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See detailPhotoelectric photometry of 22 Kalliope during the 1985 opposition and determination of its pole orientation - The 'magnitude-aspect' relations revisited
Surdej, Jean ULg; Pospieszalska-Surdej, Anna ULg; Michalowski, T. et al

in Astronomy and Astrophysics (1986), 170

Abstract image available at: http://esoads.eso.org/abs/1986A&A...170..167S

Detailed reference viewed: 9 (4 ULg)
See detailPhotoelectric photometry of Comet Halley from Mt Tamborine observatory
Page, A. A.; Nielsen, G. E.; Jones, K. L. et al

in Vistas in Astronomy (1988), 31

Post-perihelion photoelectric observations of comet Halley carried out during several weeks are reported. The measurements confirm the existence of large-amplitude night-to-night changes.

Detailed reference viewed: 4 (2 ULg)
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See detailPhotoelectric photometry of the peculiar emission-line star GG Carinae
Gosset, Eric ULg; Surdej, Jean ULg; Swings, J.-P.

in Astronomy and Astrophysics. Supplement Series (1984), 55

The first extensive sets of photoelectric observations of the peculiar emission-line star GG Carinae were obtained from 1977 to 1981, in both the standard UBV and Strömgren systems. A Fourier analysis of ... [more ▼]

The first extensive sets of photoelectric observations of the peculiar emission-line star GG Carinae were obtained from 1977 to 1981, in both the standard UBV and Strömgren systems. A Fourier analysis of 767 independent measurements leads to the determination of a period P = 31[SUP]d[/SUP].020 for the light variations. Different physical arguments based on the analysis of the present photoelectric - as well as previous photographic - data clearly indicate, however, that the true period is P = 62[SUP]d[/SUP].039. The resulting composite lightcurve displays two distinct maxima and minima with a total light amplitude Deltam â ¡ 0.5 mag. Additional interesting features are noticed in the mean lightcurve. Although it is not possible to classify GG Carinae among any known type of variable stars, the light variations of this object are similar to those observed for beta Lyrae-type systems. [less ▲]

Detailed reference viewed: 32 (7 ULg)
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See detailPhotoelectric scans of comet Halley.
Sterken, C.; Manfroid, Jean ULg; Hutsemekers, Damien ULg et al

in Diversity and Similarity of Comets (1987, September 01)

The authors compare radial photometric scans of comet Halley obtained in April 1986 at the European Southern Observatory, La Silla, Chile, with theoretical profiles derived from Haser's model.

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See detailA Photoelectron Spectroscopic Investigation of Vinyl Fluoride (C2H3F). The HeI, Threshold and CIS Photoelectron Spectroscopy.
Locht, Robert ULg; Leyh, Bernard ULg; Dehareng, Dominique ULg et al

in Journal of Physics : B Atomic Molecular & Optical Physics (2010), 43(1), 01510215

The threshold photoelectron spectrum (TPES) and the constant ion state (CIS) spectra of the individual ionic states of C2H3F have been recorded using synchrotron radiation. For comparison a well resolved ... [more ▼]

The threshold photoelectron spectrum (TPES) and the constant ion state (CIS) spectra of the individual ionic states of C2H3F have been recorded using synchrotron radiation. For comparison a well resolved HeI photoelectron spectrum (HeI-PES) has also been measured and analyzed in detail. The TPES has been measured between 9.5 eV and 35 eV photon energy. Numerous vibrational structures, reported for the first time, observed in the ground state and the six excited states of the cation are analyzed. Quantum chemical calculations have been performed and provide strong support to the assignments. State selected CIS spectra highlighted the major importance of autoionization for the production of almost all ionized states of C2H3F observed in this work. [less ▲]

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See detailPhotoelectron Spectroscopy of Vinyl Bromide and Intramolecular Dynamics of the ionic B state.
Hoxha, A.; Locht, Robert ULg; Leyh, Bernard ULg et al

in Chemical Physics (2000), 256

In this paper we report the He(I) photoelectron spectrum (PES) and the threshold photoelectron spectrum (TPES) of C2H3Br. The fine structure in the first two ionic states in the He(I) spectrum is assigned ... [more ▼]

In this paper we report the He(I) photoelectron spectrum (PES) and the threshold photoelectron spectrum (TPES) of C2H3Br. The fine structure in the first two ionic states in the He(I) spectrum is assigned to progressions belonging partially to previously unobserved vibrational modes. The TPES has been measured between 9.0 and 25.0 eV, and the photon energy range of 9.8-12.0 eV has been investigated in more detail. Extensive calculations with the GAUSSIAN set of programs have been performed to help in the assignment of the observed features. Furthermore, a conical intersection between the A2A" and the B2A" states was found to take place along the C-Br stretching coordinate. Intramolecular dynamics of the B2A" state, initially prepared in the Franck-Condon region, was probed by the Fourier transform of the spectrum. The B2A" state is almost readily depleted, most probably due to a very effective internal cnversion through the conical intersection. [less ▲]

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See detailPhotogrammetry for forest inventory
Pierrot Deseilligny, Marc; Lisein, Jonathan ULg

Conference (2013, March 12)

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See detailLa photographie [en Wallonie]
Mélon, Marc-Emmanuel ULg

in Demoulin, Bruno (Ed.) Histoire culturelle de la Wallonie (2012)

A short history of photography in Wallonia

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See detailLa photographie à l’épreuve de la chair : mises en jeu et mises en scène du corps dans la photographie contemporaine
Bawin, Julie ULg

in Bawin, Julie (Ed.) Art actuel et Photographie (2008)

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See detailLa photographie à Liège au XIXe siècle. Une modernité ambivalente
Mélon, Marc-Emmanuel ULg

in Duchesne, Jean-Patrick (Ed.) Vers la modernité. Le XIXe siècle au Pays de Liège (2001)

Detailed reference viewed: 27 (3 ULg)
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See detailLa photographie aérienne en période de sècheresse comme source de renseignements géologiques en Wallonie
Quoilin, H.; Ozer, André ULg; Cornet, Yves ULg et al

in Bulletin de la Société Géographique de Liège (2001), 40(2001-1), 33-40

Detailed reference viewed: 50 (11 ULg)
See detailLa photographie comme lieu de débat entre la sémiotique greimassienne et la sémiotique peircienne
Dondero, Maria Giulia ULg

in Panier, Louis (Ed.) Congrès international de l'AFS, Sémio 2007, Paris 15-17 novembre 2007 (2009)

Le champ de la photographie a été étudié selon différents axes de pertinence par les différents courants de la discipline sémiotique : la sémiotique de tradition peircienne a analysé l’image ... [more ▼]

Le champ de la photographie a été étudié selon différents axes de pertinence par les différents courants de la discipline sémiotique : la sémiotique de tradition peircienne a analysé l’image photographique du point de vue de la production, et donc sa spécificité par rapport aux autres types d’images (Dubois, 1983) ; au contraire, la sémiotique d’inspiration greimassienne, consacrée à l’étude des niveaux génératifs des discours, a pu analyser avec pertinence des textualités photographiques (Floch, 1986) sans, par conséquent, s’occuper ni des techniques de production, ni de ses statuts sociaux. Ce travail vise à examiner les résultats de ces deux approches méthodologiques et surtout à les comparer avec les recherches sémiotiques actuelles. [less ▲]

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See detailLa photographie diagnostic de la contemporanéité
Dondero, Maria Giulia ULg

in Association Française de Sémiotique (2007)

immigration, Cet article porte sur l’efficacité politique d’une série photographique qui problématise des questions socioculturelles contemporaines telles l’immigration, l’exploitation et l’éthique du ... [more ▼]

immigration, Cet article porte sur l’efficacité politique d’une série photographique qui problématise des questions socioculturelles contemporaines telles l’immigration, l’exploitation et l’éthique du travail. L’image photographique devient une ressource dans les mains des acteurs sociaux et fait fonction de diagnostic des tensions du contemporain. La photographie permet de « reconnaître à travers » (c’est-à-dire « diagnostiquer ») et de formuler des jugements. Le potentiel sémantique du diagnostic engendré par cette série et la force illocutoire des jugements qui y sont inscrits fonctionnent comme une sorte d’« argumentation par images ». L’analyse de cette série photographique, réalisée par le photographe et théoricien Allan Sekula, nous a amené à nous interroger sur la relation entre image, corpus, genres d’afférence et statuts (documentaire et artistique). [less ▲]

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See detailLa photographie entre image commune et œuvre d’art. La philosophie à l’assaut du snobisme culturel
Hagelstein, Maud ULg

Conference (2011, March 10)

Je voudrais ici tester l’hypothèse suivante : si le champ d’étude de l’image populaire (familiale) s’est vu parfois négliger par les théoriciens, peut-être est-ce à cause de l’écart radical que la ... [more ▼]

Je voudrais ici tester l’hypothèse suivante : si le champ d’étude de l’image populaire (familiale) s’est vu parfois négliger par les théoriciens, peut-être est-ce à cause de l’écart radical que la photographie spécialisée, et en particulier la photographie artistique, a voulu établir entre elle et la photographie dite « domestique ». Comment (c’est-à-dire par quels moyens, théoriques ou artistiques) une certaine pratique de la photographie s’est-elle aujourd’hui instituée comme un art à part entière ? Plutôt et surtout : comment la noble pratique de la photographie a-t-elle réussi à prendre ses distances avec la photographie commune, pourtant omniprésente, jusqu’à l’évacuer presque totalement des préoccupations scientifiques ? Car il faut bien voir le paradoxe qui sous-tend ce problème : comment est-on parvenu à assigner à l’image commune (pourtant franchement majoritaire) un rôle aussi périphérique ? La place occupée par la photographie domestique dans les théories de la photographie reste incertaine. Quand elle n’est pas purement et simplement évacuée, l’image commune peut soit être « utilisée » pour porter un sens auquel elle ne prétendait pas, soit être prise en compte pour se voir aussitôt réduite à un stéréotype ; son caractère esthétique est dévalué, son style réduit à un non-style. En tenant à distance la culture la plus populaire, on agrandit certainement le gouffre qui sépare le théoricien des expériences vécues (des expériences sensibles). [less ▲]

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See detailPhotography as a Witness of Theatre
Dondero, Maria Giulia ULg

in Recherches Sémiotiques/Semiotic Inquiry (2008), 27-28(1-2), 43-57

My paper investigates the meeting of theatre and photography in ‘theatre photography’. Recognizing that both art forms can determine theoretical and philosophical views on representation and self ... [more ▼]

My paper investigates the meeting of theatre and photography in ‘theatre photography’. Recognizing that both art forms can determine theoretical and philosophical views on representation and self-representation, I aim to compare their visual strategies and the way they construct point of view. In the process several questions are raised: do qualities of photographs belong to objects photographed or to photographs themselves? How important is the object that ‘triggers’ the view? Should the theatre photographer place his camera anywhere? What of framing? In the second section I offer an analysis of photographs taken by Roger Pic in 1957 during the Paris performance of Brecht’s Mother Courage and Her Children by the Berliner Ensemble. This analysis seeks to demonstrate that theatre photography, which often seen as an example of documentary photography, can reach artistic status, provided it relies on enunciative strategies that express what cannot otherwise be photographed in a ‘direct’ manner, namely the characters’ words and emotions. [less ▲]

Detailed reference viewed: 33 (5 ULg)
See detailPhotography as diagnosis of contemporaneity
Dondero, Maria Giulia ULg

Part of book (2006)

Cet article porte sur l’efficacité politique d’une série photographique qui problématise des questions socioculturelles contemporaines telles l’immigration, l’exploitation et l’éthique du travail. L’image ... [more ▼]

Cet article porte sur l’efficacité politique d’une série photographique qui problématise des questions socioculturelles contemporaines telles l’immigration, l’exploitation et l’éthique du travail. L’image photographique devient une ressource dans les mains des acteurs sociaux et fait fonction de diagnostic des tensions du contemporain. La photographie permet de «reconnaître à travers» (c’est-à-dire « diagnostiquer ») et de formuler des jugements. Le potentiel sémantique du diagnostic engendré par cette série et la force illocutoire des jugements qui y sont inscrits fonctionnent comme une sorte d’« argumentation par images ». L’analyse de cette série photographique, réalisée par le photographe et théoricien Allan Sekula, nous a amené à nous interroger sur la relation entre image, corpus, genres d’afférence et statuts (documentaire et artistique). [less ▲]

Detailed reference viewed: 21 (3 ULg)
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See detailPhotoinduced birefringence and diffraction efficiency in azo dye doped or grafted polymers: theory versus experiment of the temperature influence
Blanche, Pierre-Alexandre ULg; Lemaire, P. C.; Maertens, Christophe et al

in Journal of the Optical Society of America. B, Optical Physics (2000), 17(5), 729-740

We have investigated the influence of the temperature on the photoinduced birefringence as well as on the diffraction efficiency of azo dye doped or grafted polymers. The samples are composed of three ... [more ▼]

We have investigated the influence of the temperature on the photoinduced birefringence as well as on the diffraction efficiency of azo dye doped or grafted polymers. The samples are composed of three polymer matrices containing 2, 5-dimethyl-4-(p-nitrophenylazo anisole). We propose two theoretical models to explain the experimental increase of both phenomena when the temperature is decreased. Models are based on the statistical angular distribution of the chromophores that depends on the intensity of the polarized laser beam in the media, counteracted by the thermal agitation. Parameters introduced in both models can be used to characterize the polymeric system properties. [less ▲]

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See detailPhotoinduced ultrafast local volume changes in intermediate-valence solids.
Diakhate, Momar ULg

in Physical Review. B : Condensed Matter (2009), 79

Detailed reference viewed: 16 (10 ULg)
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See detailThe Photoionization Dynamics of Methyl Iodide (CH3I): a joint Photoelectron and Mass Spectrometric Investigation.
Locht, Robert ULg; Dehareng, Dominique ULg; Hottmann, K. et al

in Journal of Physics : B Atomic Molecular & Optical Physics (2010), 43(10), 105101

The threshold photoelectron (TPES) and the photoionization mass spectrometric (PIMS) study of CH3I in the 8-20 eV photon energy range are presented. The interpretation and assignments are supported by ab ... [more ▼]

The threshold photoelectron (TPES) and the photoionization mass spectrometric (PIMS) study of CH3I in the 8-20 eV photon energy range are presented. The interpretation and assignments are supported by ab initio calculations. The TPES shows many new discrete features in the Jahn-Teller split ground X 2E (2A'-2A”) state of CH3I+. A new continuous band starting at about 11.7 eV is detected. These observations are essentially correlated with autoionizing transitions. This interpretation is supported by constant ion state (CIS) spectroscopy. A large enhancement of the transitions to the A 2A and B 2E ionic states is ascribed to large autoionizing contributions. Based on the present calculations, the weak to very weak bands in the 18.0 eV-23.0 eV photon energy range are mainly assigned to 2a1-1 ionization and to double excitations corresponding essentially to the 2e-2 4a11 and 3a1- 1 2e-1 4a11 configurations. The photoionization mass spectrometric study allowed us to investigate in detail the ionization and dissociation of CH3I+ leading to CH2+, CH3+, I+ and CH2I+ from the threshold up to 20 eV photon energy. The experimental data are compared to ab initio calculated dissociation energies. The threshold of appearance of CH3+, I+ and CH2I+ fragments are concentrated in the 12.2-12.7 eV photon energy range. All three exit channels are correlated with the ground state of CH3I+ via nonadiabatic transitions. All three fragment ions have to appear through predissociation of the ionic X 2E state and autoionizing dissociation from the (2E3/2)6p Rydberg state. This interpretation is strongly supported by the photoabsorption spectrum measured recently in the same photon energy range [1]. At higher energies, beside direct or predissociation of the A 2A1 and B 2E states of CH3I+, autoionization is also suggested to contribute to the fragmentation in all decay channels. [less ▲]

Detailed reference viewed: 30 (8 ULg)