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See detailLa muséologie : Histoire, développements, enjeux actuels
Gob, André ULg; Drouguet, Noémie ULg

Book published by Armand Colin - 3e édition, revue et corrigée (2010)

This handbook of museum studies covers the different topics of the museums and their management : definition, functionality, visitors, exhibition, conservation, research, architecture, management.

Detailed reference viewed: 70 (8 ULg)
See detailA Museum Dialogue
Gob, André ULg

in Davis, Ann; Mairesse, François; Desvallées, André (Eds.) What is a Museum? (2010)

This paper try to define the museum institution trough a dialogic approach.

Detailed reference viewed: 33 (3 ULg)
Peer Reviewed
See detailThe Museum of Modern Art in Brussels: how 20 years of urban activism can fail
Houbart, Claudine ULg

Conference (2012, September 01)

The debate around the construction of the Museum of Modern Art in Brussels in the 1960’s and 70’s is the most revealing illustration of the urban struggle between « the ancients and the moderns”, in which ... [more ▼]

The debate around the construction of the Museum of Modern Art in Brussels in the 1960’s and 70’s is the most revealing illustration of the urban struggle between « the ancients and the moderns”, in which the associations play a crucial part besides the public authorities. From the beginning of the 1960’s, the implantation of the new building is the subject of numerous discussions where the “Ligue Esthétique”, a very conservative association proceeding from the Social Christian Party, founded in 1953, conflicts with the modernist designs of the Minister of Culture Pierre Wigny. Supporting the idea that the container should reflect the content, the Minister appoints the young architect Roger Bastin, whose project is also supported by the museum curator Philippe Roberts-Jones and the association “Les Amis des Musées”, lead by Count René Boël and comprising art patrons and lovers. Situated in a very delicate area of the city, besides the 18th century Place Royale and the Palace of Charles de Lorraine, the project plans the demolition of a historical building block occupied by dwellings and shops, and its replacement by a sculptural concrete building indicating the presence of the museum, almost entirely subterranean. This option earns the project the opposition of two more associations, which arise at the end of the 1960’s with very different backgrounds and aims. The “Quartier des Arts”, composed of members of the industrial aristocracy, politicians and public authorities representatives, is founded in 1967 with the aim of preserving the heritage of the area. Advised by the archaeologist and conservation expert Raymond Lemaire, the association is opposed to the demolition of one of the last ancient districts of Brussels. The ARAU (Atelier de recherche et d’action urbaine), founded in 1969 by the left wing sociologist René Schoonbrodt, fights for the maintain of the housing function of the city centre. The joint action of these very different groups of interest leads to a new version of the project and the giving up of the concrete signal building. But due to the length of the debates, more than a half of the ancient buildings have to be demolished and the other are very strongly restored: neither contemporary architecture, nor ancient heritage has won this urban battle. If the result of this long story seems today very disappointing as to urban design, the study of its mechanism is, on the other hand, particularly interesting: it reveals, through archival research, the complex relations between public and associative actors, where ideological and political considerations mix with personal – or even familial – relations and the hazards of urban life. [less ▲]

Detailed reference viewed: 36 (1 ULg)
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See detail"Music alone survives”? The collapse of faith in sonnets by Geoffrey Hill and G.M. Hopkins’
Pagnoulle, Christine ULg

in Cahiers Victoriens & Edouardiens (1995), 42

The present article explores the various ways in which Geoffrey Hill uses the regularity of the sonnet form to express the impossibility of faith, and how this collapse was announced in some of Hopkins's ... [more ▼]

The present article explores the various ways in which Geoffrey Hill uses the regularity of the sonnet form to express the impossibility of faith, and how this collapse was announced in some of Hopkins's most famous celebratory sonnet 'The Windhover.' [less ▲]

Detailed reference viewed: 42 (10 ULg)
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See detailMusica, musicos e o voto latino na eleiçao presidencial americana del 2008
Lafleur, Jean-Michel ULg; Martiniello, Marco ULg

in Migrações (2010), (7), 229-247

This article seeks to examine the relevance of popular culture and music in particular in the context of post-migratory multicultural societies. More precisely, we aim to demonstrate how music and ... [more ▼]

This article seeks to examine the relevance of popular culture and music in particular in the context of post-migratory multicultural societies. More precisely, we aim to demonstrate how music and musicians contribute – in specific spatial and temporal settings – to the mobilization of some migrant origin populations. The article starts with a conceptual discussion on the role of music for ethnic and migrant groups and on the role of music and musicians in electoral campaigns. Subsequently, we review the case of the 2008 US presidential campaign to show the relevance of minority artists’ productions and the political use that can be made out of it in competitive electoral contexts such as that of the United States. [less ▲]

Detailed reference viewed: 35 (5 ULg)
See detailMusical Retentions in Ernest J. Gaines' Fiction
Sacré, Robert ULg

Scientific conference (1994, May)

Detailed reference viewed: 4 (0 ULg)
See detailEin "musikalischer Gellert": Johann Adam Hiller
Viehöver, Vera ULg

in Jung, Werner; Schönborn, Sibylle (Eds.) Praeceptor Germaniae. Christian Fürchtegott Gellerts 18. Jahrhundert. Festschrift für John Reynolds (2013)

Detailed reference viewed: 9 (0 ULg)
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See detailMusikerautobiografien zwischen Frühaufklärung und Sturm und Drang. Mattheson - Hiller - Schubart
Viehöver, Vera ULg

in Lenz-Jahrbuch : Literatur, Kultur, Medien 1750 - 1800 (2010), 17

Detailed reference viewed: 16 (3 ULg)
See detailLa musique à Liège au XXe siècle
Pirenne, Christophe ULg

Conference given outside the academic context (2006)

Detailed reference viewed: 7 (1 ULg)
See detailLa Musique Afro-Américaine
Sacré, Robert ULg

Conference given outside the academic context (1988)

Detailed reference viewed: 13 (0 ULg)
See detailLa Musique Cajun de la Louisiane
Sacré, Robert ULg

Article for general public (1974)

Detailed reference viewed: 14 (0 ULg)
See detailLa musique dans le Pays de Liège au XIXe siècle
Pirenne, Christophe ULg

in Duchesne, Jean-Patrick (Ed.) Vers la modernité : le XIXe siècle au Pays de Liège (2002)

Detailed reference viewed: 8 (3 ULg)
See detailLa musique dans le pays de Liège au XIXe siècle
Pirenne, Christophe ULg

in Vers la modernité (2001)

Detailed reference viewed: 8 (3 ULg)
See detailMusique et expression politique des minorités ethniques et raciales
Martiniello, Marco ULg

Scientific conference (2010, October 26)

Detailed reference viewed: 11 (2 ULg)
See detailMusique et expression politique des minorités ethniques et raciales
Martiniello, Marco ULg

Scientific conference (2010)

Detailed reference viewed: 11 (3 ULg)
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See detailMusique et jésuites en Provinces flandro- et gallo-belges aux XVIIe et XVIIIe siècles. Supplément musical : cantate de Virgilio Mazzocchi pour le Collegio Romano
Corswarem, Emilie ULg

Book published by Société liégeoise de musicologie (2008)

Cet ouvrage vise à compléter les recherches relatives à l’usage de la musique chez les jésuites. Au sein d’une bibliographie déjà riche, le travail relatif aux circonscriptions gallo- et flandro-belges ... [more ▼]

Cet ouvrage vise à compléter les recherches relatives à l’usage de la musique chez les jésuites. Au sein d’une bibliographie déjà riche, le travail relatif aux circonscriptions gallo- et flandro-belges manquait encore. Les contributions d’une série de spécialistes à cet ouvrage élaborent un parcours des traces multiples qu’ont laissées dans ces deux provinces les liens entre jésuites et musique : dans la danse et le théâtre scolaire, dans l’enseignement de la doctrine chrétienne et l’instruction catéchistique en particulier, en passant par les solennités propres à l’ordre et par celles touchant l’ensemble de la communauté des lieux où leur présence s’inscrit. Ce volume livre également l’édition critique, réalisée par mes soins, d’une cantate de Virgilio Mazzocchi composée pour une audience accordée par le cardinal Francesco Barberini au Collegio Romano. Cette source est exceptionnelle : elle constitue, avec quelques pages de Johannes Hieronymus Kapsberger et Domenico Allegri, l’un des rares exemples conservés d’œuvre italienne en relation avec les activités spectaculaires et cérémonielles de la Compagnie. [less ▲]

Detailed reference viewed: 20 (5 ULg)