References of "Strivay, David"
     in
Bookmark and Share    
See detailFading of modern Prussian blue pigments in linseed oil medium
Samain, Louise ULg; Silversmit, Geert; Sanyova, Jana et al

Poster (2011, February 04)

Detailed reference viewed: 20 (6 ULg)
Full Text
Peer Reviewed
See detailTiO2 mesoporous thin films studied by Atmospheric Ellipsometric Porosimetry: A case of contamination
Dubreuil, Olivier ULg; Dewalque, Jennifer ULg; Chene, Grégoire ULg et al

in Microporous and Mesoporous Materials (2011), 147

Anatase mesoporous TiO2 thin films are frequently prepared by surfactant templating to control porosity development and Atmospheric Ellipsometric Porosimetry is a reliable and fast technique allowing the ... [more ▼]

Anatase mesoporous TiO2 thin films are frequently prepared by surfactant templating to control porosity development and Atmospheric Ellipsometric Porosimetry is a reliable and fast technique allowing the determination of the porosity of such films. After prolonged exposition to high-vacuum (6×10-6 mbar), the films porosity exhibits a degraded behavior during porosimetric measurements, indicating a vacuum-induced modification. The main effect resulting from such exposition to high-vacuum is a wet- tability modification of the films, resulting in an increase of the hydrophobic character of the TiO2 surface. This evolution induces non-correct results in porosimetric measurements due to the fact that the contact angle parameter needed to calculate the pore size distribution is highly different from the reference films. A surface contamination explains such modifications and a restoration of the films is obtained by using ultraviolet treatment. [less ▲]

Detailed reference viewed: 119 (40 ULg)
Peer Reviewed
See detailThe influence of aromatic solvents on CuPC blue pigments in oil paintings
Defeyt, Catherine ULg; Wijnberg, Louise; Verbeeck, Muriel ULg et al

Poster (2011)

Detailed reference viewed: 26 (1 ULg)
Peer Reviewed
See detailThe Influence of aromatic solvents on CuPc blue pigments
Defeyt, Catherine ULg; Vandenabeele, Peter; Lycke, Sylvia et al

Poster (2011)

Detailed reference viewed: 21 (0 ULg)
Full Text
Peer Reviewed
See detailElemental 2D imaging of paintings with a mobile EDXRF system
Hocquet, François-Philippe ULg; Calvo Del Castillo, Helena ULg; Cervera Xicotencatl, Ariadna ULg et al

in Analytical and Bioanalytical Chemistry (2011), 399(9), 3109-3116

Imaging techniques are now used commonly and intensively in cultural heritage object analysis. Nowadays, many different techniques in nature as well as many applications exist, where they can be applied ... [more ▼]

Imaging techniques are now used commonly and intensively in cultural heritage object analysis. Nowadays, many different techniques in nature as well as many applications exist, where they can be applied. X-ray radiography and infrared reflectography as well as UV photography are some of the most applied techniques. The study of works of art usually requires these techniques to be non-invasive. Furthermore, they are frequently required to perform in situ analysis. A few years ago, our laboratory developed a mobile energy-dispersive X-ray fluorescence and UV-vis-NIR coupled spectrometer, especially designed for fieldwork studies, where all three techniques can be applied strictly at the same site of analysis. Recent developments on a new positioning system have now allowed us to perform 2D elemental mappings with our equipment, which is especially well adapted to painting analysis. The system control is carried out entirely through a laptop computer running a dedicated homemade software. The positioning is achieved by means of a CCD camera embedded in the system and controlled via a Wi-Fi connection through the computer. The data acquisition system, which is made through a homemade multichannel pulse height analyzer, being also managed via the software mentioned above, goes through an Ethernet connection. We will present here the new developments of the system and an example of in situ 2D elemental mapping applied on an anonymous oil painting on wood panel. The discovery of a hidden painting under this oil painting makes it a good choice for a first example of 2D large scan with a mobile instrument. © Springer-Verlag 2010. [less ▲]

Detailed reference viewed: 119 (31 ULg)
Full Text
Peer Reviewed
See detailSélection et traitement thermique de matériaux colorants rouges sur le site moustérien es-Skhul (ca. 100 000 B.P., Israël)
Salomon, Hélène ULg; Vignaud, Colette; d'Errico, Francesco et al

Poster (2011)

Detailed reference viewed: 30 (3 ULg)
Full Text
Peer Reviewed
See detailFading of modern Prussian blue pigments in linseed oil medium
Samain, Louise ULg; Silversmit, Geert; Sanyova, Jana et al

in Journal of Analytical Atomic Spectrometry [=JAAS] (2011), 26(5), 930

The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate(II), based pigments in a linseed oil medium during exposure to light has been investigated. The ... [more ▼]

The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate(II), based pigments in a linseed oil medium during exposure to light has been investigated. The Prussian blue pigments were painted from linseed oil, as a pure pigment and mixed with white lead, (PbCO3)2Pb(OH)2, zinc white, ZnO, or titanium white, TiO2, pigment. The samples were subjected to accelerated ageing for 800 hours and the light fastness of the Prussian blue pigment was evaluated by reference to blue wool standards. Pure Prussian blue is extremely light fast whilst it strongly fades when mixed with a white pigment, especially with lead white or zinc oxide. The painted samples were studied by UV-visible, iron K-edge X-ray absorption, iron-57 transmission Mössbauer, and attenuated total reflectance infrared spectroscopy. X-ray absorption results reveal a decrease in the iron coordination number in aged samples in the presence of white pigment. The Mössbauer spectra of the pure Prussian blue and the unaged and aged mixtures of Prussian blue and lead white or zinc oxide at 1:100 and 1:10 dilution ratios, respectively, indicate the presence of iron(II) and iron(III) in a ratio close to one as expected for the bulk stoichiometric KFeIII[FeII(CN)6]; no change in the spectral parameters was observed upon ageing. Combined with the X-ray near edge absorption and infrared studies, these results suggest reduction of the surface iron ions in the Prussian blue with ageing upon exposure to light. [less ▲]

Detailed reference viewed: 80 (14 ULg)
Full Text
Peer Reviewed
See detailDirect analysis of the central panel of the so-called Wyts triptych after Jan van Eyck
Deneckere, A.; Hocquet, François-Philippe ULg; Born, A. et al

in Journal of Raman Spectroscopy (2010), 41(11), 1210-1219

The applicability of mobile, non-destructive techniques such as energy dispersive X-ray fluorescence spectroscopy, which reveals the elemental composition, and fibre-coupled Raman spectroscopy, offering ... [more ▼]

The applicability of mobile, non-destructive techniques such as energy dispersive X-ray fluorescence spectroscopy, which reveals the elemental composition, and fibre-coupled Raman spectroscopy, offering molecular information, is applied to the central panel of the Wyts triptych, after Jan van Eyck. Using a combination of these direct techniques, vermilion (HgS), lead white (2PbCO3·Pb(OH)2), anatase (TiO2), massicot (PbO), zinc white (ZnO) and lead-tin yellow type I (Pb2SnO4) could be identified. X-ray fluorescence spectroscopy (XRF) measurements also confirmed the presence of cobalt. Also, copper was detected in different blue and green areas. For the brown and red colour, iron oxides were used. Apart from identifying pigments, the combination of these analytical techniques also gave information about restored parts and the layered structure of the panel. XRF maps of three different areas of the panel painting were recorded to get an idea of the changes the painting underwent during its past history. This research confirms the results of the visual analysis that the painting is a heavily restored copy of a lost original by Jan van Eyck. [less ▲]

Detailed reference viewed: 50 (19 ULg)
Peer Reviewed
See detailWear study on polymers and bio-materials by ultra thin layer activation
Delhalle, René ULg; Marchal, André ULg; Lucas, S. et al

Poster (2010, August)

Detailed reference viewed: 38 (13 ULg)
Peer Reviewed
See detailGlass production in Merovingian time
Van Wersch, Line ULg; Mathis, François ULg; Othmane, G. et al

Poster (2010, May)

Detailed reference viewed: 39 (5 ULg)