References of "Sanyova, Jana"
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See detailDescribing the ‘elusive’ : Availability, Preparation and Use of Anthocyanin Colourants in Mediaeval European Illuminators’ Workshops
Neven, Sylvie ULg; Sanyova, Jana

in Dubois, Hélène; Eyb-Green, Sigrid; Kroustallis, Stephanos (Eds.) et al Making and transforming art : changes in artists’ materials and practice (in press)

Anthocyanins are colorants which provide most of the blue, red and violet colours in numerous plants and fruits. Because of their great sensitivity to the slightest changes in pH and their instability in ... [more ▼]

Anthocyanins are colorants which provide most of the blue, red and violet colours in numerous plants and fruits. Because of their great sensitivity to the slightest changes in pH and their instability in ordinary daylight, it is generally thought that these colorants were used only to dye everyday clothes in a domestic context. However, medieval artists’ recipe books not only describe these elusive substances, but also indicate their use in illumination. This is notably the case for the texts of the so-called ‘Strasbourg Tradition’, written in the south of Germany and the north of France between 1400 and 1560, and partly composed from an older Alsatian treatise on illumination. Departing from these sources, this paper details the methods employed to prepare these colorants and (re)evaluates their diverse uses in painting and illuminating techniques. This technical data subsequently served as a basis upon which to make reconstructions. Finally, an attempt to correlate the information provided by these recipe books with specific artistic practices was carried out by collating the descriptions with the results of analyses from contemporary illuminations by an Alsatian workshop active in the same geographical area. [less ▲]

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See detailThe “Tuchlein” Colours in the Strasbourg Family Text: Recipes for Anthocyanin Pigments
Neven, Sylvie ULg; Sanyova, Jana

in Dyes in History and Archaeology (in press)

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See detailStudy of the alteration processes of Prussian blue in laboratory-prepared and genuine paint layers
Samain, Louise ULg; Sanyova, Jana; Strivay, David ULg

Conference (2012, July 09)

The necessity of understanding degradation and alteration processes in a painting's materials is well established for preservation and art history issues. The task is complex because of the highly ... [more ▼]

The necessity of understanding degradation and alteration processes in a painting's materials is well established for preservation and art history issues. The task is complex because of the highly heterogeneous character of an ancient paint layer. In this context we focus on a particular pigment, Prussian blue. Prussian blue is a hydrated ferric ferrocyanide complex, first synthesized in 1704 in Berlin. It has been widely used by artists until the 1970s. However, the permanence of Prussian blue had already been questioned by the mid-eighteenth century, because it exhibits a tendency to fade in light and to turn green. To date, little attention has been devoted to the understanding of the degradation processes of Prussian blue in paint layers. We induced discoloration upon light exposure in commercial and laboratory-synthesized Prussian blue watercolor and oil paint layers by accelerated ageing. Pure Prussian blue painted in a dark shade appears to be extremely light fast but fades when either painted in a lighter shade or mixed with white pigments. We analyzed the paint layers by various techniques, i.e., UV-visible, Fourier transform infrared, Raman, Mössbauer and X-ray absorption spectroscopy. We attributed the fading of Prussian blue to a reduction of the iron(III) ions at the surface of the paint layers. We also observed a partial oxidation of Prussian in the entire paint layer. Finally we confirmed these results by analyzing works of art containing Prussian blue, i.e., a polychrome sculpture, wallpapers and mural decoration sample. [less ▲]

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See detailCaractérisation et vieillissement accéléré de pigments de bleu de Prusse synthétisés selon les méthodes de préparation anciennes et modernes
Samain, Louise ULg; Lauricella, Melina; Silversmit, Geert et al

Conference (2011, April 11)

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See detailFading of modern Prussian blue pigments in linseed oil medium
Samain, Louise ULg; Silversmit, Geert; Sanyova, Jana et al

Poster (2011, February 04)

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See detailFading of modern Prussian blue pigments in linseed oil medium
Samain, Louise ULg; Silversmit, Geert; Sanyova, Jana et al

in Journal of Analytical Atomic Spectrometry [=JAAS] (2011), 26(5), 930

The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate(II), based pigments in a linseed oil medium during exposure to light has been investigated. The ... [more ▼]

The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate(II), based pigments in a linseed oil medium during exposure to light has been investigated. The Prussian blue pigments were painted from linseed oil, as a pure pigment and mixed with white lead, (PbCO3)2Pb(OH)2, zinc white, ZnO, or titanium white, TiO2, pigment. The samples were subjected to accelerated ageing for 800 hours and the light fastness of the Prussian blue pigment was evaluated by reference to blue wool standards. Pure Prussian blue is extremely light fast whilst it strongly fades when mixed with a white pigment, especially with lead white or zinc oxide. The painted samples were studied by UV-visible, iron K-edge X-ray absorption, iron-57 transmission Mössbauer, and attenuated total reflectance infrared spectroscopy. X-ray absorption results reveal a decrease in the iron coordination number in aged samples in the presence of white pigment. The Mössbauer spectra of the pure Prussian blue and the unaged and aged mixtures of Prussian blue and lead white or zinc oxide at 1:100 and 1:10 dilution ratios, respectively, indicate the presence of iron(II) and iron(III) in a ratio close to one as expected for the bulk stoichiometric KFeIII[FeII(CN)6]; no change in the spectral parameters was observed upon ageing. Combined with the X-ray near edge absorption and infrared studies, these results suggest reduction of the surface iron ions in the Prussian blue with ageing upon exposure to light. [less ▲]

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See detailCharacterization of modern Prussian blue pigments by Mössbauer spectroscopy and synchrotron radiation
Samain, Louise ULg; Silversmit, Geert; Sougrati, Moulay T. et al

Conference (2009, November 27)

Detailed reference viewed: 63 (10 ULg)
See detailFading of Modern Prussian Blue Pigments : Preliminary Study
Samain, Louise ULg; Sougrati, Moulay T.; Hatert, Frédéric ULg et al

Poster (2009, June)

Detailed reference viewed: 15 (3 ULg)