References of "Tunca, Daria"
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See detail"Svetski Nigerijci": Nigerijski pisci u dijaspori u dvadeset prvom veku
Tunca, Daria ULg; Cvijanović, Igor

in Mostovi (2008), 143-144

Detailed reference viewed: 51 (11 ULg)
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See detailIntervju sa Čimamandom Ngozi Adiči
Tunca, Daria ULg; Adichie, Chimamanda Ngozi; Cvijanović, Igor

in Mostovi (2008), 141-142

Detailed reference viewed: 37 (6 ULg)
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See detailReview of Tomi Adeaga's Translating and Publishing African Language(s) and Literature(s): Examples from Nigeria, Ghana and Germany
Tunca, Daria ULg

in Commonwealth : Essays and Studies (2007), 31(1), 119-121

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See detailLa littérature post-coloniale : l'exemple du Nigeria
Ledent, Bénédicte ULg; Tunca, Daria ULg

Conference given outside the academic context (2006)

Detailed reference viewed: 43 (3 ULg)
See detailDe l'anglais dans la littérature post-coloniale : enjeux interculturels
Tunca, Daria ULg

Conference (2006, June 17)

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See detailAfrican Studies in Wallonia
Tunca, Daria ULg

Conference (2006, June 02)

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See detailChimamanda Ngozi Adichie en Chika Unigwe: stemmen die aandacht verdienen
Tunca, Daria ULg; Demetter, Lode

Article for general public (2006)

Detailed reference viewed: 90 (11 ULg)
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Peer Reviewed
See detailPaying Attention to Language, Replicas and the Role of the Artist in Janet Frame's Living in the Maniototo
Tunca, Daria ULg

in Journal of Postcolonial Writing (2006), 42(1), 32-43

Janet Frame's 1979 novel Living in the Maniototo features a ubiquitous narrator whose multiple personalities are linked by a common interest in creation. This choice of narrative perspective, coupled with ... [more ▼]

Janet Frame's 1979 novel Living in the Maniototo features a ubiquitous narrator whose multiple personalities are linked by a common interest in creation. This choice of narrative perspective, coupled with the characters and events depicted in the book, provides the basis for an exploration of the related concepts of art, language and replicas. By establishing connections between these elements, this article attempts to unveil the dynamics at work in the novel's multi-layered structure and thus shed light on the role of the artist in the narrative and, by extension, on the author's metafictional strategy. [less ▲]

Detailed reference viewed: 68 (14 ULg)
See detailLanguage and Characterization in Chimamanda Ngozi Adichie's Purple Hibiscus
Tunca, Daria ULg

Conference (2005, July 13)

Detailed reference viewed: 519 (4 ULg)
See detailCross-cultural "Nigerian" Writers
Tunca, Daria ULg

Conference (2005, July 01)

Detailed reference viewed: 7 (1 ULg)
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See detailReview of Chris Abani's Graceland and Chimamanda Ngozi Adichie's Purple Hibiscus
Tunca, Daria ULg

in Wasafiri (2005), 45(Summer), 81-83

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See detailBen Okri's The Landscapes Within and Dangerous Love: Vision and Revision
Tunca, Daria ULg

in BELL. Belgian Journal of English Language and Literatures (2004), 2

In 1981, Nigerian author Ben Okri published The Landscapes Within, a novel about a young painter’s life and creative aspirations. This work, in Okri’s own words, “continued to haunt [him] and trouble [him ... [more ▼]

In 1981, Nigerian author Ben Okri published The Landscapes Within, a novel about a young painter’s life and creative aspirations. This work, in Okri’s own words, “continued to haunt [him] and trouble [him] through the years, because in its spirit and essence [he] sensed that it was incomplete.” Therefore, he published a revised version of this early book, under the title Dangerous Love, in 1996. By way of introduction, this article will briefly outline the meanings of these different titles. Then, starting from a close reading of the narratives, I shall argue that the major factors of differentiation between the novels are not to be found on the level of plot, but mainly lie in the importance given to certain statements, metaphors, and the degree of accomplishment of the painter’s work. Importantly, these modifications are paralleled by significant stylistic changes. If language plays a determining role on the formal level, it will also be analysed as an important thematic concern of both the author and his protagonist. Indeed, the second version of the novel questions not only the appropriateness of English in post-colonial African settings, but also the relevance of language in general as a medium of artistic representation. [less ▲]

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See detailThe Chimamanda Ngozi Adichie Website
Tunca, Daria ULg

Textual, factual or bibliographical database (2004)

An online bibliography of works by and about Chimamanda Ngozi Adichie. Includes a short biography of the author, a critical introduction to her work and an interview. Regularly updated.

Detailed reference viewed: 150 (5 ULg)
See detailThe Ben Okri Bibliography
Tunca, Daria ULg

Textual, factual or bibliographical database (2004)

An online bibliography of works by and about Ben Okri. Includes a short critical introduction to the author's work. Regularly updated.

Detailed reference viewed: 36 (7 ULg)