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See detailColoring of the infinite grid
Vandomme, Elise ULg; Gravier, Sylvain

Poster (2012, May 23)

We present a method that links (r,a,b)-codes in the infinite grid and particular colorings of weighted cycles, called constant 2-labellings.

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See detailColoss Working Group 1: monitoring and diagnosis.
Nguyen, Bach Kim ULg; Van der zee, Romée; Vejsnaes, Flemming et al

in Journal of Apicultural Research (2010), 49(1), 97-99

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See detailColossal positive magnetoresistance in a doped nearly magnetic semiconductor
Hu, Rongwei; Thomas, K. J.; Lee, Y. et al

in Physical Review B (2008), 77(8),

We report on a positive colossal magnetoresistance (MR) induced by metallization of FeSb2, a nearly magnetic or "Kondo" semiconductor with 3d ions. We discuss the contribution of orbital MR and quantum ... [more ▼]

We report on a positive colossal magnetoresistance (MR) induced by metallization of FeSb2, a nearly magnetic or "Kondo" semiconductor with 3d ions. We discuss the contribution of orbital MR and quantum interference to the enhanced magnetic field response of electrical resistivity. [less ▲]

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See detailColosses et perspective: de la prise en considération de la parallaxe dans la statuaire pharaonique de grandes dimensions au Nouvel Empire
Laboury, Dimitri ULg

in Revue d'Egyptologie (2008), 59

The deformation which affects the physiognomy of colossal sculptures of the New Kingdom suggests that Ancient Egyptian Art could have taken into account the parallax effects or distortions due to ... [more ▼]

The deformation which affects the physiognomy of colossal sculptures of the New Kingdom suggests that Ancient Egyptian Art could have taken into account the parallax effects or distortions due to perspective. This question and its methodological and theoretical implications are investigated, with a special focus on the colossi of Amenhotep IV from Karnak. [less ▲]

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See detailLe colostrum bovin : "une solution pour réduire les effets négatifs du sevrage"
Boudry, Christelle ULg

Article for general public (2008)

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See detailColostrum. De nouvelles voies de valorisation
Boudry, Christelle ULg

Article for general public (2006)

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See detailColour ConText
Neven, Sylvie ULg

Textual, factual or bibliographical database (2014)

For several centuries, the literature of artists’ recipe books has been considered one of the most original and comprehensive primary sources for the historical study of artistic practices and materials ... [more ▼]

For several centuries, the literature of artists’ recipe books has been considered one of the most original and comprehensive primary sources for the historical study of artistic practices and materials. In addition to the famous Libro dell’arte of Cennino Cennini, nearly five hundred European manuscripts containing artistic recipes survive from before circa 1550. A great number of these are still unpublished and virtually unknown. Our work on a large corpus of recipe collections has generated the material for a database that facilitates consultation and exploitation of the source material.Current structure of the database The core data consists of mediaeval and pre-modern manuscripts and printed books from Northern and Southern Europe. The various layouts of the ‘Colour ConText’ database allow access to the metadata of the sources with details such as title, current location, place and date of origin, scribes or authors, previous owners, and description of any other (non-recipe) content. The database also allows access to digital images of these sources via European Cultural Heritage Online (ECHO) or via digital collections made available by external institutes, and to the transcription and translation of the recipe texts. Reference to primary and secondary sources, together with the related bibliographical data, is integrated throughout the database. To date, over 400 manuscripts have been considered and 4,500 recipes - some constituting only a few lines, others covering several folios - have been transcribed and recorded within the database. The database also includes a complete index of the ‘simples’ (substances mentioned as ingredients). Thus materials are indexed both by their current scientific name and by the terms exactly as they appear in the source texts. Each ingredient’s appellation is linked by relational tables to its contemporary and modern synonyms. This allows the retrieval of all the different appellations used for one ingredient – detailing the historical written context – but also the various ingredients that may be related to one ‘appellation’. A survey of artistic materials and techniques The database helps not only to observe the global frequency and recurrence of each ingredient and technical instruction, but also to deduce the availability of artistic material within a chronologically and geographically defined area. Many of these recipes can be used to identify specific, datable practices and materials, as compilers often specify the name and/or place of origin of the artists from whom they obtained their information. Information related to the historical provenance of the source material (obtained through codicological or philological analysis) has also been recorded within the database and may be used for that purpose. Moreover, it is possible to observe, through factors such as frequency within the corpus, basic structure, and evolution, how recipes were modified over time or by other external phenomena. It is also possible to link the development of specific artistic procedures and technical traditions, and to correlate these with more widely diffused techniques. Thus, recipe books allow us to study the geography, chronology, circulation and dissemination of artists’ knowledge. Colour material and terminology This project notably aims at considering and evaluating the importance and interest accorded to knowledge of the materials and substances used by artists and shared with other professionals (such as apothecaries), focusing on pigments and colouring material. For that purpose, other written sources related to colour will be included (notably texts on colour theory, on colour symbolism, on colour systems, on the pharmaceutical qualities of colours, etc.). In parallel to the physical descriptions of pigments and colourants, these written sources deliver information concerning their optical characteristics, conservation, (in)compatibility with other sorts of materials and their ageing properties. The diversity of colour denominations and the complexity of the varied technical terminology will be made transparent through a glossary of all the substances, ingredients, and their synonyms mentioned in the recipe books. Transmission of artists’ knowledge Such collections of recipes were often gathered in the same book with other subjects (such as theology, alchemy, botany or medicine) and these are also described within the database. The database also includes information concerning the provenance and circulation of these books outside the workshop. This allows other questions to be addressed - notably those related to the ownership and readership of collections of recipes. [less ▲]

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See detail"Colour ConText". A Database on Colour Practice and Colour Knowledge in Pre-Modern Europe
Neven, Sylvie ULg; Leonhard, Karin; Dupré, Sven

in Dubois, Hélène; Eyb-Green, Sigrid; Kroustallis, Stephanos (Eds.) et al Making and transforming art : changes in artists’ materials and practice (2014)

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See detailColour conText’ : a New Database of Artists’ Recipes
Neven, Sylvie ULg

Conference (2013)

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See detailColour differentiation in a coral reef fish throughout ontogeny: habitat background and flexibility
Frederich, Bruno ULg; Mills, Suzanne C.; Denoël, Mathieu ULg et al

in Aquatic Biology (2010), 9(3), 271-277

Colour polymorphism is widespread in animals but, in contrast to other types of polymorphism, has been little explored during ontogeny. Among coral reef fish, the surge damselfish Chrysiptera leucopoma ... [more ▼]

Colour polymorphism is widespread in animals but, in contrast to other types of polymorphism, has been little explored during ontogeny. Among coral reef fish, the surge damselfish Chrysiptera leucopoma settles in the larval stage as a yellow morph, whereas 2 colour morphs (yellow and brown) are apparent in adults at Rangiroa Atoll, French Polynesia. To understand this dimorphism, we tested, under controlled conditions, the hypotheses that: (1) environmental cues (habitat background and conspecific density) play important roles in morph differentiation during ontogeny and (2) morph colouration is reversible. Our first experiment showed that a dark habitat background induced the formation of the brown morph, while C. leucopoma larvae kept their yellow morph when placed in aquaria with a bright habitat background. Colour change from yellow to brown also occurred within the bright habitat, but only at high conspecific densities. Our second experiment showed that colour change was reversible within 15 d post-settlement, but not at the adult stage. Overall, our results highlighted that the studied polymorphism may be environmentally induced and reversible during the first post-settlement days of this coral reef fish. [less ▲]

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See detailColour removal from model solutions by coagulation - surface charge and floc characterisation aspects
Gaydardzhiev, Stoyan ULg; Karthikeyan, J.; Ay, P.

in Environmental Technology (2006), 27

Chemical coagulation applied for colour removal from dye bearing solutions has been investigated from point of view of surface charge progression. Two commercially used dyes, i.e. CI Acid Blue 113 and CI ... [more ▼]

Chemical coagulation applied for colour removal from dye bearing solutions has been investigated from point of view of surface charge progression. Two commercially used dyes, i.e. CI Acid Blue 113 and CI Disperse Blue 26 have been tested, employing three common coagulants: alum, aluminium chloride and ferric chloride. Coagulant type and dose level and pH of the dye solution have been studied as process parameters affecting surface charge and degree of colour removal after filtration of coagulated dye. It has been found, that both dyes could be almost completely removed with the tested coagulants, when supplied however at different dosages. From one side, the correlation between surface charge and colour removal suggests that destabilization of colour colloids occurs as a result of charge neutralization followed by removal by filtration. From other side, the lack of re-stabilization and continued high colour removal even at increased coagulant dosages implies enmeshment of destabilized dye colloids into the hydroxy flocs/precipitates of metal coagulant by “sweep coagulation”. Finally, flocs from selected sludge samples have been examined for particle size and shape by image analysis and their key characteristics summarised [less ▲]

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See detailColour removal from wastewater by means of microbial treatment
Janeczko, M.; Georgiev, P.; Nicolova, M. et al

in Fecko, P. (Ed.) 10-th Conference on Environment and Mineral Processing (2006)

Water solutions of different dyes used in textile industry (Reactive Black 5, Acid Orange 7 and Disperse Yellow 5) were treated under laboratory conditions by means of different microorganisms or their ... [more ▼]

Water solutions of different dyes used in textile industry (Reactive Black 5, Acid Orange 7 and Disperse Yellow 5) were treated under laboratory conditions by means of different microorganisms or their metabolites. The following organisms were used in this study: Bacillus megatherium, B.subtilus, B.circulans, activated sludge from industrial w. w. teratment plant and a mixed enriched culture of flocculating bacteria. It was find out that the microbial effect towards the dyes was quite specific and the extent of colour removal varied in broad range. Very good results were achieved also by means of permeable reactive barriers inhabitated by flocculating bacteria and other independent microorganisms and operating under continuous flow conditions. The colour removal in these case varied in the range of about 80 - 90 % and was similar to that achieved by the well known chemical reagents used in the textile industry. [less ▲]

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See detailColour rendering and spectral power distribution: a new parametric approach
Embrechts, Jean-Jacques ULg

in Lighting Research & Technology (1984), 16 (3)

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See detailColour rendering of supplementary artificial lighting
Embrechts, Jean-Jacques ULg

in Color Research and Application (1992), 17(3)

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See detailColour rendering under the combination of daylight and artificial light
Embrechts, Jean-Jacques ULg

in Proceedings of the A.I.C. Interim meeting '96 (Association Internationale de la Couleur) (1996)

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See detailColour-magnitude diagrams of transiting Exoplanets - II. A larger sample from photometric distances
Triaud, Amaury H. M. J.; Lanotte, Audrey ULg; Smalley, Barry et al

in Monthly Notices of the Royal Astronomical Society (2014), 444(1), 711-728

CColour-magnitude diagrams form a traditional way of presenting luminous objects in the Universe and compare them to each other. Here, we estimate the photometric distance of 44 transiting exoplanetary ... [more ▼]

CColour-magnitude diagrams form a traditional way of presenting luminous objects in the Universe and compare them to each other. Here, we estimate the photometric distance of 44 transiting exoplanetary systems. Parallaxes for seven systems confirm our methodology. Combining those measurements with fluxes obtained while planets were occulted by their host stars, we compose colour-magnitude diagrams in the near and mid-infrared. When possible, planets are plotted alongside very low mass stars and field brown dwarfs, who often share similar sizes and equilibrium temperatures. They offer a natural, empirical, comparison sample. We also include directly imaged exoplanets and the expected loci of pure blackbodies. Irradiated planets do not match blackbodies; their emission spectra are not featureless. For a given luminosity, hot Jupiters' daysides show a larger variety in colour than brown dwarfs do and display an increasing diversity in colour with decreasing intrinsic luminosity. The presence of an extra absorbent within the 4.5 μm band would reconcile outlying hot Jupiters with ultra-cool dwarfs' atmospheres. Measuring the emission of gas giants cooler than 1000 K would disentangle whether planets' atmospheres behave more similarly to brown dwarfs' atmospheres than to blackbodies, whether they are akin to the young directly imaged planets, or if irradiated gas giants form their own sequence. [less ▲]

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See detailColourism: from a Local Legacy of Slavery to a Global Power Dynamics
Gabrielle, Cindy ULg

in Journal de BabeLg (2008), 25

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See detailColumn Abundance measurements of formaldehyde above the Jungfraujoch.
Demoulin, Philippe ULg; Zander, Rodolphe ULg; Mélen, F. et al

in Atmospheric Spectroscopy Applications 1999 - Proceedings (1999)

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See detailColumn bases in steel building frames
Jaspart, Jean-Pierre ULg

in Column bases in steel building frames (1999)

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