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See detail"We come in peace" : Laibach ou l'art de la fugue
Claisse, Frédéric ULg

in Multitudes (2013), (51), 212-218

Emerging in the ideological context of the last decade of Yugoslavia, Slovenian industrial music group Laibach and its umbrella organisation, Neue Slowenische Kunst (NSK), contributed to renew the grammar ... [more ▼]

Emerging in the ideological context of the last decade of Yugoslavia, Slovenian industrial music group Laibach and its umbrella organisation, Neue Slowenische Kunst (NSK), contributed to renew the grammar of contentious politics, through the principle of “retrogardism” and the technique of overidentification to the aesthetic codes of power. The paper traces the group’s line of work, analysing its strategies while insisting on the systematically ironic dimension of its mode of utterance, especially of its art of cover songs. [less ▲]

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See detailContr(ôl)e-fiction: de l'Empire à l'Interzone
Claisse, Frédéric ULg

in Multitudes (2012), 48(printemps), 106-117

The success of the notion of 'control' proposed by Deleuze and later developped by Negri and Hardt tends to obliterate its literary origins, ie. the work of William S. Burroughs. Yet, the American writer ... [more ▼]

The success of the notion of 'control' proposed by Deleuze and later developped by Negri and Hardt tends to obliterate its literary origins, ie. the work of William S. Burroughs. Yet, the American writer's logic of Control is based on the same ambivalent representation of power as a hold, according to which freedom is a mere lever serving to act upon an individual's possible actions. Restoring this Burroughsian filiation of Control emphasizes its counter-fictional dimension: in an outsideless word, practices such as cut-up or simulacrum reinvent our capacity of action. [less ▲]

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