References of "Laboury, Dimitri"
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See detailLes artistes des tombes privées de la nécropole thébaine sous la 18e dynastie: bilan et perspectives
Laboury, Dimitri ULg

in Egypte Afrique & Orient (2010), 59

The figure of the Ancient Egyptian artist has often been considered particularly evanescent and almost imperceptible – if not non-existent for some scholars. Dealing with the case of the painters ... [more ▼]

The figure of the Ancient Egyptian artist has often been considered particularly evanescent and almost imperceptible – if not non-existent for some scholars. Dealing with the case of the painters responsible for the decoration of private tomb chapels in the Theban Necropolis during the 18th dynasty, this article aims at demonstrating that with a proper and adapted interdisciplinary methodology, gathering all kinds of documents relating to the subject, it is indeed possible to address the issue of the societal identity of those painters as well as that of their work organisation and work modalities, and even their own individualities. In this context, the article concludes with a reassessment of the criteria used to define an artist. [less ▲]

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See detailAkhénaton
Laboury, Dimitri ULg

Book published by Pygmalion - Flammarion (2010)

Amenhotep IV, ninth Pharaoh of the 18th Dynasty (ca 1352 - 1335 B.C.), who changed his name into Akhenaten, is probably the most debated figure of Ancient Egyptian History. Known as the first founder of a ... [more ▼]

Amenhotep IV, ninth Pharaoh of the 18th Dynasty (ca 1352 - 1335 B.C.), who changed his name into Akhenaten, is probably the most debated figure of Ancient Egyptian History. Known as the first founder of a monotheistic religion in the history of mankind, he holds an exceptional position in modern collective memories about Ancient Egypt, despite the fact that he was rejected into oblivion by his direct successors. His modern fame is fundamentally due to the reappropriation of his character by various and incredibly numerous occidental or contemporary ideologies. In this context of highly culturo-centric reinterpretation, it is often very difficult, for the layman or the laywoman as well as for the scholar, to comprehend the king who actually ruled Egypt in the middle of the 14th century B.C. The book attempts to address this issue by proposing an archaeological biography of Akhenaton, i.e. a description of the historical facts of his reign that are physically - or archaeologically - attested, with the constant aim of distinguishing these facts from their interpretations. Such an approach allows the reader to understand how egyptological knowledge is constructed. The book is structured according to the different phases of the actual life of Akhenaten: after a necessary appraisal of his modern rediscovery and reinterpretations, a chapter is respectively devoted to his childhood and the Egyptian Empire in which he grew up, to the first years of his reign, to the invention of real Atenism, in year 4, to the king’s project when he moved his capital to Akhet-Aten - Amarna, in Middle Egypt, and, at last, to his post-mortem survival, in the reactions of his successors and followers. The book ends with some conclusions about the epistemological capabilities of archaeological biography and about the particularity of Akhenaten and his Atenist ideology. [less ▲]

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See detailLes artistes égyptiens ignoraient la perspective
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Insolite et grandes énigmes (2010)

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See detailL'Égypte pharaonique est la plus ancienne des civilisations
Laboury, Dimitri ULg

in Stop aux idées reçues. 50 idées reçues pour démêler le vrai du faux (2010)

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See detailLes artistes égyptiens ignoraient la perspective
Laboury, Dimitri ULg

in Stop aux idées reçues. 50 idées reçues pour démêler le vrai du faux (2010)

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See detailNéfertiti est la plus belle des reines égyptiennes
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Pour démêler le vrai du faux. Édition 2011 (2010)

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See detailL'Égypte pharaonique est la plus ancienne des civilisations
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Pour démêler le vrai du faux. Édition 2011 (2010)

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See detailLes momies ont des pouvoirs surnaturels
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Insolite et grandes énigmes (2010)

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See detailLa construction des pyramides reste une énigme
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Insolite et grandes énigmes (2010)

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See detailL'écriture hiéroglyphique est un mystère
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Insolite et grandes énigmes (2010)

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See detailToutankhamon est le pharaon de la malédiction
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Insolite et grandes énigmes (2010)

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See detailA la recherche des peintres de la nécropole thébaine. Prolégomènes à une analyse des pratiques picturales dans la tombe d'Amenemopé (TT 29).
Laboury, Dimitri ULg; Tavier, Hugues ULg

in Warmenbol, Eugène; Angenot, Valérie (Eds.) Thèbes aux 101 portes. Mélanges à la mémoire de Roland Tefnin. (2010)

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See detailToutankhamon est le pharaon de la malédiction
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Pour démêler le vrai du faux. Édition 2010 (2009)

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See detailLes pharaons étaient adorés comme des dieux
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Pour démêler le vrai du faux. Édition 2010 (2009)

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See detailLes artistes égyptiens ignoraient la perspective
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues. Pour démêler le vrai du faux. Édition 2010 (2009)

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See detailRéflexions sur le portrait royal et son fonctionnement dans l'Égypte pharaonique
Laboury, Dimitri ULg

in Ktema : Civilisations de l'Orient, de la Grèce et de Rome Antiques (2009), 34

Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in pharaonic society. The issue has often – if ... [more ▼]

Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in pharaonic society. The issue has often – if not always – been thought in terms of opposition between portrait and ideal image, being a major topic in the broader question of realism and formal relation to reality in Ancient Egyptian art. After a brief analysis of the problem from a theoretical point of view, the article considers the concepts involved in the notion of portrait within the context of Ancient Egyptian thought. Then, a few significant cases selected in royal statuary are investigated in order to elucidate the motives and modalities of the interaction between portrait and ideal image in Ancient Egyptian individualized representations [less ▲]

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See detailLa tête MRAH E 2435, fragment d'une statue de Thoutmosis III prosterné en attitude d'offrande ou d'adoration
Laboury, Dimitri ULg

in Claes, Wouter; De Meulenaere, Herman; Hendrickx, Stan (Eds.) Elkab and beyond. Studies in honour of Luc Limme (2009)

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See detailL'arte secondo Akhenaton, una rivoluzione nella tradizione e nella storia dell'arte dei faraoni
Laboury, Dimitri ULg

in Chappaz, Jean-Luc; Vandenbeusch, Marie (Eds.) Akhenaton. Faraone del sole. Catalogo della mostra. Palazzo Bricherasio, Torino, 27 febbraio - 9 giugno 2009 (2009)

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See detailMulti-disciplinary investigation of the tomb of Menna (TT69), Theban Necropolis, Egypt
Vandenabeele, Peter; Garcia-Moreno, Renata; Mathis, François ULg et al

in Spectrochimica Acta Part A : Molecular and Biomolecular Spectroscopy (2009), 73(3), 546-552

The archaeometrical survey of the tomb of Menna (TT69), which took place in November-December 2007, is part of the extended research program that aims to study and preserve this tomb in all its aspects ... [more ▼]

The archaeometrical survey of the tomb of Menna (TT69), which took place in November-December 2007, is part of the extended research program that aims to study and preserve this tomb in all its aspects. Menna was a high official who served as an overseer of Cadastral surveys during the reigns of pharaohs Tuthmosis IV and Amenhotep Ill (ca. 1419-1370 BC). The research team aimed to gather information, in a totally non-destructive way, on the materials used and the painting techniques. The technical examinations included photography with normal and raking light. macrophotography, ultra-violet (UV) fluorescence photography, and microscopy. On selected points X-ray fluorescence (XRF) was combined with diffuse reflectance UV-spectrometry, near infrared (NIR) diffuse reflectance spectroscopy and Raman spectroscopy. The technical aspects as well as problems that are inherently associated with an interdisciplinary survey of this extent, are discussed. The project worked with a large team of people with different backgrounds and sensitive technical equipment. Working conditions were quite hostile, including elevated temperatures and dust hampering the examinations. (C) 2008 Elsevier B.V. All rights reserved. [less ▲]

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See detailLes momies ont des pouvoirs surnaturels
Laboury, Dimitri ULg

in Le Grand Livre des idées reçues (2008)

Detailed reference viewed: 6 (0 ULg)