References of "Delville, Michel"
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See detailFood, Poetry, and the Aesthetics of Consumption
Delville, Michel ULg

Book published by Routledge (2008)

From Plato’s dismissal of food as a distraction from thought to Kant’s relegation of the palate to the bottom of the hierarchy of the senses, the sense of taste has consistently been devalued by Western ... [more ▼]

From Plato’s dismissal of food as a distraction from thought to Kant’s relegation of the palate to the bottom of the hierarchy of the senses, the sense of taste has consistently been devalued by Western aesthetics. Kant is often invoked as evidence that philosophers consider taste as an inferior sense because it belongs to the realm of the private and subjective and does not seem to be required in the development of higher types of knowledge. From a gastrosophical perspective, however, what Kant perceives as a limitation becomes a new field of enquiry that investigates the dialectics of diet and discourse, self and matter, inside and outside. The essays in this book examine the importance of food as a pivotal element – both materially and conceptually – in the history of the Western avant-garde. From Gertrude Stein to Alain Robbe-Grillet and Samuel Beckett, from F.T. Marinetti to Andy Warhol, from Marcel Duchamp to Eleanor Antin, the examples chosen explore the conjunction of art and foodstuff in ways that interrogate contemporary notions of the body, language, and subjectivity. [less ▲]

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See detailLes Avant-Gardes Contemporaines
Delville, Michel ULg

Learning material (2008)

Detailed reference viewed: 21 (0 ULg)
See detailPlagiat et citations: fascicule relatif à la rédaction du mémoire
Delville, Michel ULg; Simons, Germain ULg; Ramais, Thierry

Learning material (2008)

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See detailMorton Marcus, Pursuing the Dream Bone
Delville, Michel ULg

in Sentence: A Journal of Prose Poetics (2008), 7

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See detailThe Belly of the Writer
Delville, Michel ULg

in Interval(le)s (2008), 2

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See detailP. H. Liotta, the Graveyard of Fallen Monuments
Delville, Michel ULg

in Sentence: A Journal of Prose Poetics (2008), 7

Detailed reference viewed: 18 (1 ULg)
See detailFour Saints: Gertrude Stein’s Avant-Arrière-Garde
Delville, Michel ULg

in Baetens, Jan (Ed.) Littérature et transformation (2008)

Detailed reference viewed: 5 (0 ULg)
See detailUncontrollable Materialities: Experimental Poetry and the Body
Delville, Michel ULg

in Freitag, Kornelia (Ed.) Another Language - The Contemporary US-American Poetic (2008)

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See detailIn Anticipation of the Loop : Stein’s Four Saints
Delville, Michel ULg

Conference (2007, December 21)

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See detailPrésident de la journée d’études Olith (“Literaire Dynamiek – Atelier 3“)
Delville, Michel ULg

Diverse speeche and writing (2007)

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See detailDétails et catastrophes littéraires
Delville, Michel ULg

in Belloi, Livio; Hagelstein, Maud (Eds.) La mécanique du détail (2007, October 28)

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See detailLe phénomène Borat
Delville, Michel ULg

Speech/Talk (2007)

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See detailIntroduction
Delville, Michel ULg

in Intervalles (2007), 2

Detailed reference viewed: 49 (1 ULg)
See detailFrank Zappa and Captain Beefheart: Subject, Meaning, Pleasure
Delville, Michel ULg; Norris, Andrew

in Armand, Louis (Ed.) Transversions of the Contemporary (2007)

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See detailContro la pastasciutta : Marinetti’s Futurist Lunch
Delville, Michel ULg

in Intervalles (2007), 2

Detailed reference viewed: 31 (2 ULg)
See detailComparatisme et transversalité
Delville, Michel ULg; Belloi, Livio ULg

Scientific conference (2006, October 11)

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See detailCorps Architectural et Utopie Organique
Delville, Michel ULg; Dawans, Stéphane ULg

Scientific conference (2006, February 07)

Detailed reference viewed: 20 (6 ULg)
See detailL'oeuvre en morceaux: Esthétiques de la mosaïque
Delville, Michel ULg; Belloi, Livio ULg

Book published by Les Impressions Nouvelles (2006)

L'ambition de cet ouvrage est de proposer une esthétique de la forme " mosaïque " à travers les temps et à travers les arts. Dans le sillage du livre de Lucien Dällenbach, Mosaïques (Seuil, 2001), à qui ... [more ▼]

L'ambition de cet ouvrage est de proposer une esthétique de la forme " mosaïque " à travers les temps et à travers les arts. Dans le sillage du livre de Lucien Dällenbach, Mosaïques (Seuil, 2001), à qui le livre est dédié, les divers auteurs discutent, chacun pour une discipline différente, l'importance et l'impact de ce que l'on considère souvent comme la figure de base de l'esthétique contemporaine : la mosaïque. Plus particulièrement, ils examinent le statut d'une forme tiraillée entre l'homogénéité idéale de l'œuvre considérée comme un ensemble et la singularité des fragments qui la constituent. Croisant les arts et les disciplines, multipliant les exemples venus de traditions extrêmement diverses, les études rassemblées dans ce livre offrent la synthèse d'un champ de recherches bariolé et surprenant. Passant de l'action painting à la poésie, des nanonobjets numérisés aux écrans-mosaïques, de la musique sérielle au film peint ou encore du roman au cédérom, L'œuvre en morceaux examine des oeuvres et des démarches aussi diverses que celles de Stéphane Mallarmé, Stan Brakhage, Chris Marker, James Joyce, Jackson Pollock, Gertrude Stein, Edgard Varèse, etc. [less ▲]

Detailed reference viewed: 69 (27 ULg)