Amarna ArtLaboury, Dimitri ![]() in Cooney, Kara; Wendrich, Willeke (Eds.) UCLA Encyclopedia of Egyptology (2011) The art that developed in the reign of Amenhotep IV/Akhenaten, known as “Amarna art,” has largely been considered revolutionary in the history of ancient Egyptian art. As such, it has been the subject of ... [more ▼] The art that developed in the reign of Amenhotep IV/Akhenaten, known as “Amarna art,” has largely been considered revolutionary in the history of ancient Egyptian art. As such, it has been the subject of much debate and has generated numerous theories, often contradictory or controversial, and, in fact, deeply influenced by the history of its modern reception. Nevertheless, the remaining evidence still permits us to investigate Amenhotep IV/Akhenaten’s conception of images and art, as well as the artistic evolution under his reign. From a hermeneutic point of view, Amarna art can be interpreted as a multi-causal phenomenon, involving an internal evolution of 18th Dynasty society and art, pharaoh-centrism, and purely aesthetic factors. [less ▲] Detailed reference viewed: 104 (0 ULg) Portrait versus Ideal ImageLaboury, Dimitri ![]() in Wendrich, Willeke (Ed.) UCLA Encyclopedia of Egyptology (2010) Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in Pharaonic society. The issue has often—if ... [more ▼] Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in Pharaonic society. The issue has often—if not always—been thought of in terms of opposition between portrait and ideal image, being a major topic in the broader question of realism and formal relation to reality in ancient Egyptian art. After a brief analysis of the problem from a theoretical point of view, the article deals with the Egyptological reception of the subject and considers the concepts involved in the notion of portrait within the context of ancient Egyptian thought. A few significant cases selected from the corpus of royal statuary are then investigated in order to elucidate the motives and modalities of the interaction between portrait and ideal image in ancient Egyptian individualized representations. [less ▲] Detailed reference viewed: 62 (2 ULg) AkhénatonLaboury, Dimitri ![]() Book published by Pygmalion - Flammarion (2010) Amenhotep IV, ninth Pharaoh of the 18th Dynasty (ca 1352 - 1335 B.C.), who changed his name into Akhenaten, is probably the most debated figure of Ancient Egyptian History. Known as the first founder of a ... [more ▼] Amenhotep IV, ninth Pharaoh of the 18th Dynasty (ca 1352 - 1335 B.C.), who changed his name into Akhenaten, is probably the most debated figure of Ancient Egyptian History. Known as the first founder of a monotheistic religion in the history of mankind, he holds an exceptional position in modern collective memories about Ancient Egypt, despite the fact that he was rejected into oblivion by his direct successors. His modern fame is fundamentally due to the reappropriation of his character by various and incredibly numerous occidental or contemporary ideologies. In this context of highly culturo-centric reinterpretation, it is often very difficult, for the layman or the laywoman as well as for the scholar, to comprehend the king who actually ruled Egypt in the middle of the 14th century B.C. The book attempts to address this issue by proposing an archaeological biography of Akhenaton, i.e. a description of the historical facts of his reign that are physically - or archaeologically - attested, with the constant aim of distinguishing these facts from their interpretations. Such an approach allows the reader to understand how egyptological knowledge is constructed. The book is structured according to the different phases of the actual life of Akhenaten: after a necessary appraisal of his modern rediscovery and reinterpretations, a chapter is respectively devoted to his childhood and the Egyptian Empire in which he grew up, to the first years of his reign, to the invention of real Atenism, in year 4, to the king’s project when he moved his capital to Akhet-Aten - Amarna, in Middle Egypt, and, at last, to his post-mortem survival, in the reactions of his successors and followers. The book ends with some conclusions about the epistemological capabilities of archaeological biography and about the particularity of Akhenaten and his Atenist ideology. [less ▲] Detailed reference viewed: 282 (15 ULg) A la recherche des peintres de la nécropole thébaine. Prolégomènes à une analyse des pratiques picturales dans la tombe d'Amenemopé (TT 29).Laboury, Dimitri ; Tavier, Hugues ![]() in Warmenbol, Eugène; Angenot, Valérie (Eds.) Thèbes aux 101 portes. Mélanges à la mémoire de Roland Tefnin. (2010) Detailed reference viewed: 30 (2 ULg) Multi-disciplinary investigation of the tomb of Menna (TT69), Theban Necropolis, Egypt; ; Mathis, François et alin Spectrochimica Acta Part A : Molecular and Biomolecular Spectroscopy (2009), 73(3), 546-552 The archaeometrical survey of the tomb of Menna (TT69), which took place in November-December 2007, is part of the extended research program that aims to study and preserve this tomb in all its aspects ... [more ▼] The archaeometrical survey of the tomb of Menna (TT69), which took place in November-December 2007, is part of the extended research program that aims to study and preserve this tomb in all its aspects. Menna was a high official who served as an overseer of Cadastral surveys during the reigns of pharaohs Tuthmosis IV and Amenhotep Ill (ca. 1419-1370 BC). The research team aimed to gather information, in a totally non-destructive way, on the materials used and the painting techniques. The technical examinations included photography with normal and raking light. macrophotography, ultra-violet (UV) fluorescence photography, and microscopy. On selected points X-ray fluorescence (XRF) was combined with diffuse reflectance UV-spectrometry, near infrared (NIR) diffuse reflectance spectroscopy and Raman spectroscopy. The technical aspects as well as problems that are inherently associated with an interdisciplinary survey of this extent, are discussed. The project worked with a large team of people with different backgrounds and sensitive technical equipment. Working conditions were quite hostile, including elevated temperatures and dust hampering the examinations. (C) 2008 Elsevier B.V. All rights reserved. [less ▲] Detailed reference viewed: 215 (29 ULg) Réflexions sur le portrait royal et son fonctionnement dans l'Égypte pharaoniqueLaboury, Dimitri ![]() in Ktema : Civilisations de l'Orient, de la Grèce et de Rome Antiques (2009), 34 Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in pharaonic society. The issue has often – if ... [more ▼] Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in pharaonic society. The issue has often – if not always – been thought in terms of opposition between portrait and ideal image, being a major topic in the broader question of realism and formal relation to reality in Ancient Egyptian art. After a brief analysis of the problem from a theoretical point of view, the article considers the concepts involved in the notion of portrait within the context of Ancient Egyptian thought. Then, a few significant cases selected in royal statuary are investigated in order to elucidate the motives and modalities of the interaction between portrait and ideal image in Ancient Egyptian individualized representations [less ▲] Detailed reference viewed: 127 (10 ULg) Colosses et perspective: de la prise en considération de la parallaxe dans la statuaire pharaonique de grandes dimensions au Nouvel EmpireLaboury, Dimitri ![]() in Revue d'Egyptologie (2008), 59 The deformation which affects the physiognomy of colossal sculptures of the New Kingdom suggests that Ancient Egyptian Art could have taken into account the parallax effects or distortions due to ... [more ▼] The deformation which affects the physiognomy of colossal sculptures of the New Kingdom suggests that Ancient Egyptian Art could have taken into account the parallax effects or distortions due to perspective. This question and its methodological and theoretical implications are investigated, with a special focus on the colossi of Amenhotep IV from Karnak. [less ▲] Detailed reference viewed: 79 (12 ULg) Portable EDXRF/UV-vis spectrometer, two complementary techniques on a mobile system used for Archaeometry research on the Noble tomb of Menna TT-69, Gourna, EgyptHocquet, François-Philippe ; Mathis, François ; et alConference (2008) Detailed reference viewed: 15 (2 ULg) Archaeometry At The Tomb Of Menna, Theban Necropolis, Egypt: A Multi-Method Analytical Approach; Mathis, François ; et alConference (2008) Detailed reference viewed: 19 (0 ULg) L’art selon Akhénaton, une révolution dans la tradition et l’histoire de l’art pharaoniqueLaboury, Dimitri ![]() in Chappaz, Jean-Luc; Vandenbeusch, Marie (Eds.) Akhénaton et Néfertiti. Soleil et ombres des pharaons (2008) Detailed reference viewed: 125 (3 ULg) 이집트 파라오Laboury, Dimitri ![]() Book published by WoongjinThink Big Co. Ltd - Traduction en coréen de "L'Égypte pharaonique" (Paris, 2001) (2007) Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la ... [more ▼] Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la plupart, remontent à l'Antiquité. L'examen que l'ouvrage propose des principales idées reçues générées par notre société à propos de l'Égypte antique vise à constituer un éveil autant à l'Égyptologie, à l'étude de ce que fut réellement la civilisation pharaonique, qu'à la manière dont celle-ci fut récupérée, exploitée et parfois déformée par notre système culturel, à ce que l'on appelle en Histoire la réception culturelle de l'Égypte. [less ▲] Detailed reference viewed: 24 (6 ULg) Renaissance de l’Égypte aux Temps Modernes. De l’intérêt pour la civilisation pharaonique et ses hiéroglyphes à Liège au XVIe siècleLaboury, Dimitri ![]() in Warmenbol, Eugène (Ed.) La Caravane du Caire. L’Égypte sur d’autres rives (2006) Detailed reference viewed: 86 (11 ULg) Des momies à l’hôpitalLaboury, Dimitri ![]() in Warmenbol, Eugène (Ed.) La Caravane du Caire. L’Égypte sur d’autres rives (2006) Résultats de l'analyse par rayons-X et CT-scan des momies égyptiennes (humaines et animale) conservées dans les collections des Musées de la Ville de Liège Detailed reference viewed: 34 (6 ULg) At the crossing of physics and Aercheology : the OSIRIS projectRenotte, Yvon ; Laboury, Dimitri ; et alin Europhysics News (2004), 35/6 How physics can help aercheology, including a path to the parket Detailed reference viewed: 21 (4 ULg) Idéias feitas : O Egipto FaraónicoLaboury, Dimitri ![]() Book published by Editorial Inquérito Lda - Traduction en portugais de "L'Égypte pharaonique" (Paris, 2001) (2003) Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la ... [more ▼] Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la plupart, remontent à l'Antiquité. L'examen que l'ouvrage propose des principales idées reçues générées par notre société à propos de l'Égypte antique vise à constituer un éveil autant à l'Égyptologie, à l'étude de ce que fut réellement la civilisation pharaonique, qu'à la manière dont celle-ci fut récupérée, exploitée et parfois déformée par notre système culturel, à ce que l'on appelle en Histoire la réception culturelle de l'Égypte. [less ▲] Detailed reference viewed: 7 (0 ULg) Le Projet OSIRIS (Optical Systems for Interferometric Relief Investigation and Scanning). Projet de développement d'un système de relevé numérique des documents archéologiques en trois dimensions par des procédés optoélectroniquesLaboury, Dimitri ; Renotte, Yvon ; et alin L'archéométrie au service des monuments et des livres d'art (2003) Detailed reference viewed: 58 (6 ULg) The OSIRIS Project (Optical Systems for Interferometric-Photogrammetric Relief Investigation and Scanning). Development of a device for 3D numerical recording of archaeological and epigraphic documents by optoelectronic processesLaboury, Dimitri ; Renotte, Yvon ; et alin Boehler, Wolfgang (Ed.) PROCEEDINGS OF THE CIPA WG 6 INTERNATIONAL WORKSHOP ON SCANNING FOR CULTURAL HERITAGE RECORDING (2002, September) Detailed reference viewed: 77 (8 ULg) The OSIRIS Project (Optical Systems for Interferometric-Photogrammetric Relief Investigation and scanning), Development of a device for 3D numerical recording of archaeological and epigraphic documents by optoelectronic processesLaboury, Dimitri ; Renotte, Yvon ; et alin Proceedings of the CIPA WG6 international workshop on Scanning for Cultural Heritage Recording (2002) Detailed reference viewed: 53 (12 ULg) L'Égypte pharaoniqueLaboury, Dimitri ![]() Book published by Le Cavalier Bleu éditions (2001) Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la ... [more ▼] Étant donné la place exceptionnelle dont elle jouit dans l'imaginaire collectif occidental depuis près de 4.000 ans, l'Égypte pharaonique est de nos jours l'objet de nombreuses idées reçues, qui, pour la plupart, remontent à l'Antiquité. L'examen que l'ouvrage propose des principales idées reçues générées par notre société à propos de l'Égypte antique vise à constituer un éveil autant à l'Égyptologie, à l'étude de ce que fut réellement la civilisation pharaonique, qu'à la manière dont celle-ci fut récupérée, exploitée et parfois déformée par notre système culturel, à ce que l'on appelle en Histoire la réception culturelle de l'Égypte. [less ▲] Detailed reference viewed: 30 (4 ULg) Fonction et signification de l'image égyptienneLaboury, Dimitri ![]() in Bulletin de la Classe des Beaux-Arts de l'Académie Royale de Belgique, 6e série (1998), IX Detailed reference viewed: 58 (2 ULg) |
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