References of "Vanden Berghe, Kristine"
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See detailMario Vargas Llosa, l'éternel révolté
Vanden Berghe, Kristine ULg

in Revue des Questions Scientifiques (2011), 182(1-2), 147-153

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See detailEl retorno de los galeones.
Vanden Berghe, Kristine ULg; Vandermeulen, Marie ULg

Book published by Peter Lang (2011)

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See detailPresentación
Vanden Berghe, Kristine ULg

in Vanden Berghe, Kristine (Ed.) El retorno de los galeones (2011)

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See detailBuñuel et le sombrero mexicain
Vanden Berghe, Kristine ULg

Conference (2010, December 02)

La conférence analyse quelques aspects de la relation entre Buñuel et la culture mexicaine officielle. D'abord on analyse le discours du cinéaste lui-même sur ce qu'il appelait la 'culture du sombrero ... [more ▼]

La conférence analyse quelques aspects de la relation entre Buñuel et la culture mexicaine officielle. D'abord on analyse le discours du cinéaste lui-même sur ce qu'il appelait la 'culture du sombrero'. Ensuite on lit les textes que le poète Octavio Paz écrivit sur le cinéaste espagnol. [less ▲]

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See detailUne vision joyeuse de la révolution mexicaine
Vanden Berghe, Kristine ULg

Conference given outside the academic context (2010)

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See detailConversation avec David Toscana à l'occasion de la traduction en français du roman 'Un train pour Tula'
Vanden Berghe, Kristine ULg

Conference given outside the academic context (2010)

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See detailTendances actuelles du roman hispano-américain
Vanden Berghe, Kristine ULg

Article for general public (2010)

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See detailCartucho, de Nellie Campobello, desde la teoría del juego de Johan Huizinga
Vanden Berghe, Kristine ULg

Scientific conference (2010, September 21)

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See detailAlegría en la revolución y tristeza en tiempos de paz. El juego en Cartucho y Las manos de mamá de Nellie Campobello.
Vanden Berghe, Kristine ULg

in Literatura mexicana (2010), XXI(2), 151-170

En Cartucho (1931), Nellie Campobello representa la Revolución Mexicana como si fuera un juego, en el sentido que da Johan Huizinga al término en su ensayo Homo Ludens (1938). Destaca la belleza de la ... [more ▼]

En Cartucho (1931), Nellie Campobello representa la Revolución Mexicana como si fuera un juego, en el sentido que da Johan Huizinga al término en su ensayo Homo Ludens (1938). Destaca la belleza de la contienda, la alegría fundamental de los revolucionarios y convierte a éstos en niños que, rifles en mano, juegan su vida sobre sus caballos. En Las manos de mamá (1937), los ingredientes constitutivos de lo lúdico se desplazan masivamente de los revolucionarios a la madre de la narradora. Asimismo, ésta pinta un tiempo postrevolucionario falto de espíritu del juego, invadido por la tristeza y la fealdad. Después de analizar estas diferencias, proponemos una hipótesis que explica por qué la acogida crítica de dos textos que Campobello escribiera sobre la Revolución fue tan divergente. [less ▲]

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See detail« Goooaal ». La politique du football dans 'Des morts qui dérangent' (2006)
Vanden Berghe, Kristine ULg

in Amerika [En ligne] (2010), 1

The novel The Uncomfortable Dead, written by subcomandante Marcos and Paco Ignacio Taibo includes a scene which describes a football match between the indigenous inhabitants of Chiapas and the foreign ... [more ▼]

The novel The Uncomfortable Dead, written by subcomandante Marcos and Paco Ignacio Taibo includes a scene which describes a football match between the indigenous inhabitants of Chiapas and the foreign observers which sympathise with the Zapatista cause. This scene can be interpreted in various ways: as a metaphor of the struggle in Chiapas between the Zapatistas and the government, but at the same time as a mise en abyme of the plot of the novel, which tells the story of two antagonistic gangs, one of them attempting to occupy the other’s territory. In addition, the football match can be associated with the act of writing the novel, and more in particular with the collaboration between its two authors. In the other text which marks the return of the Zapatistas on the political scene in 2005, Marcos also makes use of imagery related to football, which is one of the primary means of affirming the collective Mexican identity. In this way, he presents the Zapatista army as pre-eminently popular, because it shares with the living forces of the nation one of the most important markers of Mexican identity. At the same time, as football is one of the most universal forms of popular entertainment, this imagery is also fit to capture the sympathy of an international public. [less ▲]

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See detailMexique: David Toscana
Scheffer, Aurélie; Vanden Berghe, Kristine ULg

Article for general public (2010)

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See detailDe la ciudad letrada a la selva. Acerca de Mascarita y de Marcos.
Vanden Berghe, Kristine ULg

in Idmhand, Fatiha; Dei Cas, Norah (Eds.) El escritor y el intelectual entre dos mundos. Lugares y figuras del desplazamiento. Homenaje a Fernando Aínsa (2010)

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See detailTemas de historia y civilización latinoamericanas
Vanden Berghe, Kristine ULg

Book published by Plantyn - 3ème édition augmentée et actualisée (2010)

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See detailResistencia desquiciada en El ejército iluminado de David Toscana
Vanden Berghe, Kristine ULg

Conference (2009, December 13)

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See detailLa teoría del juego según Johan Huizinga y los estereotipos de la guerra.
Vanden Berghe, Kristine ULg

Conference (2009, November 19)

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See detailMujeres, indígenas y el EZLN en 'Lo que está en mi corazón', de Marcela Serrano
Vanden Berghe, Kristine ULg

in Contribuciones desde Coatepec (2009), 17

This contribution presents an analysis of the novel Lo que está en mi corazón (2001), written by the Chilean author Marcela Serrano. After presenting the story and the feminine themes in it, we analyse ... [more ▼]

This contribution presents an analysis of the novel Lo que está en mi corazón (2001), written by the Chilean author Marcela Serrano. After presenting the story and the feminine themes in it, we analyse the images of the indigenous population in Chiapas. This theme allows us to link the portrayal of the feminine characters to the literary construction of the Zapatista Army of National Liberation [less ▲]

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See detailLe réalisme sale de Guillermo Fadanelli
Vanden Berghe, Kristine ULg

Article for general public (2009)

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See detailLos trópicos de Mario Vargas Llosa. ¿Tristes tópicos?
Vanden Berghe, Kristine ULg

in Vanden Berghe, Kristine (Ed.) Amazonía. Civilisations et barbaries (2009)

Detailed reference viewed: 47 (4 ULg)