References of "Delfosse, Annick"
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See detailL’"Atlas marianus", une entreprise collective
Delfosse, Annick ULg

in Christin, Olivier; Flueckiger, Fabrice (Eds.) Sacrée géographie. L’"Atlas Marianus" de Wilhelm Gumppenberg et l’éclatement de la chrétienté (in press)

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See detailLa Congrégation des Rites et la sainteté antique
Delfosse, Annick ULg

in Dompnier, Bernard (Ed.) Le catholicisme moderne et les saints des origines (in press)

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See detailNormes liturgiques
Delfosse, Annick ULg

in Dekoninck, Ralph; D’HAINAUT-ZVENY, Brigitte (Eds.) Machinae spirituales. Les retables baroques dans les Pays-Bas méridionaux (in press)

Detailed reference viewed: 10 (4 ULg)
See detailLes corps saints des catacombes de Rome aux Pays-Bas : acteurs, réseaux, flux
Delfosse, Annick ULg

in Duhamelle, Christophe; Bacciochi, Stéphane (Eds.) Les corps saints des catacombes dans l’espace de la catholicité à l’âge moderne (XVIIe-XIXe siècles) (in press)

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See detail"Ecce ego, mitte me". Antoine Thomas ou le désir des Indes
Delfosse, Annick ULg

in Parmentier, Isabelle; Hermans, Michel (Eds.) De la Belgique à la Chine. Regards croisés à partir d’Antoine Thomas (in press)

Detailed reference viewed: 82 (16 ULg)
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See detailFrom Rome to the Southern Netherlands: Spectacular sceneries to celebrate the canonization of Ignatius of Loyola and Francis Xavier
Delfosse, Annick ULg

in DeSilva, Jennifer Mara (Ed.) The Sacralization of Space and Behavior in the Early Modern World (2015)

Detailed reference viewed: 12 (6 ULg)
See detailSpanish Saints in the Spanish Netherlands
Delfosse, Annick ULg

Conference (2014, March 27)

In the seventeenth century, the Roman proclamations of beatification or canonization generated a large number of festivities and spectacular events in many parts of the Monarchy of Spain. Yet, in the ... [more ▼]

In the seventeenth century, the Roman proclamations of beatification or canonization generated a large number of festivities and spectacular events in many parts of the Monarchy of Spain. Yet, in the Netherlands, they received a fainter echo and left a limited number of sufficiently documented testimonies. Two cases, however, are exceptions: the canonization of Ignatius of Loyola and Francis Xavier triumphantly celebrated by the Belgian Jesuits in 1622, and the beatification of Francisco Borgia in 1624, i.e., the elevation to the Catholic pantheon of three Spanish saints rejoiced by an order marked by its hispanophile nature, in provinces recently returned to the Spanish Crown. I will seek to define the Hispanic features of these events and I will particularly stress the very noticeable way how the Spanish communities, present in the Low Countries, committed themselves in these festivities. [less ▲]

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See detailPrésentation de l'Action de Recherches Concertée EpistolART
Delfosse, Annick ULg; Allart, Dominique ULg; Moreno, Paola ULg et al

Conference (2014, March 19)

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See detailQue devient l'Empire quand apparaît l'Etat? L'idéal universaliste à l'épreuve de la modernité
Delfosse, Annick ULg

Conference given outside the academic context (2014)

Detailed reference viewed: 19 (5 ULg)
See detailPerforming Emotions at the Canonization of St. Ignatius and St. Xavier
Delfosse, Annick ULg; Vermeir, Koen; Delbeke, Maarten et al

Conference (2014, March 08)

This paper will approach the celebrations of the canonization of St. Ignatius and St. Xavier in different localities of the Southern Netherlands over the course of 1622 as performances of emotion. We will ... [more ▼]

This paper will approach the celebrations of the canonization of St. Ignatius and St. Xavier in different localities of the Southern Netherlands over the course of 1622 as performances of emotion. We will analyze little known visual and textual testimonials of festivals and theatrical representations in Antwerp, Douai, Brussels, Dunkerque and Leuven to examine which means were used to represent, convey and enhance emotions, which actors were involved, how emotions were meant to address and affect the audience, and to what end emotions were activated. The double canonization of 1622 consecrated the Jesuits as stalwarts of the Roman papacy. In the Southern Netherlands, the celebrations of 1622 were a key moment in confirming the legitimacy of the order by displaying both how it was embedded in the local political and religious arena, and how it mastered the most advanced artistic means to support its mission. After a sketch of the celebrations and their political and religious context, we will analyze how and why emotion was performed in three steps. The sources attach enormous attention to the material, architectural and urban setting of the celebrations, by emphasizing the splendor and artistic sophistication of the events, and by pointing out the prestigious patronage that had accrued around them. We will examine whether and how the sources charged the material context of the celebration with emotion. What was the intended effect of this context on the audience? How did this context enable the performance of emotion in different forms of public display (pageantry, performances, …)? In order to answer this last question, in a second step we will have a closer look at the Triumphus dedicated to St Ignatius and St. Xavier performed in Brussels. We will examine how, in this ensemble, the material context is activated by the movement of the viewer. The description of the Triumphus singles out moments of transition as instances of heightened emotivity, suggesting that emotions are not mobilized by singular details but by overall views that impress themselves when the beholder crosses a treshold. In a third step we will describe the intended effect of the performance of emotions as a sacer horror, the bodily manifestation of religious awe, the organic sensation of respect mixed with fear and wonder felt in the presence of gods or cosmic forces. The performance of emotions, engendered by multiple layers of transformation (of the material context by means of ephemeral architecture, of the views and the experiences of the viewer, and ultimately, of their affective state) was directed at effectuating a lasting change of heart. [less ▲]

Detailed reference viewed: 16 (3 ULg)
See detailLa Vierge protectrice des villes
Delfosse, Annick ULg

Conference (2014, February 28)

Detailed reference viewed: 22 (4 ULg)
See detailLa spectacularisation du pouvoir. Festivités politiques et religieuses dans les anciens Pays-Bas des XVIe et XVIIe siècles
Delfosse, Annick ULg; Dekoninck, Ralph

Scientific conference (2013, November 09)

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See detailLe catholicisme spectaculaire : mise à distance ou expérience
Delfosse, Annick ULg

Scientific conference (2013, October 31)

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See detailAccepter l'histoire pour rénover le présent : l'exemple jésuite
Delfosse, Annick ULg

Scientific conference (2013, October 24)

Detailed reference viewed: 24 (5 ULg)
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See detailJesuit solemnities in the Southern Netherlands: immersion and experience
Delfosse, Annick ULg

Conference (2013, April 05)

Since the celebrations for Ignatius’s beatification organized in Brussels in 1609, the Belgian Jesuits kept proposing processional performances characterized not only by their highly spectacular features ... [more ▼]

Since the celebrations for Ignatius’s beatification organized in Brussels in 1609, the Belgian Jesuits kept proposing processional performances characterized not only by their highly spectacular features, but also by their physical dimensions, in contempt of synodal summons that imposed a strong spiritualization of the processions. With Jesuit ceremonies, bodies are in movement, senses are awakened, and emotions are heightened. Processions establish themselves as immersional spatio-temporal frames where what matters the most seems to be the experience provoked by the saturation of special effects. I will seek to define the practical terms of this experience and to identify the devices used to make this experience possible and the purpose behind this activation of experience. [less ▲]

Detailed reference viewed: 33 (6 ULg)
See detailLire, écrire et éduquer à la Renaissance. Hommages en l'honneur de Franz Bierlaire
Delfosse, Annick ULg; Glesener, Thomas

Book published by Archives et Bibliothèques de Belgique (2013)

Franz Bierlaire, professeur émérite de l’Université de Liège et professeur honoraire de l’Université Libre de Bruxelles depuis septembre 2009, s’est adonné pendant toute sa carrière aux études érasmiennes ... [more ▼]

Franz Bierlaire, professeur émérite de l’Université de Liège et professeur honoraire de l’Université Libre de Bruxelles depuis septembre 2009, s’est adonné pendant toute sa carrière aux études érasmiennes avec passion et rigueur. Il a également porté un intérêt tout particulier à l’histoire de l’enfance et de l’éducation ainsi qu’à l’histoire du livre. Ses élèves et amis, de Liège et d’ailleurs, veulent lui rendre ici hommage. Dans ce volume collectif, ils se proposent chacun d’aborder à leur manière des thématiques et perspectives de recherches que Franz Bierlaire affectionne particulièrement. [less ▲]

Detailed reference viewed: 68 (26 ULg)
See detailJesuit Solemnities in the Southern Netherlands : Immersion and Experience
Delfosse, Annick ULg

E-print/Working paper (2013)

Detailed reference viewed: 11 (4 ULg)
See detailLa Vierge et l’Ommegang
Delfosse, Annick ULg

in Heerbrant, Jean-Paul (Ed.) Ommegang ! Catalogue d’exposition (23 mai-1er septembre 2013) (2013)

Detailed reference viewed: 31 (4 ULg)
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See detailMise en image du spectacle et spectacularisation de l’image à l’âge baroque
Delfosse, Annick ULg; Dekoninck, Ralph; Delbeke, Maarten et al

in Degrés : Revue de Synthèses à Orientation Sémiologique (2013)

Detailed reference viewed: 94 (14 ULg)