Armand Colin - 3e édition, revue et corrigée (2010)

This handbook of museum studies covers the different topics of the museums and their management : definition, functionality, visitors, exhibition, conservation, research, architecture, management.

Detailed reference viewed: 148 (26 ULg)
See detailLa muséologie : Histoire, développements, enjeux actuels
Gob, André ULg; Drouguet, Noémie ULg

Book published by Armand Colin - 2e édition revue et corrigée (2006)

Detailed reference viewed: 24 (5 ULg)
See detailLa muséologie : Histoire, développements, enjeux actuels
Gob, André ULg; Drouguet, Noémie ULg

Book published by Armand Colin (2003)

Detailed reference viewed: 26 (4 ULg)
See detailA Museum Dialogue
Gob, André ULg

in Davis, Ann; Mairesse, François; Desvallées, André (Eds.) What is a Museum? (2010)

This paper try to define the museum institution trough a dialogic approach.

Detailed reference viewed: 48 (3 ULg)
Peer Reviewed
See detailThe Museum of Modern Art in Brussels: how 20 years of urban activism can fail
Houbart, Claudine ULg

Conference (2012, September 01)

The debate around the construction of the Museum of Modern Art in Brussels in the 1960’s and 70’s is the most revealing illustration of the urban struggle between « the ancients and the moderns”, in which ... [more ▼]

The debate around the construction of the Museum of Modern Art in Brussels in the 1960’s and 70’s is the most revealing illustration of the urban struggle between « the ancients and the moderns”, in which the associations play a crucial part besides the public authorities. From the beginning of the 1960’s, the implantation of the new building is the subject of numerous discussions where the “Ligue Esthétique”, a very conservative association proceeding from the Social Christian Party, founded in 1953, conflicts with the modernist designs of the Minister of Culture Pierre Wigny. Supporting the idea that the container should reflect the content, the Minister appoints the young architect Roger Bastin, whose project is also supported by the museum curator Philippe Roberts-Jones and the association “Les Amis des Musées”, lead by Count René Boël and comprising art patrons and lovers. Situated in a very delicate area of the city, besides the 18th century Place Royale and the Palace of Charles de Lorraine, the project plans the demolition of a historical building block occupied by dwellings and shops, and its replacement by a sculptural concrete building indicating the presence of the museum, almost entirely subterranean. This option earns the project the opposition of two more associations, which arise at the end of the 1960’s with very different backgrounds and aims. The “Quartier des Arts”, composed of members of the industrial aristocracy, politicians and public authorities representatives, is founded in 1967 with the aim of preserving the heritage of the area. Advised by the archaeologist and conservation expert Raymond Lemaire, the association is opposed to the demolition of one of the last ancient districts of Brussels. The ARAU (Atelier de recherche et d’action urbaine), founded in 1969 by the left wing sociologist René Schoonbrodt, fights for the maintain of the housing function of the city centre. The joint action of these very different groups of interest leads to a new version of the project and the giving up of the concrete signal building. But due to the length of the debates, more than a half of the ancient buildings have to be demolished and the other are very strongly restored: neither contemporary architecture, nor ancient heritage has won this urban battle. If the result of this long story seems today very disappointing as to urban design, the study of its mechanism is, on the other hand, particularly interesting: it reveals, through archival research, the complex relations between public and associative actors, where ideological and political considerations mix with personal – or even familial – relations and the hazards of urban life. [less ▲]

Detailed reference viewed: 50 (1 ULg)
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Peer Reviewed
See detail"Music alone survives”? The collapse of faith in sonnets by Geoffrey Hill and G.M. Hopkins’
Pagnoulle, Christine ULg

in Cahiers victoriens & édouardiens (1995), 42

The present article explores the various ways in which Geoffrey Hill uses the regularity of the sonnet form to express the impossibility of faith, and how this collapse was announced in some of Hopkins's ... [more ▼]

The present article explores the various ways in which Geoffrey Hill uses the regularity of the sonnet form to express the impossibility of faith, and how this collapse was announced in some of Hopkins's most famous celebratory sonnet 'The Windhover.' [less ▲]

Detailed reference viewed: 51 (12 ULg)
See detailMusic and Difference, The invention of musical tradition in Flanders and southern Italy
Mazzola, Alessandro ULg

Scientific conference (2013, May 03)

Detailed reference viewed: 3 (2 ULg)
See detailMusic and Difference. The invention of musical traditions in Flanders and Southern Italy.
Mazzola, Alessandro ULg

Scientific conference (2013, March 21)

Detailed reference viewed: 11 (5 ULg)
See detailMusic and Musicality in Caryl Phillips’s Crossing the River
Mascoli, Giulia ULg

Conference (2015, November 01)

This paper deals with Caryl Phillips, a contemporary British author of Caribbean descent, whose work, both fiction and non-fiction, testifies to his interest in music, both thematically and formally ... [more ▼]

This paper deals with Caryl Phillips, a contemporary British author of Caribbean descent, whose work, both fiction and non-fiction, testifies to his interest in music, both thematically and formally: countless references to music can be found in the titles of his books, in scenes involving musical performances, in the use in the narrative of musical terminology, but also in intriguing structural analogies with musical forms. My proposal is to analyse the influence of music in Phillips’s novel Crossing the River (1993; London: Vintage), which has been described as his most jazzy text. Very much like jazz -- which is for the Barbadian poet Edward Kamau Brathwaite “a cry from the heart of the hurt man”-- Phillips’ writing gives a voice to the victims of history, to shattered individuals in pain whose tragic fate is viewed at once as personal and collective. The novel not only illustrates the thematic overlaps between his narrative and the issues addressed in the lyrics of the African American musical tradition, such as discrimination and family disruption, but also exemplifies the author’s formal musical influence through the recurrent and creative use of meaningful variations in rhythm and of repetitions, which are again focal constituents of jazz. Throughout the novel, especially in the sections framing the narrative, the continual modulation of purposeful words such as “listen”, the variation of rhythm through punctuation and stressed/unstressed syllables, the reiterated elements, create a sonic pattern that goes over and over in the readers’ mind. My contention is that Phillips’ musical language crucially contributes to the emotional impact of his lyrical prose, which generates in the readers mixed feelings of sympathy and disorientation and prevents them from forgetting the characters’ stories which resonate long after closing the book. [less ▲]

Detailed reference viewed: 37 (3 ULg)
See detailMusic and the Political Expression and Mobilisation of Second-Generation Immigrants in Urban Europe
Martiniello, Marco ULg

Scientific conference (2015, February 19)

Detailed reference viewed: 26 (2 ULg)