Browsing
     by title


0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

or enter first few letters:   
OK
Full Text
See detailCIMEDE: An architectural modeler for a modular industrial building system - A Case Study
Van de Vreken, Anne ULg; Delfosse, Vincent ULg; Schmitz, Dimitri ULg et al

Scientific conference (2012, August)

CIMEDE is a wooden industrialized building system focused on modularity, sustainability and cost effectiveness. This paper presents an applied research project focused on the implementation of software ... [more ▼]

CIMEDE is a wooden industrialized building system focused on modularity, sustainability and cost effectiveness. This paper presents an applied research project focused on the implementation of software able to efficiently assist the various stakeholders involved in the design and the construction of CIMEDE housings (architects, clients, process managers, builders, factory workers...). The main objective is to develop an easy to use and bespoke 3D CAD modeler addressing the multiple stakeholder’s needs, and able to integrate the whole complex process of industrialization. [less ▲]

Detailed reference viewed: 148 (22 ULg)
Full Text
Peer Reviewed
See detailUn cimetière, une communauté, un espace : l’exemple liégeois
Schmitz, Serge ULg

in Géographie et cultures (1995), 16

The article is the result of the study of 160 years of cemetery history in an urban region which houses today 510.000 peoples. It demonstrates the strong links between urban and rural communities and ... [more ▼]

The article is the result of the study of 160 years of cemetery history in an urban region which houses today 510.000 peoples. It demonstrates the strong links between urban and rural communities and their cemeteries. In order to do this, four points in cemetery history, chosen for the availability of reliable and comparable sources, have been chosen and described successively. Finally the article investigates the reasons for the exponential growth of requiered cemetery size. [less ▲]

Detailed reference viewed: 125 (26 ULg)
Full Text
Peer Reviewed
See detailCinacalcet treatment at the time of transplantation is associated with a significant risk of delayed graft function in kidney transplant recipients
Jouret, François ULg; WEEKERS, Laurent ULg; GROSCH, Stéphanie ULg et al

in Transplant International (2014, May), 27(S1), 167

The calcium-sensing receptor (CaSR) has been implicated in the ischemia/ reperfusion (I/R) cascade in heart, liver and brain. Renal I/R occurs at the time of transplantation (Tx), with a deleterious ... [more ▼]

The calcium-sensing receptor (CaSR) has been implicated in the ischemia/ reperfusion (I/R) cascade in heart, liver and brain. Renal I/R occurs at the time of transplantation (Tx), with a deleterious impact on early graft function. Here, we retrospectively investigated if the use of cinacalcet, a CaSR agonist, in kidney transplant recipients (KTR) influences early graft recovery. All KTR from 2007 to 2012 in our Academic Hospital were prospectively included in a database. Patients actively treated with cinacalcet on the day of Tx were retrospectively identified from this database and matched with controls on (i) type of donor (living [LD], deceased after brain or circulatory death [DCD]); (ii) cold ischemic time (CIT) ` 1 h; (iii) residual diuresis (` 500 ml); and (iv) donor age (` 5 years). Delayed graft function (DGF) was defined as dialysis requirement after Tx. Baseline characteristics were compared between groups with student’s t-test or Chi-2 as appropriate. The endpoint was the percentage of DGF in both groups. Among 337 KTR, 36 (10.7%) were treated with cinacalcet at Tx. Control group included 61 patients. Characteristics of patients and donors are summarized in the table. DGF occurred in 42 and 23% of cinacalcet-treated and control groups, respectively (p = 0.05). These retro- spective observations suggest that CaSR activation at the time of Tx impairs early graft recovery. [less ▲]

Detailed reference viewed: 38 (13 ULg)
Full Text
See detailCinégénies lunaires. Le cinéma à la conquête de la lune.
Tomasovic, Dick ULg

in Jaminon, Martine; Richelle, Jean; Thomas, Jean-Marcel (Eds.) Éclats de Lune. Entre science et imaginaire (2013)

La Lune au cinéma apparaît à la fois comme une destination exotique, romanesque et périlleuse, et comme une figure poétique majeure invitant autant à la contemplation rêveuse qu’à la remise en question ... [more ▼]

La Lune au cinéma apparaît à la fois comme une destination exotique, romanesque et périlleuse, et comme une figure poétique majeure invitant autant à la contemplation rêveuse qu’à la remise en question existentielle. Le cinéma filme la Lune, mais la Lune regarde le spectateur. Devant le nombre de films qui ont mis en scène l’astre lunaire, il faut se borner à repérer deux grandes formes d’utilisation, deux poétiques du motif lunaire. Cet article tente de les définir. [less ▲]

Detailed reference viewed: 17 (0 ULg)
Full Text
See detailCinéma (De l’irrévérence du cinéma au Pays de Liège)
Tomasovic, Dick ULg

in Delaunois, Alain; Joiret, Marie-Hélène (Eds.) Petit guide de l’irrévérence (au Pays de Liège) (2011)

Detailed reference viewed: 11 (2 ULg)
Full Text
See detailCinéma 3D: d'une révolution à l'autre
Thonon, Jonathan ULg

E-print/Working paper (2012)

Detailed reference viewed: 25 (0 ULg)
See detailLe cinéma au risque du musée : le spectateur exposé
Thonon, Jonathan ULg

Conference (2010, April 26)

Detailed reference viewed: 12 (0 ULg)
See detailLe cinéma belge francophone.
Hamers, Jérémy ULg

Conference given outside the academic context (2013)

Detailed reference viewed: 21 (3 ULg)
Full Text
Peer Reviewed
See detailLe cinéma d’animation et ses thanatomorphoses (fragments sur le monstre, la charogne, le montage et l’animation)
Tomasovic, Dick ULg

in Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies (2002), 13(Automne), 143-164

The role and limits of editing in animation film are reconsidered here. It is no longer a matter of perceiving this practice as “simply” assembling shots, associating random elements, linking diverse ... [more ▼]

The role and limits of editing in animation film are reconsidered here. It is no longer a matter of perceiving this practice as “simply” assembling shots, associating random elements, linking diverse pieces and creating a monstrous body, but rather, it is presently regarded as a continual process of managing transitions, shifting between images, transforming inanimate objects, transmuting immobile elements and transfiguring inert beings. Thus, the animation film’s purpose is less phantasmal, to be a giver of life, as it is phantasmagoric, to be an animator of death. [less ▲]

Detailed reference viewed: 50 (7 ULg)
See detailLe cinéma d'animation selon Vincent Patar et Stéphane Aubier
Tomasovic, Dick ULg

Conference given outside the academic context (2013)

Detailed reference viewed: 19 (2 ULg)
See detailLe cinéma de Jean-Luc Godard et l'oeil philosophique de Gilles Deleuze
Pieron, Julien ULg

Conference given outside the academic context (2013)

Detailed reference viewed: 21 (1 ULg)
See detailLe cinéma de Norman McLaren
Van Cauwenberge, Geneviève ULg

Scientific conference (1999, February)

Detailed reference viewed: 17 (3 ULg)
See detailLe cinéma des frères Dardenne
Tomasovic, Dick ULg

Conference given outside the academic context (2009)

Detailed reference viewed: 16 (6 ULg)
Peer Reviewed
See detailLe cinéma documentaire d'Alexander Kluge et de Werner Herzog. Au-delà des antagonismes: le cinéaste.
Hamers, Jérémy ULg

Conference (2011, February 11)

Si pour Werner Herzog le rôle du spectateur semble réduit à celui d’un récepteur passif, pour Alexander Kluge en revanche, le spectateur et sa mémoire des images doivent conduire à l’élaboration d’un sens ... [more ▼]

Si pour Werner Herzog le rôle du spectateur semble réduit à celui d’un récepteur passif, pour Alexander Kluge en revanche, le spectateur et sa mémoire des images doivent conduire à l’élaboration d’un sens supérieur que la subjectivité du seul auteur serait incapable de faire émerger. Mais, leurs pratiques documentaires respectives se fondent aussi sur la perception d’une figure complexe, celle du cinéaste, constitutive d’une relation que le film contribuera à instaurer entre le réalisateur et le spectateur. L'identification de cette figure permet de "réconcilier" Alexander Kluge et Werner Herzog, deux représentants du Nouveau Cinéma Allemand, que la plupart des histoires de ce cinéma opposaient jusqu'à présent. [less ▲]

Detailed reference viewed: 66 (7 ULg)
See detailLe cinéma documentaire en Belgique francophone aujourd'hui
Van Cauwenberge, Geneviève ULg

in Revue Nouvelle (1998), 12

Detailed reference viewed: 47 (9 ULg)
See detailCinéma et école
Van Cauwenberge, Geneviève ULg

in Revue d'Action Sociale (1987)

Detailed reference viewed: 20 (8 ULg)
Full Text
See detailLe cinéma et les arts audiovisuels [en Wallonie]
Mélon, Marc-Emmanuel ULg

in Demoulin, Bruno (Ed.) Histoire culturelle de la Wallonie (2012)

Courte histoire du cinéma en Wallonie (Belgique)

Detailed reference viewed: 43 (10 ULg)
See detailCinéma et vidéo : utopie et réalité.
Mélon, Marc-Emmanuel ULg

in Delhalle, Nancy; Dubois, Jacques; Klinkenberg, Jean-Marie (Eds.) Le tournant des années 1970 : Liège en effervescence (2010)

The birth of cinema and video in Liège (Belgium) during the seventies

Detailed reference viewed: 85 (14 ULg)
Full Text
Peer Reviewed
See detailCinéma fantastique et corps plastiques : premières notes pour une étude de la figurine
Tomasovic, Dick ULg

in Cinéma & Cie : International Film Studies Journal (2003), 3(Fall), 106-114

Detailed reference viewed: 31 (6 ULg)
See detailLe cinéma politique a-t-il besoin d'un alphabétiseur? (Enzensberger, Kluge, Negt)
Hamers, Jérémy ULg

Scientific conference (2013, March 28)

Detailed reference viewed: 27 (4 ULg)