References of "Signata. Annales des Sémiotiques = Annals of Semiotics"
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See detailModèles épistémologiques pour le métalangage
Bouquiaux, Laurence ULg; Dubuisson, Francois ULg; Leclercq, Bruno ULg

in Signata. Annales des Sémiotiques = Annals of Semiotics (2013)

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See detailInstitutiones semioticae. L'enseignement des manuels
Provenzano, François ULg

in Signata. Annales des Sémiotiques = Annals of Semiotics (2012), 3

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See detailSémiotique de l'image scientifique
Dondero, Maria Giulia ULg

in Signata. Annales des Sémiotiques = Annals of Semiotics (2010), 1

This work aims to establish the state of the art in the area of semiotic research on the role of the image in scientific discourse, a topic which has recently given rise to renewed interest in Francophone ... [more ▼]

This work aims to establish the state of the art in the area of semiotic research on the role of the image in scientific discourse, a topic which has recently given rise to renewed interest in Francophone semiotics. The questions concerning the scientific image open up new perspectives for semiotic studies. The research revisits issues that are fundamental to all semiotic approaches (the concept of reference and the genesis of the plane of expression in visual texts, for example) and also leads to encounters between different semiotic traditions, such as those of Ch. S. Peirce, the Paris School, and the Groupe µ. Four questions appear crucial to the future of semiotics and reappear throughout the article : 1. the relation between the image and the techniques that produce it, which leads to considerations on the status of scientific reference ; 2. the relation between the image and mathematization, which allows us to deal with the question of the diagram and diagrammatic reasoning ; 3. the relation between “the image in the process of being made” in the laboratory and the image selected by scientific literature (“the finished image”) and especially the relation between a research article for specialized journals and works of popularization ; 4. finally, the consideration of the different discursive genres of scientific production leads us to reflections on the relation between popularization and the domain of art. [less ▲]

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