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See detailSous l’autorité de Rome
Morard, Thomas ULiege

in Demoulin, Bruno (Ed.) Histoire de Liège. Une cité, une capitale, une métropole (in press)

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See detailOn Cobham's theorem
Durand, Fabien; Rigo, Michel ULiege

in Handbook of Automata (in press)

Let k >= 2 be an integer. A set X of integers is k-recognizable if the language of k-ary representations of the elements in X is accepted by a finite automaton. The celebrated theorem of Cobham from 1969 ... [more ▼]

Let k >= 2 be an integer. A set X of integers is k-recognizable if the language of k-ary representations of the elements in X is accepted by a finite automaton. The celebrated theorem of Cobham from 1969 states that if a set of integers is both k-recognizable and ℓ-recognizable, then it is a finite union of arithmetic progressions. We present several extensions of this result to nonstandard numeration systems, we describe the relationships with substitutive and automatic words and list Cobham-type results in various contexts. [less ▲]

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See detailRestaurer la Lumière. Les effets luminodynamiques de la Tour cybernétique de Nicolas Schöffer à Liège
Verbeeck, Muriel ULiege; D'Haenens, Manon ULiege

in Lumière et patrimoine (in press)

Cette communication porte sur la nécessaire conservation préventive de la Tour Schöffer, en amont du chantier de restauration prévu pour 2015.

Detailed reference viewed: 57 (13 ULiège)
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See detailNotice de présentation du Service d’Histoire de l’art et Archéologie de l’Antiquité gréco-romaine de l’Université de Liège
Morard, Thomas ULiege

in Duchesne, Jean-Patrick (Ed.) Bicentenaire de l’ULg (in press)

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See detailMax Frisch und die Suhrkamp Kultur
Pontzen, Alexandra ULiege

in Schmitz, Walter (Ed.) Max Frisch. Konstellationen und Perspektiven (in press)

Detailed reference viewed: 60 (3 ULiège)
See detailLa Musique silencieuse de José Muñoz et Carlos Sampayo
Dejasse, Erwin ULiege

Book published by Presses universitaires François Rabelais (in press)

Cette étude met en lumière dans l'oeuvre de José Muñoz et Carlos Sampayo les mécanismes de déconstruction des normes issues de la bande dessinée de genre fondée sur le principe de l’illusion référentielle ... [more ▼]

Cette étude met en lumière dans l'oeuvre de José Muñoz et Carlos Sampayo les mécanismes de déconstruction des normes issues de la bande dessinée de genre fondée sur le principe de l’illusion référentielle. Cette entreprise de dislocation des standards graphiques et narratifs vise à substituer à la lecture traditionnelle fondée sur la consommation du récit, une lecture émotionnelle. [less ▲]

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See detailMind-wandering and self-referential thought
D'Argembeau, Arnaud ULiege

in The Oxford Handbook of Spontaneous Thought (in press)

Detailed reference viewed: 68 (1 ULiège)
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See detailDocuments officiels de la République romaine et du Principat d'Auguste (212a-14p)
Famerie, Etienne ULiege

Book published by De Boccard (in press)

General corpus of all "documents" (treatises, senatusconsulta, edicts of magistrates) from the Roman Republic to Augustus preserved in Greek and Latin inscriptions and in literary sources

Detailed reference viewed: 301 (36 ULiège)
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See detailPâque, Désiré
Pirenne, Christophe ULiege

in Finscher, Ludwig (Ed.) Die Musik in Geschichte und Gegenwart (in press)

Detailed reference viewed: 48 (9 ULiège)
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See detailWilliam Cliff, arpenteur du quotidien
Hick, Anne-Laure ULiege

in Cliff, William (Ed.) L'Etat belge (in press)

Lecture du recueil L'Etat belge, de William Cliff.

Detailed reference viewed: 118 (13 ULiège)
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See detailNicolas Schöffer’s collection: from the artist’s studio to the museum
D'Haenens, Manon ULiege

in Keep it moving ? Conserving kinetic art (in press)

Detailed reference viewed: 27 (8 ULiège)
See detailRéflexivité et classes sémantiques dans le lexique verbal français
Mazziotta, Nicolas ULiege; Stein, Achim

in XXXIII. Tagung des Deutschen Romanistenverbands (DRV) (in press)

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See detailRôle et langue de Tchantchès dans les représentations en castelets des romans de chevalerie : le cas des Quatre fils Aymon
Baiwir, Esther ULiege; Impe, Anaëlle

in Enquêtes du Musée de la Vie Wallonne (in press)

Pourquoi et dans quelle mesure les montreurs de marionnettes liégeoises font-ils intervenir Tchantchès aux côtés des grands chevaliers médiévaux, dont les aventures constituent une part importante du ... [more ▼]

Pourquoi et dans quelle mesure les montreurs de marionnettes liégeoises font-ils intervenir Tchantchès aux côtés des grands chevaliers médiévaux, dont les aventures constituent une part importante du répertoire liégeois ? Quels sont ses moyens d'action, mais également ses modes d'expression ? Divers registres de langue apparaissent au fil des spectacles ; quels sont ceux prêtés à notre héros ? Et surtout, ce rôle et cette langue ont-ils évolué au fil du temps ? C’est à ces quelques questions que nous tentons de répondre, en observant les différentes interventions de Tchantchès dans les réécritures des aventures des quatre fils Aymon, l’une des œuvres les plus anciennes et les plus fréquemment jouées dans les théâtres liégeois dévolus aux comédiens de bois. [less ▲]

Detailed reference viewed: 71 (10 ULiège)
See detailLe système belge des brevets au 19ème siècle
Peters, Arnaud ULiege

in Actes du colloque "Nouvelles sources, nouvelles approches, nouvelles méthodes dans la recherche historique (in press)

Detailed reference viewed: 102 (22 ULiège)
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See detailRegimes of Responsibility in Africa: Genealogies, Rationalities and Conflicts
Jedlowski, Alessandro ULiege

Book published by Berghahn (in press)

This edited collection of essays analyses the transformations that discourses and practices of responsibility have undergone in Africa since the early 1990s. In most of the continent’s countries, this ... [more ▼]

This edited collection of essays analyses the transformations that discourses and practices of responsibility have undergone in Africa since the early 1990s. In most of the continent’s countries, this period has been marked by the introduction of neoliberal reforms, partial liberalization of the political landscape, increased foreign investment, the multiplication of religious movements, the exponential growth of migration fluxes, the emergence of new media, and the explosion of the AIDS pandemic. The core assumption of the book is that these phenomena have significantly modified the way responsibility is imagined, discussed and organized in African societies, and have contributed to transforming this concept into one of the key moral ideas by which these societies think about, and act upon their present and future power configurations. To discuss this central hypothesis, the book’s contributions examine discourses and practices of responsibility in nine different settings, and reflect on the broader changes in regimes of responsibility to which they take part. By doing so, this collection of essays will offer insight that develop a stronger grasp on the interaction between moral practices and discourses, and specific political, economic and social transformations taking place today in Africa. At the same time, while focusing on case studies from the African continent, this collection enters into a dialogue with the emerging corpus of studies in the field of ethics, providing to it a set of analytical perspectives that can help further enlarge its theoretical and geographical scope. [less ▲]

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See detail« À table ! ». Indexation et organisation des livres de cuisine aux 17e et 18e siècles
Colson, Maryse ULiege

in Mathieu, Georges (Ed.) Les Tables des matières (in press)

Detailed reference viewed: 36 (6 ULiège)
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See detailLes Blattmasken dans la mosaïque pariétale. Nymphées et bassins domestiques
Derwael, Stéphanie ULiege

in Actes du XIIe colloque de l’Association Internationale pour l’Etude de la Mosaïque Antique (AIEMA) (in press)

Blattmasken belong to vegetalized human figures used in parietal decoration of nymphaei and domestic ponds. Their use depends on the process of iconographic forms’ transmission already highlighted between ... [more ▼]

Blattmasken belong to vegetalized human figures used in parietal decoration of nymphaei and domestic ponds. Their use depends on the process of iconographic forms’ transmission already highlighted between the parietal mosaic, the italic mural painting of Ist century a.C. and the African ground mosaic. This transfer is discussed in the light of two cases : the House of Neptune and Amphitrite at Herculanum and the House of the Nymphs at Neapolis. The study is based on their iconographical environments and on their typology. It highlights two different symbolic conceptions of the motive. [less ▲]

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See detailA.P.M.H. Lardinois, J.H Blok et M.G.M. Van der Poel, Sacred Words: Orality, Literacy and Religion, Leiden-Boston, Brill, 2011
Delli Pizzi, Aurian ULiege

in Antiquité Classique : Revue Interuniversitaire d'Etudes Classiques (in press)

Detailed reference viewed: 120 (12 ULiège)
See detailQu'est-ce que les digital humanities?
Berra, Aurélien; Dozo, Björn-Olav ULiege; Mounier, Pierre

Book published by OpenEdition Press (in press)

Detailed reference viewed: 172 (24 ULiège)