References of "Purnelle, Gérald"
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Purnelle, Gérald ULg

in Corpus (2004), 3

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See detailPrésentation; Notes; Chronologie; Bibliographie
Bertrand, Jean-Pierre ULg; Purnelle, Gérald ULg

in Marcel SCHWOB, Vies imaginaires, présentation par Jean-Pierre Bertrand et Gérald Purnelle (2004)

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See detailLe décasyllabe de Marie Étienne et son écriture générale (Anatolie, 1997)
Purnelle, Gérald ULg

in Formes Poétiques Contemporaines (2004), 2

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See detailLe Poids des mots. Actes des 7es Journées internationales d’Analyse Statistique des Données Textuelles (JADT 2004)
Purnelle, Gérald ULg; Fairon, Cédrick; Dister, Anne

Book published by Presses universitaires de Louvain (2004)

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See detailÉvolution d’une forme : métrique et versification chez Jaccottet
Purnelle, Gérald ULg

in Halpern, Anne-Élisabeth (Ed.) Éventail pour Jaccottet (2004)

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See detailCamouflage et dislocation : de l’alexandrin au vers libre chez Breton et Cocteau
Purnelle, Gérald ULg

in Revue des Lettres Modernes. Jean Cocteau (2003), 4

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See detailRénovation de rites : de la critique du vers au vers critique
Purnelle, Gérald ULg

in Balises, Cahiers de poétique des Archives et musée de la littérature (2003), 3-4

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See detail1924 : Marcel Thiry publie Toi qui pâlis au nom de Vancouver. « Docteur, j’ai un pied dans le XIXe neuvième siècle »
Purnelle, Gérald ULg

in Bertrand, Jean-Pierre; Biron, Michel; Denis, Benoît (Eds.) et al Histoire de la littérature belge francophone : 1830-2000 (2003)

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See detailLe vers contemporain : recherches et innovations en France dans les années 80 et 90
Purnelle, Gérald ULg

in Formes poétiques contemporaines (2003), 1

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See detailÉtienne Évrard, Stephania selecta
Denooz, Joseph ULg; Purnelle, Gérald ULg

Book published by CIPL-LASLA (2002)

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See detailLes atouts multiples de la lemmatisation : l’exemple du latin
Mellet, Sylvie; Purnelle, Gérald ULg

in JADT 2002, 6es Journées internationales d’Analyse statistique des Données Textuelles (2002)

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See detailLe vers semi-libre d'Yves Bonnefoy dans 'Ce qui fut sans lumiere'
Purnelle, Gérald ULg

in Français Moderne (Le) (2002), 70(2), 145-168

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See detailStatistique et métrique
Evrard, Etienne ULg; Purnelle, Gérald ULg

in Dangel, Jacqueline (Ed.) Le Poète architecte, Arts métriques et art poétique latins (2001)

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See detailPréface [à Infinitif, suivi de Sables, de Françoise Delcarte]
Purnelle, Gérald ULg

in Infinitif, suivi de Sables (2001)

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See detailLicet et subjonctif, verbe ou conjonction ? seconde enquête
Purnelle, Gérald ULg

in Moussy, Claude (Ed.) De Lingua Latina Novae Questiones, Actes du Xe Colloque International de linguistique latine (Paris-Sèvres, 19-23 avril 1999) (2001)

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See detailLes inscriptions latines translittérées en caractères grecs
Purnelle, Gérald ULg

in XI Congresso Internazionale di Epigrafia Greca e Latina. Roma, 18-24 settembre 1997. Atti (1999)

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See detailDifficultés de Mallarmé ?
Bernard, Michel; Noël, Odile; Purnelle, Gérald ULg

Book published by Seli Arslan (1999)

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See detail Une étude diachronique de la syntaxe de licet 
Purnelle, Gérald ULg

in Garcia-Hernandez, B. (Ed.) Estudios de Lingüítica latina (Actas del IX Coloquio de Lingüística Latina) (1998)

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See detailRimes et action dramatique dans la tragédie française : Racine, Corneille, Hugo
Evrard, Etienne ULg; Purnelle, Gérald ULg

in Revue. Informatique et Statistique dans les Sciences humaines (1998), 33

This paper studies eleven tragedies by Racine, four by Comeille and two by Hugo. All of them are written with the twelve-syllabics verse called "alexandrin". The system of rhymes associates the verses by ... [more ▼]

This paper studies eleven tragedies by Racine, four by Comeille and two by Hugo. All of them are written with the twelve-syllabics verse called "alexandrin". The system of rhymes associates the verses by pairs, which form kinds of distichs. We focus on the relation between the ends of the distichs and the ends of the characters' statcments: do the latter match the end of a distich, or the first verse of it, or do they appear in the middle of a verse? This feature is not random: in Racine and Corneille the ends of distichs and of statemenls match significantly, though Hugo avoids this feature more frequently. After a study of short statements (less than two verses)—which are more numerous in Hugo than in both classical tragedians—we find that, in Racine and Corneille, specific textual en dramatical effects, like questions, appear often when the end of a long statement is not associated with the end of a distich. At the opposite, when a question is a rhetorical question, it ends more frequently with the second verse of a distich. These facts don't occur in Hugo. [less ▲]

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