References of "Dejasse, Erwin"
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See detailBande dessinée et reportage
Dejasse, Erwin ULiege; Preyat, Fabrice

Scientific conference (2017, November 24)

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See detailArt Brut et bande dessinée : influences, convergences et sympathies
Dejasse, Erwin ULiege

Scientific conference (2017, November 09)

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See detailSans titre (postface)
Dejasse, Erwin ULiege

in Muñoz, José; Sampayo, Carlos (Eds.) Le Bar à Joe (édition intégrale) (2017)

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See detailJosé Muñoz y Carlos Sampayo, deconstruir y reinventar la historieta seria
Dejasse, Erwin ULiege

Scientific conference (2017, June 05)

Vista desde Europa, la historieta argentina aparece como un campo de experimentación. La obra de José Muñoz y Carlos Sampayo en particular se destaca por la radicalidad del diseño gráfico y de la ... [more ▼]

Vista desde Europa, la historieta argentina aparece como un campo de experimentación. La obra de José Muñoz y Carlos Sampayo en particular se destaca por la radicalidad del diseño gráfico y de la construcción narrativa. Sin embargo, tiene sus raíces en producciones con vocación popular. Muñoz y Sampayo deconstruyen poco a poco las normas de la historieta de género basada en la primacía de la intriga y la ilusión de la realidad. Introduciendo numerosos aportes exógenos, el contenido ficcional resuena con la actualidad del momento y con el camino de vida de los autores. Muñoz y Sampayo substituyen la lectura clásica basada en el consumo del relato, con una lectura emocional. [less ▲]

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See detailPratiques du détournement dans la bande dessinée
Dejasse, Erwin ULiege

Scientific conference (2017, February 22)

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Peer Reviewed
See detailPoétiser la Guerre d’Espagne : "Constancio y Manolo" de José Muñoz et Carlos Sampayo.
Dejasse, Erwin ULiege

Conference (2016, November 18)

José Muñoz and Carlos Sampayo’s Constancio y Manolo (1976) is their seventh story featuring New York-based detective Alack Sinner. It depicts a Spanish family whose patriarch fought for the Republicans ... [more ▼]

José Muñoz and Carlos Sampayo’s Constancio y Manolo (1976) is their seventh story featuring New York-based detective Alack Sinner. It depicts a Spanish family whose patriarch fought for the Republicans during the Civil War. It also mentions events that took place when Constancio y Manolo was being made: the US presidential election, the death of Francisco Franco and the consequent fall of Spanish dictatorship, and, albeit implicitly, the rise of a similar military, theocratic, and violent regime in the cartoonists’ native country, Argentina. The graphic style is heterogeneous, the main plot is fragmentary and numerous secondary stories interfere with its development; and yet, we are paradoxically dealing with a highlycoherent work. Muñoz and Sampayo’s poetics of fragments are put in the service of their own worldview, committed to resist against all mechanisms of oppression and expressing a deep empathy for all those left out of “economic progress”. [less ▲]

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See detailJean Leclercq - Éloge de l’élégance foireuse
Dejasse, Erwin ULiege

Article for general public (2016)

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See detailHeta-Uma: manga on the other side of the mirror
Dejasse, Erwin ULiege

Conference (2016, October 25)

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See detailFrémok: Comics Out-of-Bounds
Dejasse, Erwin ULiege

in World Literature Today (2016), 90(2), 56-59

Article that analizes the history, background and publishing policity of French-Belgian publisher Frémok

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See detailConférence-rencontre avec José Parrondo
Dejasse, Erwin ULiege

Conference given outside the academic context (2016)

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See detailBande dessinée et "sonorités graphiques"
Dejasse, Erwin ULiege

Conference given outside the academic context (2015)

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See detailLa Musique silencieuse de José Muñoz et Carlos Sampayo : déconstruction des normes et lecture émotionnelle
Dejasse, Erwin ULiege

Doctoral thesis (2015)

Cette thèse met en lumièredans l'oeuvre de José Muñoz et Carlos Sampayo les mécanismes de déconstruction des normes issues de la bande dessinée de genre fondée sur le principe de l’illusion référentielle ... [more ▼]

Cette thèse met en lumièredans l'oeuvre de José Muñoz et Carlos Sampayo les mécanismes de déconstruction des normes issues de la bande dessinée de genre fondée sur le principe de l’illusion référentielle. Cette entreprise de dislocation des standards graphiques et narratifs vise à substituer à la lecture traditionnelle fondée sur la consommation du récit, une lecture émotionnelle. [less ▲]

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See detailJosé Muñoz: La poética de las manchas
Dejasse, Erwin ULiege

in Entre Líneas: Revista de Estudios Sobre Historieta y Humor Gráfico (2014), 1

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See detailLe regard cosmopolite et rétrospectif de la bande dessinée alternative
Dejasse, Erwin ULiege

in Dony, Christophe; Habrand, Tanguy; Meesters, Gert (Eds.) La bande dessinée en dissidence / Comics in Dissent Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing (2014)

When critically exploring alternative comics, the various actors participating in the processes of legitimization of the form — including print and broadcast media, festivals, scholars and fans — often ... [more ▼]

When critically exploring alternative comics, the various actors participating in the processes of legitimization of the form — including print and broadcast media, festivals, scholars and fans — often privilege a handful of people (Sfar, Trondheim, Ware, Satrapi,…), a small number of publishers (especially L’Association), a few particular formats such as the “graphic novel,” emblematic genres (the memoir and autobiography), or certain geographical areas such as France and/or the United States. And yet, the phenomenon of alternative comics may take a multitude of forms and is resolutely international in scope. Despite this diversity, alternative comics worldwide nevertheless share common objectives. They notably include the challenging of two of the most common critical stances directed against a multitude of “traditional” publishers, namely : their inclination towards ethnocentricity and their cultivation of amnesia. Far from sweeping away the history of the form, alternative comics artists and publishers alike attach great value to the past of the medium and generally embrace it. [less ▲]

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See detailContre-culture
Dejasse, Erwin ULiege

in Groensteen, Thierry (Ed.) Dictionnaire esthétique et thématique de la bande dessinée (2014)

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See detailIn Search of the Lost Serial
Capart, Philippe; Dejasse, Erwin ULiege

in Beaty, Bart; Miller, Ann (Eds.) The French Comics Theory Reader (2014)

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See detailLa Bande dessinée sur papier à l’heure du numérique
Dejasse, Erwin ULiege

Conference given outside the academic context (2013)

Detailed reference viewed: 47 (6 ULiège)
See detailSéminaire sur la bande dessinée alternative en Belgique
Dejasse, Erwin ULiege

Conference given outside the academic context (2013)

Four speaches of half an hour each about alternative comics in Wallonia and Brussels. Part 1: general points, history, publishers and aesthetic approach ; part 2: Benoît Jacques and Dominique Goblet ... [more ▼]

Four speaches of half an hour each about alternative comics in Wallonia and Brussels. Part 1: general points, history, publishers and aesthetic approach ; part 2: Benoît Jacques and Dominique Goblet ; part3: Vincent Fortemps and José Parrondo ; part4: David Libens and Aurélie William Levaux. [less ▲]

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See detailLa Bande dessinée en Belgique francophone : ruptures et réinventions
Dejasse, Erwin ULiege

Scientific conference (2012, October 30)

The lecture tries to feature the mainlines of today's Belgian Comics

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See detailPresentación del libro "L'Association : une utopie éditoriale et esthétique"
Dejasse, Erwin ULiege

Conference (2012, September 28)

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