Pierre Gérard, acrobate de la réalité quotidienneBawin, Julie ![]() in Art Même : Chronique des Arts Plastiques de la Communauté française de Belgique (2005), (29), 21 Detailed reference viewed: 21 (5 ULg) Pierre l'ErmiteKurth, Godefroid ![]() Book published by Demarteau (1892) Detailed reference viewed: 12 (2 ULg) Pierre Ruelle, du picard à l'ancien françaisDroixhe, Daniel ![]() in Pierre Ruelle et le Borinage (2005) Detailed reference viewed: 87 (3 ULg) Pierre-Augustin Guys à Constantinople: un regard méconnu sur le Levant à la fin du XVIIIe siècleFamerie, Etienne ![]() in Droixhe, Daniel; Collart, Muriel (Eds.) L'"Esprit des journaux": un périodique européen au XVIIIe siècle (2009) Guys' original approach and description of the contemporaneous Greek people, breaking a new ground in favour of the philhellenic movement in the end of 18th century Detailed reference viewed: 47 (2 ULg) Pierre-François Ladvocat (1791-1854) et l’avènement de l’éditeur littéraire au début du XIXe siècleDurand, Pascal ![]() Scientific conference (2012, October 12) Detailed reference viewed: 17 (3 ULg) Pierre-Henri Gouyon, Miguel Bensayag, Fabriquer le vivant ? Ce que nous apprennent les sciences de la vie sur les défis de notre époqueThoreau, François ![]() in Lectures (2012) Detailed reference viewed: 24 (2 ULg) Pierres à aiguiser en Gaule Belgique et en Germanie : mise en place d'une typologie et identification des matériauxThiebaux, Aurélie ; ; et alPoster (2012, April 04) Detailed reference viewed: 17 (2 ULg) Piese de arta paleolitica si de podoaba de la statiuna paleolitica cu mai multe niveluri de locuire Cosautsi din zona Nistrului mijlociu; Otte, Marcel ; Noiret, Pierre ![]() in Revista Arheologica (1998), 2 Detailed reference viewed: 22 (0 ULg) Pietà femminile e (ri)costruzione drammatica: dalla commedia ateniese antica alle altre fontiDelli Pizzi, Aurian ![]() Scientific conference (2013, February 26) Detailed reference viewed: 17 (3 ULg) Pietätlose Rezeption? – Elfriede Jelineks Umgang mit der Tradition in „Die Kinder der Toten“.Pontzen, Alexandra ![]() in Müller, Sabine; Theodorsen, Cathrin (Eds.) Elfriede Jelinek – Tradition, Politik und Zitat. (2008) Detailed reference viewed: 29 (5 ULg) Pieter Brueghel as a copyist after Pieter BruegelCurrie, Christina ; Allart, Dominique ![]() Conference (2012, May 22) When Pieter Bruegel the Elder died in 1569, his elder son and principal continuator, Pieter Brueghel the Younger, was only four or five years old. The amazingly faithful replicas by the latter were ... [more ▼] When Pieter Bruegel the Elder died in 1569, his elder son and principal continuator, Pieter Brueghel the Younger, was only four or five years old. The amazingly faithful replicas by the latter were therefore made decades later, after models that were not always the original versions, disseminated at that time; they also relied on a treasure trove of working drawings inherited from Bruegel the Elder. Reconstructing this lost preparatory material through the evidence uncovered during technical examination of the copies of his sons (especially Pieter’s but also Jan’s) is one aspect that will be illustrated in this paper through a few key case studies such as the Battle between Carnival and Lent, the Sermon of St John the Baptist and the Wedding Dance in the Open Air. The presentation will thus describe the actual methods of both the creator and his foremost copyist, based on combined results of infrared reflectography, practical reconstructions and comparisons of tracings of their respective paintings. Brueghel the Younger’s vast and successful copying enterprise required a streamlined production process, and this gradually came to light over the technical research into 60+ paintings by the artist and his workshop. The most interesting discoveries on his techniques and materials – supports, preparatory layers, underdrawings, and pigments – will be illustrated through different examples of his work. This evidence, seen in conjunction with the evidence of the transfer technique, allows us to distinguish his production from that of rival copyists. The realisation that Brueghel the Younger’s copies of the same composition are not all alike and that there are often several variants of them will be considered in relation to the organization of work within – and possibly outside – his workshop. This issue, examined alongside that of the attribution of the copies within series, gives us a more nuanced view of Brueghel the Younger’s output and working practice. [less ▲] Detailed reference viewed: 22 (2 ULg) Pieter Brueghel le Jeune a-t-il pu voir les tableaux de son père? Réflexions méthodologiques et critiquesAllart, Dominique ![]() in Van den Brink, Peter (Ed.) L'entreprise Brueghel (2001) Detailed reference viewed: 13 (3 ULg) Piézomètres de contrôle à proximité de la carrière 'Bois Jean Etienne' à Marchin; Dassargues, Alain ; Monjoie, Albéric ![]() Report (1992) Detailed reference viewed: 13 (2 ULg) The pig as an experimental and teaching model in interventionnal radiology; ; et al Poster (1996) Detailed reference viewed: 7 (0 ULg) Pig breeding in Thailand. Report for the Office of the Board of investmentLeroy, Pascal ![]() (1984) Detailed reference viewed: 5 (0 ULg) Pig tissues express a catalytically inefficient 25-kDa thiamine triphosphatase: Insight in the catalytic mechanisms of this enzyme; Lakaye, Bernard ; Czerniecki, Jan et alin Biochimica et Biophysica Acta - General Subjects (2005), 1725(1), 93-102 Thiamine triphosphate (ThTP) is found in most organisms and may be an intracellular signal molecule produced in response to stress. We have recently cloned the cDNA coding for a highly specific mammalian ... [more ▼] Thiamine triphosphate (ThTP) is found in most organisms and may be an intracellular signal molecule produced in response to stress. We have recently cloned the cDNA coding for a highly specific mammalian 25-kDa thiamine triphosphatase. The enzyme was active in all mammalian species studied except pig, although the corresponding mRNA was present. In order to determine whether the very low ThTPase activity in pig tissues is due to the absence of the protein or to a lack of catalytic efficiency, we expressed human and pig ThTPase in E. coli as GST fusion proteins. The purified recombinant pig GST-ThTPase was found to be 2-3 orders of magnitude less active than human GST-ThTPase. Using site-directed mutagenesis, we show that, in particular, the change of Glu85 to lysine is responsible for decreased solubility and catalytic activity of the pig enzyme. Immunohistochemical studies revealed a distribution of the protein in pig brain very similar to the one reported in rodent brain. Thus, our results suggest that a 25-kDa protein homologous to hThTPase but practically devoid of enzyme activity is expressed in pig tissues. This raises the possibility that this protein may play a physiological role other than ThTP hydrolysis. [less ▲] Detailed reference viewed: 16 (5 ULg) Pigeon circovirus: baculovirus expression of the capsid protein gene, specific antibody and viral load measured by real time polymerase chain reactionDuchatel, Jean-Pierre ; ; et alin Israel Journal of Veterinary Medicine (2011), 66(1), 26-31 Detailed reference viewed: 51 (2 ULg) Pigeon MaraTomasovic, Dick ![]() in Aubenas, Jacqueline (Ed.) Dic Doc: Dictionnaire des Documentaristes belges (1999) Detailed reference viewed: 21 (1 ULg) Les pigments du patrimoine bâti, à la lumière de quelques traités d’architectureGilles, Isabelle ![]() Poster (2006) Detailed reference viewed: 10 (1 ULg) Pigments from the Middle Palaeolithic levels of Es-Skhul (Mount Carmel, Israel); Salomon, Hélène ; et alin Journal of Archaeological Science (2010), 37 Discovery of pigments at Middle Palaeolithic sites is of interest in the context of the ongoing debate about the tempo and mode of the emergence of modern human behaviour. Here we analyse four previously ... [more ▼] Discovery of pigments at Middle Palaeolithic sites is of interest in the context of the ongoing debate about the tempo and mode of the emergence of modern human behaviour. Here we analyse four previously undescribed fragments of pigmental material from Es-Skhul shelter, layer B, Israel, McCown excavations, identified at the Department of Palaeontology, Natural History Museum, London. One of them is still partially embedded in the hard breccia characteristic of this layer. Inspection of breccia fragments from layer B has led to the identification of small pieces of red and orange pigmental material still enclosed in large clasts, further corroborating the attribution of the larger pieces analysed in this study to layer B. The four objects are studied using optical microscopy, Scanning Electron Microscopy (SEM), Transmission Electron Microscopy (TEM), Energy Dispersive X-ray (EDX), X-ray micro-diffraction (m-XRD), Particle-Induced X-Ray Emission Spectrometry (PIXE), and Proton-Induced Gamma-ray Emission (PIGE). The specimens display various hues of yellow, orange, red, and one of them presents a gradual variation of shade from yellow to dark orange. SEM/EDX analysis identifies two specimens (Skhul 1 and 2) as being composed of iron-rich calcium phosphate, the third (Skhul 3) of potassium-rich clay with titanium-rich iron oxide inclusions, and the fourth (Skhul 4) of pure iron oxide crystals. TEM/ EDX and m-XRD analysis demonstrate that three pieces (Skhul 1, 2 and 4) were heated to at least 300 C, a process that has partially or completely dehydrated goethite into haematite and changed their pristine yellow colour into orange or red. Skhul 3 shows no sign of heating, suggesting that its haematite content has a geological origin. The different mineral composition of the pieces suggests that they must come from a variety of sources. This implies that the associated collection strategies included the selection of materials that differed not only with respect to colour but also with respect to other physical and chemical properties. Although no formal proof exists that these lumps of pigmental material were deliberately heated, results obtained are consistent with this explanation. [less ▲] Detailed reference viewed: 31 (3 ULg) |
||