References of "Steyaert, Kris"
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See detail'Love for a Godhead due'. Shelley in the Low Countries
Steyaert, Kris ULiege

in Schmid, Susan; Rossington, Michael (Eds.) The Reception of P.B. Shelley in Europe (2008)

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See detailMozart's Music in Translation
Steyaert, Kris ULiege

in Chittiphalangsri, Phrae (Ed.) The Ferryman's Tales. Collected Writings for Professor Theo Hermans (2008)

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See detailDutch Literature [YWMLS]
Steyaert, Kris ULiege

in Parkinson, Stephen; Barber, Lisa (Eds.) The Year's Work in Modern Language Studies (2007)

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See detail'Een zuidelijk voortbrengsel van den kouden grond'. Taalpolitieke aspecten van de Nederlandse literaire historiografie in de Waalse provincies
Steyaert, Kris ULiege

in Verslagen en Mededelingen van de Koninklijke Vlaamse Academie voor Taal en Letterkunde (2007), 117(1), 49-66

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See detailDe historische dimensie in de neerlandistiek
Steyaert, Kris ULiege

Book published by Vantilt (2007)

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See detail'Swept along on the wild Styx'. Mozart's Daemonic Presence in Nineteenth-Century Dutch Poetry
Steyaert, Kris ULiege

in Görner, Rüdiger (Ed.) Mozart: eine Herausforderung für Literatur und Denken / Mozart: A Challenge for Literature and Thought (2007)

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See detailJan Prins: prentbriefkaartpoëet? 'Het Indische land' als ekfrasis
Steyaert, Kris ULiege

in Indische Letteren (2006), 21(2), 109-127

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See detailDutch Literature [YWMLS]
Steyaert, Kris ULiege

in Parkinson, Steven; Barber, Lisa (Eds.) The Year's Work in Modern Language Studies (2006)

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See detailWillem Kloos and Percy Bysshe Shelley. The Rationale Behind a Posthumous Friendship
Steyaert, Kris ULiege

in Broos, Ton; Bruyn Lacy, Margriet; Shannon, Thomas F. (Eds.) The Low Countries: Crossroad of Cultures (2006)

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See detail'In 't Oosten is de mensheid kind geweest'. Het beeld van de inlander in de Nederlands-Indische poëzie
Steyaert, Kris ULiege

in Hrncirova, Zdenka; Krol, Ellen (Eds.) Praagse Perspectieven, 3 (2005)

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See detail'De hoeren der welluidendheid'. Spelevaren met Coetzee, Claus en Shelley
Steyaert, Kris ULiege

in Hiligsmann, Philippe; Janssens, Guy; Vromans, Joseph (Eds.) Woord voor woord, zin voor zin. Liber Amicorum voor Siegfried Theissen (2005)

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See detailJ.J.L. ten Kates 'Duitsche Zwaan'. Mozart in Nederland
Steyaert, Kris ULiege

in Negentiende Eeuw (2004), 28(4), 237-256

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See detailWillem Elsschot: 'Vlaamse Kloos'? Over de falende stem van een barenkoning
Steyaert, Kris ULiege

in Revolver. Driemaandelijks Literair Tijdschrift (2004), 31(2), 56-67

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See detail'Klinkt helder op, gebeeldhouwde sonnetten'. Een vers van Jacques Perk als het startsein van Tachtig
Steyaert, Kris ULiege

in Nederlandse Letterkunde (2004), 9(2), 155-174

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See detail'Al de rest is pis'. Het verwaterend enthousiasme van Willem Kloos voor Multatuli's werk
Steyaert, Kris ULiege

in Over Multatuli (2004), 26(53), 49-64

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See detailWillem Bilderdijk
Steyaert, Kris ULiege

in Murray, Christopher John (Ed.) Encyclopedia of the Romantic Era 1760-1850 (2004)

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See detailHendrik Conscience
Steyaert, Kris ULiege

in Murray, Christopher John (Ed.) Encyclopedia of the Romantic Era 1760-1850 (2004)

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See detailDe gemaskerde eeuw (Marita Mathijsen)
Steyaert, Kris ULiege

in Neerlandica Extra Muros (2003), 41(3), 73-75

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See detail'Aangewaaid uit een vreemd land': de westerse poëzie van G.J. Resink
Steyaert, Kris ULiege

in Tijdschrift voor Nederlandse Taal- en Letterkunde (2003), 119(4), 279-299

This article examines the critical response to the poetry of G.J. (Han) Resink (1911-1997), a Dutch-language poet and scholar who adopted the Indonesian nationality in 1950. In the past, commentators have ... [more ▼]

This article examines the critical response to the poetry of G.J. (Han) Resink (1911-1997), a Dutch-language poet and scholar who adopted the Indonesian nationality in 1950. In the past, commentators have very much focused on what they perceive to be 'eastern' elements in Resink's oeuvre. I maintain that this has resulted in a one-sided interpretation, neglecting the underlying western, and in particular Dutch, tradition in many of Resink's poems. This article demonstrates the different ways in which Resink drew on the principles and literary output of the Eighties Movement, and how his formal experiments gain in significance when set against the work of poets like Perk, Kloos, and Dèr Mouw. The general view on Resink's later work as being inferior to his earlier poetry is shown to be the result of unwarranted preconceptions. [less ▲]

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